Methuselah Found In Egyptian Mythology

 Methuselah - craftsman, husband, father, king.  Methuselah is identified in Egyptian mythology as the gods Ptah and Nun.  This conclusion is arrived at in this manner:  The Egyptian god Horus is identified as the biblical Caphtor, or Caphtorim, as in Genesis 10.  His father, Osiris, is the same as Mizraim, the father of Caphtor.  Mizraim is also identified as the Mesopotamian sky god Anu or simply An.  Ham, the father if Misraim is identified as Geb.  His father was Noah, who would be called Shu to the Egyptians.  Noah's father Lamech is called Atum.  His wife's name, in Egyptian, is Iusaaset.  Lamech's father Methuselah came to be known as Nun and Ptah.  His story is below.

He was married at least three times.  His first wife was called Bastet.  With her, he had a son named Maahes.  It is not known what happened to them, but it is believed that they died.  His second wife was called Sekhmet.  They had a son called Nefertum and a daughter named Naunet.  As with Bastet and Maahes, Sekhmet and Nefertum are believed to have died, likely killed.  Concerned that he would not have a son to carry on his lineage, he married his daughter Naunet and had a son whom the Scriptures call Lamech, but in Egyptian his name is Atum.

Methuselah was king of what is now Lower and Upper Egypt.  His power was such that he chose and anointed kings under him, thus making him a king of kings.  He was also a metalworker and an architect.  He founded the city of Ineb-hedg (whited walls).  When Methuselah stayed in Memphis (near to modern Mit Rahina), they lived south of the Lord's temple.  (The temple today is called the Temple of Ptah).  Methuselah even founded the ancient city of Memphis after fighting with a man named Moringa.

Methuselah was devoted to mercy and truth.  His life was such that his character changed very little over his incredibly long life (969 years).  He was short, dwarf-like.  He was bald and had a big head.

Methuselah opened his home to the children of others.  The person who came to be known as the bull-god Apis was adopted by him.  Apis' mother's name was Ma'at (Ma'at was fat), his father's name is unknown.  Apis loved Methuselah and eventually became his herald.

Methuselah, Naunet, and Lamech (Atum) lived in Memphis with his three brothers and their wives.  Their names were Heh and Hehet (sometimes Hek and Heket), Kek and Keket, and Amun and Amunet.  Just as Methuselah was associated with water in Scriptures, (Methuselah's name means 'when he is dead, it will come' referring to Noah's Flood), he was also associated with water in Egyptian mythology as Nun.

Methuselah and his brothers did not get along.  While Methuselah feared God, his brothers and their wives did not.  Methuselah believed that God made man in his image, and that truth was absolute.  Hek and Heket believed that God was formless, like a cloud.  They also believed that truth was relative, that right and wrong were subject to the lusts of the flesh of each person, i.e. "If it feels good, do it."(taken from 'Tales From The Crypt: Demon Knight').

Methuselah believed that God (Jehovah) spoke the truth and that his Word was a light to the world.  His brother Kek and his wife Keket, while marginally believing this also, rather sought out the things of darkness, seeking out to do those things which displeased the LORD.  They also hated having their sins brought to light.

The worst was Amun.  Amun and Amunet hated the LORD and all his ways.  Not only did they (Amun and Amunet) embrace the ways of Methuselah's other brothers and their wives, they formed their own mystery religion, some aspects of which are still around today.  One of the symbols of this mystery religion was the crescent moon.  After the Flood, the (crescent) moon belonged to the Sumerian moon god Sin.  Over time, Sin's name changed to Allah.  The crescent moon was carried over to this 'new god'.  Allah is the formless god of the Muslims, whose word seems to change from time to time.

Another symbol that survived is a serpent chasing or biting its own tail.  The circling serpent, which was seen as a sun symbol and said to be 'renewing itself', was called the kematef.  It is better known today as the Ouroboros.  The kematef is often seen as a sun behind the heads of various gods and goddesses and the pharaohs.

A very telling aspect of the mystery religion founded by Amun lies in the interpretation of the word kematef.  Kematef is a combination of two words:  Kem and Atef.  Kem comes from the Hebrew chem, and means 'dark'.  Atef refers to the crown worn on the heads of the pharaohs and is regarded as a symbol of royal power.  The kematef, by application, means 'prince of darkness', a title usually given to Satan.

