Showing posts with label Babylonian mysteries. Show all posts
Showing posts with label Babylonian mysteries. Show all posts

Friday, January 3, 2025

Dark sun and red rain: weather report from 536 AD

 (This event happened about 200 years after the birth of the Roman Catholic church.  I believe it is/was a sign from God Almighty of his displeasure with the churches over compromising what they know was right, mixing the truth of his words with the falsities of the ancient Roman religion, which was heavily influenced by the Babylonian mysteries.  I further assert that he also used it as a sign to the churches that because they refused to repent of their sins (beginning with compromise) that a curse was going to be visited on the earth, in accordance with the book of Malachi, chapter 4, verse 6 (KJV).  Approximately 30 to 40 years later, Muhammed, the "prophet" of Islam was born.  Around 600 AD, he went into a cave and produced an early work of what we now call the Qu'ran.)


In 536 AD, the sun went dark and red rain poured from the skies. Here is the harrowing story of the volcanic winter of 536 AD.

Story by Peter Kinney


People of the 6th century woke up, not knowing that their lives would be forever modified. Before they could tell what was going on, the sun became dark, and the red rain poured from the skies. Was the world coming to an end?


Scholars are uncertain about the exact time these events occurred. Some sources mention that they happened in late 535 AD, while others suggest that the world became dark in 536 AD. Nevertheless, they all agree that this would mark the worst years mankind would face for decades.


What would happen if the sun disappeared for months? People of the 6th century had to find the answer as they witnessed a mysterious event that affected the entire globe. It’s often referred to as the Late Antique Little Ice Age, a period of climatic upheaval that altered weather patterns.


In 536 AD, the world became eerily dark for 18 months. The sun’s rays barely pierced the skies, casting an unsettling shadow over Earth. It wasn’t a temporary eclipse or a simple cloud cover but a profound global phenomenon.


Ash and dust from a massive volcanic eruption were sent high into the atmosphere, and they blocked sunlight and triggering a volcanic winter. The result? A dramatic drop in temperatures worldwide impacted many people. Some scholars believe this is one of the causes behind the fall of the Roman Empire.


The lack of sunlight severely impacted agriculture and caused crop failures, mass famine, and food shortages. In Rome, people described the sun as appearing pale or sickly. Historians and scientists agree that this period of darkness led to widespread societal strain.


As the sky darkened, the Earth itself seemed to be in turmoil. Reddish rain, caused by dust particles in the atmosphere, fell across the planet. These bizarre weather patterns, along with dust storms, gave rise to the ancient accounts of “the end of the world”.


In Europe, the cold led to shorter growing seasons and an inability to harvest enough food, which directly contributed to famine. Meanwhile, across Africa and Asia, drought exacerbated existing water shortages and created conditions ripe for civil unrest and the collapse of smaller kingdoms.


Many ancient scholars and historians wrote about the phenomenon and described it as something related to the wrath of the gods. As a matter of fact, such accounts existed in several parts of the world that never shared the same beliefs.


Scientists have only recently begun to study some clues, yet the exact cause still eludes us. Although some sources mention that this disaster was caused by a comet, others suggest it could have been a comet. Scientists and archaeologists should work together to reveal the truth.


David Keys has earned the title of “climate detective” for his groundbreaking work unraveling the mystery of the 6th-century climate disaster. What makes Keys’ work so compelling is his ability to combine the study of ancient texts with modern scientific methods, such as dendrochronology or tree-ring dating.


While many of us think of trees as silent witnesses to the passage of time, dendrochronology has shown that tree rings are, in fact, critical environmental records, as they can capture centuries of climate shifts. Scientists can piece together a detailed history of Earth’s changing climate by studying these rings.


Wide tree rings show good weather, while the narrow ones prove that trees were unable to grow. During the global climate catastrophe of 536 AD, these growth rings showed significant anomalies. By examining the rings of trees from around the world, researchers have confirmed a sudden and sharp cooling.


In dendrochronology, a few names stand out, like Mike Bailey. His research centered on studying the growth patterns in tree rings from oak trees in Ireland, and he found something extraordinary. A dramatic halt in tree growth happened around 536 AD.


