Showing posts with label ritual sodomy. Show all posts
Showing posts with label ritual sodomy. Show all posts

Monday, March 23, 2015

Ahiziya Osceola Killed In Ritual Sacrifice

By:  Marshall Ramsey II, Worthy News U.S. Correspondent

The following is the truth about what happened to Ahiziya Osceola.  Ahiziya Osceola was murdered in an occult ritual.

Boy, 3, found dead in 'obscured' location in Florida home

HOLLYWOOD, Fla. (AP) -- The search for a missing 3-year-old boy ended Friday where it began a day earlier, inside a Florida home where the child's body was discovered in what police called an "obscured" location.

        (Obscured location?  This means purposefully hidden from view.)

Hollywood Police Chief Frank Fernandez offered few details during a Friday morning news conference that followed a massive search by multiple law enforcement agencies for Ahizya Osceola. He didn't say whether any suspects have been identified, but he said the parents are cooperating with police.

"During an exhaustive search of the house, we discovered the body of little Ahizya in an obscured locaiton not readily visible to the average person," Fernandez said. "The child did not place himself in that position."

        (Why did Chief Fernandez say Ahiziya was in a location not readily visible to the average person?  Why not tell us they found him in a certain location, and that his body was hidden there on purpose?  How does Chief Fernandez know Ahiziya place himself in that position?  This suggests that Chief Fernandez knows who killed Ahiziya Osceola and is purposefully withholding this information.  It also suggests that Chief Fernandez is connected with his murder.  It even suggests that Chief Fernandez placed the child in the "obscured" position in the home, perhaps even killing Ahiziya himself.)

A criminal investigation is underway at the home where the boy lived with his father, Nelson Osceola.

The home was roped off in yellow police tape Friday, and police crime unit vehicles were parked on the street out front.

The two other children who had been living in the home have been removed by the Broward Sheriff's Office Child Protective Investigations unit, the Florida Department of Children and Families reported. A shelter hearing is scheduled for 8:30 a.m. Saturday.

Officials have investigated four incidents regarding Ahiziya in the past two years, according to DCF records. The first two occurred with the child's mother, prompting the boy and other children to be removed from her custody in January 2014. While in his father's custody, investigations in April 2014 and February 2015 didn't find evidence of physical injury.

Osceola told the South Florida Sun Sentinel (http://bit.ly/1EAEV2H ) on Thursday that the little boy was sleepign when he left home about 7:30 a.m. His wife, who has not been identified by police, was awake and he said he was in contact through text messages with her until about 9 a.m., when she and their 8-month-old child fell asleep.

"She woke up and he was gone," Osceola said, adding that he learned about the boy's disappearance in a text message from his wife.

The police were notified of the missing child just before noon Thursday.

The boy's mother, Karen Cypress, told the newspaper that the child lived with his father and that she had not seen him since December.

        (The use of the mother's name, Karen Cypress, is telling as to the nature of the crime, although she is not implicated in her son's murder.  The name Karen means 'pure.'  The word pure means 'without flaw,''undefiled,''without contamination.'  As Ahiziya Osceola was a three-year-old child, it is very likely that he was a virgin, having never had sexual intercourse.

        The cypress tree is used in certain circles as a phallic symbol, meaning it represents a penis, the male sex organ.  This combined with the use of the word 'pure' (Karen) is a further indication of the child's virginity.

        Another connection to the religious nature of Ahiziya Osceola's murder lies in connection with Artemis and Hecate, a goddess of magic, crossroads, and the underworld.  The underworld, as it is mentioned in mythology, is the abode of the dead, both the good and the evil.  The connection to the underworld is found in that Ahiziya Osceola was killed, and thus is abiding in the realm of the dead.  That a crossroads was encountered is seen in the fact that his likely rape and murder was part of an initiation ritual, a type of crossroads, a point at which a person's life will never be the same.