Before the division with his brothers, Methuselah lived in Khenmu, which is known to the Greeks as Hermopolis Magma.  Khenmu would eventually come to be called 'eight town', because of its association with the Ogdoad, a type of Egyptian high council.  This, however, would not happen until after the Great Flood as the gods and goddesses of it had not yet been born.

Peaches Geldof Murder/Sacrifice

By:  Marshall Ramsey II

Peaches Geldof Dead At 25
(Prunus persica; considered a symbol of immortality in Chinese mythology)(payment, tribute)(5*5; symbolizes one who is completely walking in God's grace)

Peaches Geldof is the latest victim of the Occult Elite to die for betraying the Cause, the previous one being L'Wren Scott.

A member of the Ordo Templi Orientis, Mrs. Geldof had become disillusioned with the cult as evidenced by her marriage to S.C.U.M. singer Thomas Cohen, who is of the Jewish faith.  Peaches recently became a convert to Christianity, a move angering many in the Order.  Her death was set for April 7, 2014, the day before "The Feast of the Three Days of the Writing of the Book of the Law," a festival in the Thelema belief system founded by Aleister Crowley, an occultist who styled himself as "the Beast of Revelation, 666."  Her death was seen as a tribute offering to their gods, chiefly Nuit, Hadit, and Ra-Hoor-Khuit.

English socialite Peaches Geldof has died.
(similar to the Angles)

Mrs. Geldof's death comes exactly 29 days after the death of L'Wren Scott, former girlfriend to Rolling Stones singer Mick Jagger, another known thelemite.  (The next thelemite sacrifice is scheduled to occur on May 6, 2014, although it is not known at this time who it will be.)

The 25-year-old was found dead at her home in Kent, Monday afternoon.  Details surrounding the death are unclear.  Kent Police tell TMZ, they do not suspect foul play.  Investigators are treating the death as "unexplained and sudden."(25-year-old people don't just drop dead for no reason.  She was killed, as her name implies, as a tribute offering to the deities of Thelema,)
(coastal district, land of the hosts or armies), England(land of the Angles)(moon(god)(Sin)day)

Similarities exist between the murder of Peaches Geldof and L'Wren Scott.  1) Both were in relationships to famous rock stars; 2) both were found dead on a Monday (The significance in this is found in Mesopotamian mythology, the god of the moon is called Sin.  The etymology of Monday is moon(god) day); 3) both were involved at one time in Thelema; 4) Both left Thelema, becoming converts to Christianity; 5) Both Mrs. Geldof's husband, Thomas Cohen, and Miss Scott's boyfriend, Mick Jagger, have priestly connections, Mr. Cohen being a descendant of Hebrew priests of Jehovah and Mick Jagger being (as called by me) a high priest of Satan; 6) both Thomas Cohen and Mick Jagger identify themselves as enemies of Jesus Christ, Mr. Cohen through Judaism, which rejects the divinity of Jesus Christ, and Mick Jagger, through various songs and the real meaning of the name of his band, Rolling Stones (Jesus Christ is called the Rock of ages, that is, he is unmovable.  Mick and the boys named themselves this as a rejection of Jesus Christ); 7) both the deaths of Mrs. Geldof and Miss Scott are connected to tribute offerings:  Peaches through her last name, a variation of the word geld, meaning tribute, and Miss Scott through Mick Jagger (The first recorded use of the name Jager, a variation of Jagger, was in 1379 England, in the "Yorkshire Poll Tax Returns.")

A law enforcement source at the Kent PD tells TMZ, a woman called in and said she could not reach Peaches, so officials dispatched an ambulance and emergency responders found Peaches' body.(Photo provided by TMZ shows a man in a hazmat mask, suggesting that some chemical or chemical mixture was present and was the cause of her death.)(Miss Geldof may have been poisoned, and one of the side affects of the poison was violent seizures.)


Peaches is the daughter of singer and famed philanthropist Bob Geldof, the guy behind the Live Aid concerts.  Peaches was a socialite and model.  She also worked as a TV presenter.
(Bob Geldof, Peaches' father, is believed to have participated in the death of his wife, Paula Yates, and may be connected to the murder of his daughter also.)