By building a unique computer program, Bailey was able to understand what trees experienced during the volcanic winter. His studies of Irish oaks took 14 years to complete. However, they could tell us how the weather changed over the past 7,000 years.


The studies showed that trees in the Sierra Nevada Mountains experienced stunted growth, and the same happened to the trees in Chile and Siberia. In these far-flung locations, ancient trees showed signs of halted growth and abnormal ring patterns, pointing to the same catastrophic climate event.


As the 6th century’s climate catastrophe unfolded, humanity’s response was not merely passive. Archaeological findings reveal that people in regions like Ireland and Scotland sought refuge in crannogs—man-made islands built in lakes. These fortified dwellings protected them during a time of mysterious powers.


Among the many ancient records that describe the 6th-century climate catastrophe, Roman accounts stand out. Roman writers described the sun as darkened for an extended period, casting an eerie pall over the Roman Empire. The descriptions in these ancient records help us understand the fear that people experienced.


Eastern empires in Japan and China also experienced the catastrophic consequences of the climate shift. While the West spoke of the darkened sun and failed crops, Eastern records tell similar tales of famine. Chinese records describe “yellow dust” clouds, possibly volcanic ash, that blanketed much of the world.


Scientists wondered what caused the disaster: an asteroid impact or volcanic eruption. The asteroid hypothesis suggests that an object from space could have hit the Earth and thrown debris into the air. Alternatively, multiple volcanoes could have erupted around the same time to spew ash and sulfur into the atmosphere.


Scientists are still debating the merits of each theory, but the challenge lies in the fact that there may be no direct evidence of the impact itself, such as a large crater. Moreover, if such a big object had landed in the ocean, the initial tidal damage would have swept through multiple towns.


One of the most significant sources of evidence for understanding the 6th-century climate catastrophe comes from ice cores extracted from the polar regions. Research from Greenland and Antarctica shows the presence of volcanic aerosols, which are believed to have spread across the globe.


Scientists highlight that most volcanoes have been quiet for the last century. However, historical records show that every 1000 years or so, a catastrophic event takes place to change the plant for its inhabitants. The 6th-century event just happens to be the latest one.


Studies showed that only a volcanic eruption happening around the equator would have this massive force. Why? Only equatorial winds can carry the ash and sulfur dioxide to cover whole continents, thanks to atmospheric circulation patterns.


Some records in China spoke of a loud bang that happened in the 6th century. However, The Book of Kings from ancient Java provided more context. The text spoke of a massive wave that later subsided to reveal that the land was split in half.


One of the most famous volcanoes, Krakatoa, has long been associated with catastrophic eruptions. While the eruption in 1883 is the most well-known, researchers believe that Krakatoa may have played a key role in the 6th-century climate disaster, in what Ancient myths described as a “fire from the heavens”.


Charcoal dating, which determines the age of ancient volcanic events, plays a big role in pinpointing the timing of the eruptions that caused the 6th-century climate crisis. Nevertheless, finding enough samples was challenging as the area hardly settled, with only small pieces of land peaking above sea level.


After carefully analyzing the samples, the layers showed two massive eruptions: One happened around 6000 BC, and the other close to 1215 AD. Studies also showed that there was probably another major event between 0 and 1000 AD, which perfectly aligns with a 535 AD eruption.


David Keys’ studies showed that the power of this eruption would have been equal to the power of 2000 million Hiroshima-sized nuclear bombs. By analyzing tree rings, charcoal dating samples, ice, and ice witness accounts, scientists can draw a relatively accurate picture of what really happened.


Thanks to computer simulation, scientists can now assess the magnitude of the volcanic eruption. It shows that a 30-mile red fountain of molten rocks covered the countryside while magma fell over thousands of miles, killing people and other living creatures.


The ash created a massive mushroom cloud that eventually blocked out the sun, just like a nuclear winter. The fine dust would stay suspended as long as the air is moving. This is why the atmosphere became drier as the sun wasn’t able to evaporate water from the oceans.