        Certain occultists believe that magic powers are given to a person when they engage in ritualistic sexual practices.  The most famous person espousing this belief was Aleister Crowley, an occultist who founded the cult of Thelema, and engaged in ritual sexual acts, believing it to give him magical powers.  This makes the connection to magic.)

Fernandez said it's too early to tell if there was any trauma to the child, adding that if there is, "it's hidden from the eye."

        (This means that an investigation into whether any marks were found on the child has already taken place, presumably over the child's entire body, which is something only the coroner would do at the city morgue.  Why did an investigation take place at the crime scene as to whether or not there was any trauma inflicted on the child?  That Chief Fernandez says if there is trauma it's "hidden from the eye" suggests that little Ahiziya Osceola was anally sodomized in ritualistic fashion.

        A particularly brutal occult practice is inserting a knife in the anus of a victim and twisting it until the victim dies.  Since Chief Fernandez knows that there is physical trauma conducted on little Ahiziya, going out of his way to say any physical trauma was hidden from the eye, suggests Chief Fernandez was at the scene of the crime when Ahiziya was sacrificed, perhaps even performing the act himself.  This appears even more likely given that the last name of Ahiziya, Osceola, is named after a Creek Indian drink, asi-yahola (very similar to ass hole, a slang term referring to the anus), that was used in male-only purification rituals.  It now appears as though Chief Fernandez was quietly telling us that he killed Ahiziya Osceola.  Given the obscuring nature in which he relayed information regarding the crime, that he also was involved in the ritual killing of Ahizya Osceola.

        A holiday celebrated by certain occultists is the spring equinox.  Sometimes, the "celebrants" of said holiday engage in sexual ritual abuse of a person which ends in the person's death.  In the case of Ahiziya Osceola, it appears he was chosen not only for ritual abuse, but for sacrifice and an initiation ritual as well.  Having previously learning that sometimes those engaging in "less-than-legal" activities communicate to one another by means of carefully worded messages through official channels, it appears as though Chief Fernandez is communicating with someone when he makes his comment regarding Ahiziya's possible physical trauma "it's hidden from the eye."  This would likely be done to those who are of much higher rank than himself, possibly to those who are very wealthy, although it is unknown who at this time.)

The child's body was taken to the medical examiner's office on Friday morning.

        (This means that an examination of the child's body would have had to have taken place at the crime scene.  This is evidenced by the statement of Chief Fernandez when he said there was no trauma visible to the eye.  An observation of the body by Chief Fernandez or other officials on the scene would certainly have been in order, indeed unavoidable.  However, the type of examination that took place as suggested by Chief Fernandez would be performed by a coroner, in a morgue, not at the crime scene, by the chief of police.)

The conclusion: Chief Fernandez was personally involved in the ritual rape, murder, and murder cover up of Ahiziya Osceola.

http://en.wikipedia.org/wiki/Osceola
http://www.druidry.org/druid-way/teaching-and-practice/druid-festivals/spring-equinox-alban-eilir
http://theopenscroll.blogspot.com/search?q=knife+anus
http://en.wikipedia.org/wiki/Cupressus_sempervirens
http://www.sheknows.com/baby-names/name/karen
http://dictionary.reference.com/browse/pure
(regarding the tree as a phallic symbol) http://symboldictionary.net/?p=34
http://en.wikipedia.org/wiki/Sex_magic
http://www.esoteric.msu.edu/VolumeV/Unleashing_the_Beast.htm

source article:  http://news.yahoo.com/boy-3-found-dead-obscured-location-florida-home-164143026.html

Sunday, November 3, 2013

Fw: The Open Scroll Blog - Gold and Silver celestial stargates; Anubis; statue of Liberty/Isis


The Open Scroll Blog

The Open Scroll Blog


Posted: 01 Nov 2013 08:44 AM PDT
While I was researching the symbolism evident in Ke$ha's Crazy Kids music video my attention was directed to other evidence suggesting how the Adversary intends to exploit what the ancients knew as the Golden and Silver Gates. Aaron and I have been noting examples of various kinds, which I'll continue to explore in this series, Lord willing, because, in this late hour, this subject is definitely trending. On this blog and my regular website I've written fairly regularly about dimensional bridges and gateways. I've shared my understanding of how and why they are being so broadly featured in symbolic ways as well as openly. What is happening now and in the near future to us and our environment relates to these opened pathways to supernaturalism. What the Bible has to reveal about what this is and where it's going contrasts other versions, which are lies. The Truth matters.