(move with a short, jerking motion; to strike, beat)(person who associates with members of high society, a.k.a. rich people)(from Latin modulus, "a small measure, standard)(This seems to indicate that Peaches Geldof's murder was standard fare for the participants of Thelema, although the actual killing of human beings may be hidden from the new initiates)(Peaches Geldof's murder corresponds to the Thelemic holiday "The Feast of the Three Days of the Writing of the Book of the Law."  This commemorates the three days in 1904 during which Aleister Crowley wrote the "Book of the Law."  One chapter was written each day.  It is typically celebrated by reading one chapter per day, usually at noon.)

The statement of "no signs of foul play" given by police officers appears to be a lie.  In addition to the poison, which may have been used first and been ineffective in its intent, Mrs. Geldof was apparently struck in the back of the head, causing severe hemorrhaging and death.  Mrs. Geldof's death is seen as a model, or ideal, sacrifice.  Interesting to note is the fact that both L'Wren Scott and Peaches Geldof were models.  (Special note:  an engel is a reference to cattle, specifically bovines, thus drawing another connection between Peaches Geldof and L'Wren Scott's "priestly" relationships, drawing ever stronger a religious significance behind her mysterious death.  Religions such as Thelema and Cybeleism are called mystery religions because their religious edicts and practices are hidden from public, that is, uninitiated or unenlightened, view, thus becoming mysterious.)

Bob just released a statement, saying, "We are beyond pain.  She was the wildest, funniest, cleverest, wittiest and the most bonkers of all of us."
(wild - not tame or docile in nature; funny - humorous; clever - intelligent; able to learn things quickly; witty - showing and characterized by quick and inventive verbal humor; bonkers - mentally unbalanced, crazy)(Given the nature of the death of Mr. Geldof's wife, Paula, and the coolness which he displayed toward it in a statement he made to Peaches, it is possible that this is just a cover-up designed to draw attention away from himself.  The descriptive words used to describe Peaches here appear to be a narrative of her journey through Thelema and other religions, ending in her decision to follow Jesus Christ, which many believe is "foolishness.")

Peaches was married to Chester French singer Max Drummey from 2008-2011.  She married S.C.U.M. singer Thomas Cohen in 2012.  She also famously dated Eli Roth.
(City of the Legions; refers to the Second Legion Adiutrix(female assistant, helper, accomplice) in the 70's AD, and later the 20th Legion Valeria(to be healthy, strong) Victrix(female victor); the city of Chester, England was called Deoua, from its situation on the River Dee, a Celtic river name meaning "the goddess, the holy one," a corrupted reference to Jesus Christ)(utmost limit)(one who draws a crowd; possibly the same person who introduced Peaches to Thelema)(a twin)(Jewish surname indicating Aaronite descent; priest)(my God)(angry)(angry God; Peaches Geldof apparently had familiarity with, or was raised in a Christian environment)

Mrs. Geldof was seen as an assistant in many sex rituals connected to O.T.O. due to her overall health condition.  She bore the title of Nike, the Greek goddess of victory, and was even called goddess.  However, it was Jesus Christ who got the victory when Mrs. Geldof quit following Thelema and started following him.

She's survived by her two children, her husband Thomas, her sisters, and her dad.  Peaches posted this video to Instagram Sunday, showing her playing with her baby son.(video not included)

Eerily, Peaches also posted a photo of her mother Paula Yates Sunday on Twitter.  Her mom passed away in 2000 from a drug overdose.
(feminine version of Paul, meaning "small")(Middle English word meaning "gates," a topographical name indicating someone who lived near the gates of a walled town; a gate keeper)(An autopsy may reveal that Peaches had high contents of alcohol and/or drugs in her system at the time of death, if one is performed)

The posting of the picture of her mom appears to have been a prophetic reference to her untimely death, and possibly the nature of it.