Leaving volcanic studies behind, Keys decided to dig deeper into historical texts that spoke of societies getting into chaos. For example, despite the flourishing of the Late Roman Empire, 542 AD saw the spread of a deadly disease that killed millions, later known as the Plague of Justinian.


A monk called Evagrius described the symptoms of what doctors would later identify as the Bubonic Plague. This happened 7 years after the dark cloud, when flees transmitted the bacteria from rats to humans, particularly in Ethiopia. The plague then traveled with people on ships and via trade routes.


As a matter of fact, the Roman’s greed for ivory brought the plague to Europe. Constantinople was devastated, and people had to dispose of more than 10,000 bodies every week. Unfortunately, as people tried to escape the plague, they took it to other cities and towns.


The Avars depended on their horses for life and controlled Euroasia for years. However, in 552 AD, they were suddenly overpowered by the Turks. The differences between the digestive systems of cattle and horses show that horses might have suffered more as cows are able to digest more efficiently.


Keys explained that this could have been related to the decline in horses’ health due to the lack of proper vegetation because of the drought. After their defeat, the Avars left Mongolia and made their way to the Balkans, eventually becoming the strongest tribe.


The barbarians made their way to Constantinople, which was already weakened by the plague. But instead of fighting, the Avars chose to accept some gold. Historians believe that they managed to take what is equivalent to 7 billion pounds worth of gold.


Another major city, Teotihuacán, suffered from the aftermath of the global winter. It was a massive city in the Central Mexican Plateau with more than 125,000 inhabitants. Studies of skeletons show that the population, especially babies, suffered a severe decline in health.


Although there were no tree rings to prove a catastrophic climate event, lake deposits from the Yucatán Peninsula show a drought that lasted for a few decades. Moreover, the river levels in nearby regions show that the late 6th century marked the lowest levels in 3000 years.


Under these tense conditions, the people of Teotihuacán rose against their leaders. They destroyed the palaces and temples, probably because they thought that the priests were supposed to make rain. This civil unrest matches the one that happened in Europe.


The Celts were fighting the Anglo-Saxon invasion. Accounts speak of dead people and empty villages with trees dying and dark skies. Trees didn’t bear fruit, and crops didn’t grow. Mentions of a Wasteland are attributed to Arthur’s death, but could it be the global winter?


Due to trade with the Roman Empire, the Celtic Britons were exposed to the plague, which caused pustules in the armpits and left people to die in agony. This caused a population reduction that enabled the Anglo-Saxons to move West without much resistance.


At the beginning of the 6th century, Yemen was the most significant power in Arabia. But after 535 AD, Yemen suffered from drought and subsequent floods that crushed its Marib Dam and the country’s power. People migrated, and Medina became the new center of the region with the evolution of Islam.


Anticipating another volcanic eruption that could change the world as we know it is not fantasy. We know that tens of volcanoes exist, and their eruption date is overdue. Some signs, like the shaking of the ground in California and the die-off of forests, show us that we should be careful.


Besides Mount Vesuvius, there’s a massive caldera near the northern region of Naples, Italy, where thousands of people live. The last eruption happened in 1538, when 3,000 people died from the initial explosion. But would another eruption have the same effect?


Source:  https://www.msn.com/en-us/weather/topstories/in-536-ad-the-sun-went-dark-and-red-rain-poured-from-the-skies-here-is-the-harrowing-story-of-the-volcanic-winter-of-536-ad/ss-AA1wTMRm?ocid=msedgntp&pc=HCTS&cvid=c1438116267044a9b6f8323935645151&ei=16#image=1, accessed 01/03/2025

Friday, April 26, 2013

Fw: The Open Scroll Blog - Fringe; Candy Crush; Mind Control


The Open Scroll Blog

The Open Scroll Blog


Posted: 26 Apr 2013 08:25 AM PDT
Candy Crush Saga is a popular game for both iOS and Android smartphones. In March 2013, it became the most popular game on Facebook with 45.6 million average monthly users, surpassing FarmVille 2. The brand and game imagery features mind-control symbols.

Here's a commercial I saw yesterday.

Caveat: If you're a victim of ritual abuse who is still being delivered, or if you're easily offended by mature subjects and descriptive language, you might not want to continue here.