Additional information related to the topic of Mrs. Geldof's death can be found in the following links:  http://www.bbc.com/news/uk-26931337, http://www.dailymail.co.uk/news/article-2599517/From-Scientology-libertine-cult-Ordo-Templi-Orientis-OTO-How-Peaches-obsessed-occult-spiritual-study.html

(Source article:  http://www.tmz.com/2014/04/07/peaches-geldof-dead/)

Fw: The Open Scroll Blog - Fringe; Candy Crush; Mind Control

The Open Scroll Blog Decoding Candy Crush Saga Posted: 26 Apr 2013 08:25 AM PDT Candy Crush Saga is a popular game for both iOS and Android smartphones. In March 2013, it became the most popular game on Facebook with 45.6 million average monthly users, surpassing FarmVille 2. The brand and game imagery features mind-control symbols. Here's a commercial I saw yesterday. Caveat: If you're a victim of ritual abuse who is still being delivered, or if you're easily offended by mature subjects and descriptive language, you might not want to continue here. Candy Crush Saga Commercial The logo's heart was a pretty obvious symbol of the butt that caught my attention right away. Also, Candy Crush = CC and since C=3 it is a 33; signature Masonic degree and graphic image of engaging sodomite butts! The busy rainbow of colors floating, rising and dropping spoke to me of "go over the rainbow" programming. See here for some background: Yoplait Umbrella Commercial After a few moments of considering the meaning of the brand imagery it became apparent that the word anus was wrapped around the heart. Clever. The colors red and yellow blend to orange, another sodomy signal and a third layer of redundancy: heart + anus + orange. That creepy little girl has cheeks like eyes that make the other element a third eye. See how the curve of the mouth frames the pupil? This is the illumination symbol that usually accompanies ritual sodomy signals, as I've demonstrated in the sodomite gateway series. I noticed her wierd dress looked like it had horns for sleeves so I flipped it over. Yikes! The angry Baphomet appeared! See the dark circles under his eyes, golden ears, a chin with beard? He's dressed up for the occasion with a sodomite bow tie. The mouth is a Masonic Royal Arch and squared circle! So, that's not really a mouth, it's the other end of the GI tract. Check out the Masonic square and compass in the hat/dress. Pretty sly. If that wasn't enough, they layered in even more "33" numbering in the way they tied the two words together. Matching to the reclined 3 at the top of the heart is this opposing 3 at the bottom. Candy Crush Saga is a celebration of the edible candy which, in the context, pretty clearly indicates copraphagia, and pedophelia. I thought the an+us trick seemed familiar. Sure enough. Orange Crush played the same bit! Illuminati mind-control. I wondered about what more might be in the popular game's name and there are some interesting anagrams that can be found. I think the reason why the Candy Crush is a saga probably relates to the ancient gods, who are worshiped by the Illuminati. Saga: a. A prose narrative usually written in Iceland between 1120 and 1400, dealing with the families that first settled Iceland and their descendants, with the histories of the kings of Norway, and with the myths and legends of early Germanic gods and heroes. b. A modern prose narrative that resembles a saga. Monarch Programming in Fringe - "The Boy Must Live" - What Child is This? Posted: 25 Apr 2013 05:22 PM PDT This is a continuation of the previous post, "Donald for Donald." You might want to open it in another window so you can reference it while you read this because I'm going to address different elements of that same scene. There's more layers of both Monarch programming and antichrist beast symbolism masterfully woven into this episode. Engaging with this material brings a conviction to many of us about how we've been so undersold on the evil genius of the Devil's work among us. As the Lord provides, let's make the most of this season as the spiritual war in the heavens and on earth waxes great. Don't take any revelation insight opening to you or the trials you are experiencing for granted, which come by much grace. Let me encourage you once again to take hope in the Lord, who is our refuge and who is faithful! Caveat: If you're a victim of ritual abuse who is still being delivered, there may be triggers ahead so be forewarned. The main subject of this reunion scene in Act 1 involves the boy. September responds to Walter's query about what he is by relating a story of how the boy came to be, divulging also the back story of the Observers. For some Fringe plot context, the Observers are waging war against mankind. One of the Observers (kind of a Herod figure) is going to target the boy, who is already known by those assembled in September's apartment to be the key to their salvation from destruction at the hands of the invading Observers. An important action in the scene involves a old fashioned music box. The song it plays makes plain sense when you identify it as, "What Child is This?" Most who make that connection will remember it as a religious Christmas song. Obviously, the song title echo's Walter's question so the logical conclusion is that the song's context holds the answer, that he is as the Christ child, the savior of man. That insight provides a satisfying reason for the music box's role in the plot but there's more to be read into it than just that. I've already identified September/Donald as a Monarch programmer and Messiah figure, more precisely, antichrist. Obviously, the boy is another antichrist. We're going to see this scene as an enactment where September is a slave and also the boy's handler, and both of them are antichrist Beasts. The antichrist symbolism appears to be wrapped inside the SRA programming symbolism to model to us a version of the False Prophet and Antichrist Beasts of Revelation 13. The box on September's coffee table looks like a book with pictures of two butterflies on the cover. It contains a small music box. Donald removes it from the box and plays it long enough for us to identify the tune, then gives to Michael/Anomaly XB-6783746, who also plays it. It's a simple mechanism that used to be very common. Those I'm familiar with were always wound with a key then turned on and off with a lever, but this one requires turning a little crank. The tune it plays is "What Child is This?" but it's also known as "Greensleeves." This is more than just an toy to entertain him while the adults discussed important matters. There's some profound symbolism in all this! The butterflies signal Monarch programming. The box looks like a personalized hand made book because programmers keep such a log book for each slave that contains program structures, access codes, triggering signals and gestures (like I wrote about here). I believe the larger of these two butterflies represents the adult handler, Donald, and the smaller, his boy slave. Michael is a chosen one, a genetically groomed multiple, and the book is his programming log, kept by Donald. The objects in the box would of course be related to Michael's programming. I believe this plays symbolically on more than one level. What Donald and Michael do with the box dramatizes a programming session. The handler takes the box and turns the crank so the music plays. In this instance, the program is this simple ritual. Programs of various kinds might be installed and rituals are one common kind. When Michael then does what Donald did we see the slave has learned the ritual. Mind-control programming is often done when the slave has been placed in a trance through ritual sodomy and this is what is being signaled by the song titled "Greensleeves." From the song's Wikipedia entry: "One possible interpretation of the lyrics is that Lady Green Sleeves was a promiscuous young woman and perhaps a prostitute. At the time, the word "green" had sexual connotations, most notably in the phrase "a green gown," a reference to the way that grass stains might be seen on a woman's dress if she had engaged in sexual intercourse out-of-doors." Having grass stains on the sleeves would suggest sodomy more particularly. I believe the music box in this programming dramatization represents more than just some kind of ritual, that it's also a trigger. When Donald played it he turned the crank, a trigger gesture, and the tune it played was a trigger. This, along with perhaps the producing of the object from out of a box with butterflies on the cover, appears to represent a standard three part trigger code to activate Michael, whose immediate response was to repeat what Donald had done because that's what he was programmed to do in response to that trigger. This action involving the music box takes place right after Walter has asked what the boy is. Donald responds to the question by demonstrating the answer, that he is a chosen one and his slave. This kind of demonstration process is common in the Bible, especially in the Gospels. The Fringe folks are not stupid, and they have lots of help with this mind-control working. There's more here because there's antichrist symbolism wrapped around the handler/slave interaction. When we recognize the activity as an activation sequence and consider the symbolism of Donald and Michael as antichrist beasts we can identify this scene as a prophetic modeling of the Beast's "activation" by the false prophet! Biblically, this is what's called the revealing of the lawless one in 2 Thessalonians 2, which I've often described as the sign to the Bride. As I've written at length, John the Baptist was Yahweh's appointed High Priest. He "activated" the Messiah, so to speak, by baptizing him in the Jordan where Y'shua subsequently received the anointing. After forty days of temptation in the wilderness, Y'shua emerged to begin ministering as Yahweh's anointed. The Devil's plan hinges upon a counterfeit, element for element, including an activation of his chosen one by his anointed high priest, who is presumed to be a chosen one who is demonically programmed to carry out that key ceremonial ritual. (The high priest's office is that of the Pope, and that very agent might be the Jesuit who was just installed in the Vatican.) Read the lyrics of "What Child is This?" until it really sinks in how this song heralds the arrival of the Messiah. Then, watch the Fringe episode, and when you see this scene enacted, put the words to the tune as Donald activates Michael. When Michael repeats the activation ritual he announces his own arrival and possibly signals the implementation of the mark of the Beast, the anointing-activation of others! If that interpretation seems like I might be reaching, there's a precedent for this that was set in 2008. During the London Ceremony at the close of the Olympics in