Candy Crush Saga Commercial



The logo's heart was a pretty obvious symbol of the butt that caught my attention right away. Also, Candy Crush = CC and since C=3 it is a 33; signature Masonic degree and graphic image of engaging sodomite butts! The busy rainbow of colors floating, rising and dropping spoke to me of "go over the rainbow" programming. See here for some background: Yoplait Umbrella Commercial After a few moments of considering the meaning of the brand imagery it became apparent that the word anus was wrapped around the heart. Clever. The colors red and yellow blend to orange, another sodomy signal and a third layer of redundancy: heart + anus + orange.

That creepy little girl has cheeks like eyes that make the other element a third eye. See how the curve of the mouth frames the pupil? This is the illumination symbol that usually accompanies ritual sodomy signals, as I've demonstrated in the sodomite gateway series.

I noticed her wierd dress looked like it had horns for sleeves so I flipped it over. Yikes! The angry Baphomet appeared! See the dark circles under his eyes, golden ears, a chin with beard? He's dressed up for the occasion with a sodomite bow tie. The mouth is a Masonic Royal Arch and squared circle! So, that's not really a mouth, it's the other end of the GI tract.

Check out the Masonic square and compass in the hat/dress. Pretty sly.

If that wasn't enough, they layered in even more "33" numbering in the way they tied the two words together. Matching to the reclined 3 at the top of the heart is this opposing 3 at the bottom.

Candy Crush Saga is a celebration of the edible candy which, in the context, pretty clearly indicates copraphagia, and pedophelia.

I thought the an+us trick seemed familiar. Sure enough. Orange Crush played the same bit! Illuminati mind-control.

I wondered about what more might be in the popular game's name and there are some interesting anagrams that can be found. I think the reason why the Candy Crush is a saga probably relates to the ancient gods, who are worshiped by the Illuminati.

Saga:
a. A prose narrative usually written in Iceland between 1120 and 1400, dealing with the families that first settled Iceland and their descendants, with the histories of the kings of Norway, and with the myths and legends of early Germanic gods and heroes.
b. A modern prose narrative that resembles a saga.
Posted: 25 Apr 2013 05:22 PM PDT
This is a continuation of the previous post, "Donald for Donald." You might want to open it in another window so you can reference it while you read this because I'm going to address different elements of that same scene. There's more layers of both Monarch programming and antichrist beast symbolism masterfully woven into this episode.

Engaging with this material brings a conviction to many of us about how we've been so undersold on the evil genius of the Devil's work among us. As the Lord provides, let's make the most of this season as the spiritual war in the heavens and on earth waxes great. Don't take any revelation insight opening to you or the trials you are experiencing for granted, which come by much grace. Let me encourage you once again to take hope in the Lord, who is our refuge and who is faithful!

Caveat: If you're a victim of ritual abuse who is still being delivered, there may be triggers ahead so be forewarned.

The main subject of this reunion scene in Act 1 involves the boy. September responds to Walter's query about what he is by relating a story of how the boy came to be, divulging also the back story of the Observers. For some Fringe plot context, the Observers are waging war against mankind. One of the Observers (kind of a Herod figure) is going to target the boy, who is already known by those assembled in September's apartment to be the key to their salvation from destruction at the hands of the invading Observers. An important action in the scene involves a old fashioned music box. The song it plays makes plain sense when you identify it as, "What Child is This?" Most who make that connection will remember it as a religious Christmas song. Obviously, the song title echo's Walter's question so the logical conclusion is that the song's context holds the answer, that he is as the Christ child, the savior of man. That insight provides a satisfying reason for the music box's role in the plot but there's more to be read into it than just that.

I've already identified September/Donald as a Monarch programmer and Messiah figure, more precisely, antichrist. Obviously, the boy is another antichrist. We're going to see this scene as an enactment where September is a slave and also the boy's handler, and both of them are antichrist Beasts. The antichrist symbolism appears to be wrapped inside the SRA programming symbolism to model to us a version of the False Prophet and Antichrist Beasts of Revelation 13.