Beijing this same song was played to herald the arrival of another model of the antichrist Beast! It was playing while the bus rolled in to the bus stop at the crosswalk. The song was heavily obfuscated, sampled in with a similar song (We Three Kings), but some of us were able to pick it out from the carnival like blend. I documented my observations here (Olympic Ceremony Symbolism). You can listen to it in a brief audio clip I posted here, which includes a reversal of it at the end and a traditional church organ version in the middle. The Fringe folks weren't reinventing the wheel, just giving it one more spin! When the roles played by Donald and Michael are understood to be those of the false prophet and the Beast and the key interaction as a dramatization of the baptism that reveals, replaying the scene where they meet in the hall outside the apartment exposes that as a preview of the same. It's evil genius, wrapping this too in the sodomite handler/slave symbolism. They illustrate this critical scenario once, then again, expanding on it to present their cryptic message with redundancy. As you can see in the sequence of screenshots below, when Donald greets his visitors in the hall, Michael has a purple hood pulled over his head. Donald approaches him slowly and, kneeling down, he pushes the hood back to uncover his head. On one knee before him, Donald touches hands with Michael, and the camera has swung around to present their joining against the appropriate background. In a prophetic modeling of the revealing of the lawless one, we see Donald kneeling before the boy as the false prophet humbling himself before the Beast. With the hood covering his head, he is hidden, but Donald's act of uncovering his head represents the baptism and anointing that reveals! With an understanding of the supernaturalism of headcovering's glory language (as declared in 1 Corinthians 11), the uncovering of his head exposes the glory of his "head," which will be the Dragon (Revelation 13:4). As these two touch hands, they join, in a blessing that is actually cursing, as the transfer is notably from the Papal high priest's left hand. As the camera sweeps around, the backdrop changes, momentarily bringing into view a pair of lamps on the wall flanking a doorway that signals a dimensional portal in familiar imagery common to so many Masonic scenes. This pre-enactment pictures the crux move that the ancient dragon has eagerly anticipated for a very long time! When the camera finishes the sweep, we see the pair framed as in the last screenshot above, with the bright sun light streaming into their sanctuary through the portal windowed doors. That's a metaphor for spiritual illumination and also a testimony about the heavenly glory that will attend the ceremony and become manifest in the earthly realm. Some of you may recall how the same prophecy was dramatized in Beijing during the Olympics London Ceremony, where the lighting feature was provided by the bus lights. These are not the only two witnesses to the revealing! The redundancy I've been seeing as I become more familiar with their symbol language is staggering in scale! That event and other key elements of what's coming have been expertly embedded into our entertainments and marketing media for a very long time! Interpreting other elements, we see the high priest wearing the vest, his Papal vestments and blue-of-heaven shirt. The one who stands before him wears the royal purple of a king's robe. The setting of the hallway in front of Donald's apartment and, with attending witnesses, presents this as a semi-public ceremony at a place that is at that time associated with the high priest, and we'll see soon enough whether the reality unfolds as pictured. All that is wrapped in sodomite handler/slave symbolism, just like in the music box scene that happens once inside the apartment. The purple hood worn by the boy is a redundant signal of sodomy, by the color and by the hood that I've illustrated from the examples of Humpty Dumpty of Puss in Boots, Kenny of South Park and most recently from the Hello Kitty Fairy Tale dolls of a recent McDonalds promotion. When Donald pushes it back off Michael's head, the engagement identifies them as sodomite pedophile handler and slave. The roles they play are supported in the scene by how Donald and Michael are positioned right in front of another handler-slave pair! When Olivia was a girl, she was one of the subjects in a special institute Walter ran in Florida. They have a handler/programmer and slave relationship that is probably the most obvious of the entire series. By positioning Donald in front of Walter and Michael in front of Olivia, they have doubled the handlers on one side and the slaves on the other, superimposing one set on the other! To be continued, Lord willing! UPDATE:  The first instance of sodomy after the Great Flood began with Mizraim, also known as the mythological figure An/Anu, the Egyptian sky god.  Apparently Nimrod (also called Gilgamesh in Mesopotamian/Sumerian mythology) spent some time with Mizraim and Mizraim brought this practice to his attention, Mizraim having practiced this on one or more wives and concubines.  Nimrod tried it, liked it, then incorporated it into what we now know as the Babylonian Mystery religion.  All Mystery Religion cults are offshoots of this first one, and the practice of anal sex is featured in almost all of them.