The box on September's coffee table looks like a book with pictures of two butterflies on the cover. It contains a small music box. Donald removes it from the box and plays it long enough for us to identify the tune, then gives to Michael/Anomaly XB-6783746, who also plays it. It's a simple mechanism that used to be very common. Those I'm familiar with were always wound with a key then turned on and off with a lever, but this one requires turning a little crank. The tune it plays is "What Child is This?" but it's also known as "Greensleeves." This is more than just an toy to entertain him while the adults discussed important matters. There's some profound symbolism in all this!


The butterflies signal Monarch programming. The box looks like a personalized hand made book because programmers keep such a log book for each slave that contains program structures, access codes, triggering signals and gestures (like I wrote about here). I believe the larger of these two butterflies represents the adult handler, Donald, and the smaller, his boy slave. Michael is a chosen one, a genetically groomed multiple, and the book is his programming log, kept by Donald. The objects in the box would of course be related to Michael's programming. I believe this plays symbolically on more than one level.

What Donald and Michael do with the box dramatizes a programming session. The handler takes the box and turns the crank so the music plays. In this instance, the program is this simple ritual. Programs of various kinds might be installed and rituals are one common kind. When Michael then does what Donald did we see the slave has learned the ritual. Mind-control programming is often done when the slave has been placed in a trance through ritual sodomy and this is what is being signaled by the song titled "Greensleeves." From the song's Wikipedia entry: "One possible interpretation of the lyrics is that Lady Green Sleeves was a promiscuous young woman and perhaps a prostitute. At the time, the word "green" had sexual connotations, most notably in the phrase "a green gown," a reference to the way that grass stains might be seen on a woman's dress if she had engaged in sexual intercourse out-of-doors." Having grass stains on the sleeves would suggest sodomy more particularly.

I believe the music box in this programming dramatization represents more than just some kind of ritual, that it's also a trigger. When Donald played it he turned the crank, a trigger gesture, and the tune it played was a trigger. This, along with perhaps the producing of the object from out of a box with butterflies on the cover, appears to represent a standard three part trigger code to activate Michael, whose immediate response was to repeat what Donald had done because that's what he was programmed to do in response to that trigger.

This action involving the music box takes place right after Walter has asked what the boy is. Donald responds to the question by demonstrating the answer, that he is a chosen one and his slave. This kind of demonstration process is common in the Bible, especially in the Gospels. The Fringe folks are not stupid, and they have lots of help with this mind-control working.

There's more here because there's antichrist symbolism wrapped around the handler/slave interaction. When we recognize the activity as an activation sequence and consider the symbolism of Donald and Michael as antichrist beasts we can identify this scene as a prophetic modeling of the Beast's "activation" by the false prophet! Biblically, this is what's called the revealing of the lawless one in 2 Thessalonians 2, which I've often described as the sign to the Bride. As I've written at length, John the Baptist was Yahweh's appointed High Priest. He "activated" the Messiah, so to speak, by baptizing him in the Jordan where Y'shua subsequently received the anointing. After forty days of temptation in the wilderness, Y'shua emerged to begin ministering as Yahweh's anointed. The Devil's plan hinges upon a counterfeit, element for element, including an activation of his chosen one by his anointed high priest, who is presumed to be a chosen one who is demonically programmed to carry out that key ceremonial ritual. (The high priest's office is that of the Pope, and that very agent might be the Jesuit who was just installed in the Vatican.)

Read the lyrics of "What Child is This?" until it really sinks in how this song heralds the arrival of the Messiah. Then, watch the Fringe episode, and when you see this scene enacted, put the words to the tune as Donald activates Michael. When Michael repeats the activation ritual he announces his own arrival and possibly signals the implementation of the mark of the Beast, the anointing-activation of others!

If that interpretation seems like I might be reaching, there's a precedent for this that was set in 2008. During the London Ceremony at the close of the Olympics in Beijing this same song was played to herald the arrival of another model of the antichrist Beast! It was playing while the bus rolled in to the bus stop at the crosswalk. The song was heavily obfuscated, sampled in with a similar song (We Three Kings), but some of us were able to pick it out from the carnival like blend. I documented my observations here (Olympic Ceremony Symbolism). You can listen to it in a brief audio clip I posted here, which includes a reversal of it at the end and a traditional church organ version in the middle. The Fringe folks weren't reinventing the wheel, just giving it one more spin!

When the roles played by Donald and Michael are understood to be those of the false prophet and the Beast and the key interaction as a dramatization of the baptism that reveals, replaying the scene where they meet in the hall outside the apartment exposes that as a preview of the same. It's evil genius, wrapping this too in the sodomite handler/slave symbolism. They illustrate this critical scenario once, then again, expanding on it to present their cryptic message with redundancy.

As you can see in the sequence of screenshots below, when Donald greets his visitors in the hall, Michael has a purple hood pulled over his head. Donald approaches him slowly and, kneeling down, he pushes the hood back to uncover his head. On one knee before him, Donald touches hands with Michael, and the camera has swung around to present their joining against the appropriate background.


In a prophetic modeling of the revealing of the lawless one, we see Donald kneeling before the boy as the false prophet humbling himself before the Beast. With the hood covering his head, he is hidden, but Donald's act of uncovering his head represents the baptism and anointing that reveals! With an understanding of the supernaturalism of headcovering's glory language (as declared in 1 Corinthians 11), the uncovering of his head exposes the glory of his "head," which will be the Dragon (Revelation 13:4). As these two touch hands, they join, in a blessing that is actually cursing, as the transfer is notably from the Papal high priest's left hand. As the camera sweeps around, the backdrop changes, momentarily bringing into view a pair of lamps on the wall flanking a doorway that signals a dimensional portal in familiar imagery common to so many Masonic scenes. This pre-enactment pictures the crux move that the ancient dragon has eagerly anticipated for a very long time!

When the camera finishes the sweep, we see the pair framed as in the last screenshot above, with the bright sun light streaming into their sanctuary through the portal windowed doors. That's a metaphor for spiritual illumination and also a testimony about the heavenly glory that will attend the ceremony and become manifest in the earthly realm. Some of you may recall how the same prophecy was dramatized in Beijing during the Olympics London Ceremony, where the lighting feature was provided by the bus lights.

These are not the only two witnesses to the revealing! The redundancy I've been seeing as I become more familiar with their symbol language is staggering in scale! That event and other key elements of what's coming have been expertly embedded into our entertainments and marketing media for a very long time!

Interpreting other elements, we see the high priest wearing the vest, his Papal vestments and blue-of-heaven shirt. The one who stands before him wears the royal purple of a king's robe. The setting of the hallway in front of Donald's apartment and, with attending witnesses, presents this as a semi-public ceremony at a place that is at that time associated with the high priest, and we'll see soon enough whether the reality unfolds as pictured.

All that is wrapped in sodomite handler/slave symbolism, just like in the music box scene that happens once inside the apartment. The purple hood worn by the boy is a redundant signal of sodomy, by the color and by the hood that I've illustrated from the examples of Humpty Dumpty of Puss in Boots, Kenny of South Park and most recently from the Hello Kitty Fairy Tale dolls of a recent McDonalds promotion. When Donald pushes it back off Michael's head, the engagement identifies them as sodomite pedophile handler and slave. The roles they play are supported in the scene by how Donald and Michael are positioned right in front of another handler-slave pair! When Olivia was a girl, she was one of the subjects in a special institute Walter ran in Florida. They have a handler/programmer and slave relationship that is probably the most obvious of the entire series. By positioning Donald in front of Walter and Michael in front of Olivia, they have doubled the handlers on one side and the slaves on the other, superimposing one set on the other!

To be continued, Lord willing!

UPDATE:  The first instance of sodomy after the Great Flood began with Mizraim, also known as the mythological figure An/Anu, the Egyptian sky god.  Apparently Nimrod (also called Gilgamesh in Mesopotamian/Sumerian mythology) spent some time with Mizraim and Mizraim brought this practice to his attention, Mizraim having practiced this on one or more wives and concubines.  Nimrod tried it, liked it, then incorporated it into what we now know as the Babylonian Mystery religion.  All Mystery Religion cults are offshoots of this first one, and the practice of anal sex is featured in almost all of them.