If you're not familiar with the series on Crazy Kids, I recommend it as a foundation for this one.

A few years ago some pictures of a large statue of the Egyptian god of the underworld with the Statue of Liberty were being circulated around the internet. The event pictured raised a lot of eyebrows. A few more were raised when Anubis later took up residence at the Denver Airport. Lady Liberty is actually Isis, as I've identified her in previous posts to this blog, so that makes quite a statement.


The floating of Anubis on a barge past the Statue of Liberty was done to promote "Tutankhamun and the Golden Age of the Pharaohs," an exhibit of ancient artifacts. These were put on public display at Manhattan's Discovery Times Square Exposition between April 23, 2010 and January 2, 2011, and the Anubis stunt was done in advance of that on March 23, 2010. But, things are seldom what they seem on the surface.

I was living near San Francisco back then, and having recently visited the very impressive Rosicrucian Egyptian Museum, when I drove past the de Young Museum during a rare trip through the city and saw a sign like the one below, I took particular notice of it.


I didn't know what to make of it at the time, but last week the Lord began to put things together for me. The matter of making elaborate ritual of the stargates is being done overtly both in public ceremony and in entertainment media, and also covertly because there is much to hide.

When Anubis was floated past the iconic Isis in New York Harbor, it was done as a Silver Gate ritual. That was performed on 3/23/10, while "Tutankhamun and the Golden Age of the Pharaohs" was still being exhibited in San Francisco on the West coast. It closed on the 28th, 5 days later, then was moved to the East coast. The exhibit was at the de Young Museum in Golden Gate Park. You did catch that "GOLDEN GATE" bit, right? The ancients considered that the Golden Gate and Silver Gate were linked together. A comparison of the symbolism involved with what the ancients recorded about these celestial constructs exposes this activity as ritual magick, as practiced by the worshipers of Horus long ago! The continental USA, which has the world's largest obelisk as its capitol's proud symbol, is flanked by symbolic Silver and Golden Gates. I believe those responsible for "Tutankhamun and the Golden Age of the Pharaohs" were acknowledging and leveraging those symbols by their activity.

The Golden and Silver Gates are celestial, identifying regions of the heavens where the apparent path of the sun intersects the Milky Way. These are represented in a variety of ways as ritual is performed, with activity involving geography, as in the example I just offered, and other forms of representation. The practicers of legitimate magick ritual have long understood how it may be performed in the context of architectural structures or other non-physical means of representing the symbols in media that may be either animated or static.

The Devil is clever, make no mistake about that. These expressions of his activity expose his agenda. He intends to bring forth his champion to rule the world, and then contend for the very throne of the sovereign God. Success will be granted for a season but ultimately denied. Do you know it to be so? Do you know the real champion, personally? Do you know Him well enough? That is the challenging question I hope this blog is helping you with because the answer that is so critical will be exposed shortly, should you survive what is even now nigh at hand. Am I being overly dramatic? Watch and see.

so that no advantage would be taken of us by Satan, for we are not ignorant of his schemes. ~ 2 Corinthians 2:11

Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves. ~ Matthew 10:16
Posted: 01 Nov 2013 07:11 AM PDT
As I'm in the midst of studying and exposing how the ancient Golden and Silver Gates are being exploited, Google steps right up and does just that. It's their version celebrating Halloween 2013, a high day on the Pagan calandar.


Today's version is interactive, enticing us to engage by participating with the witch in brewing a potion and casting spells. When we do follow their invitation to explore it and start clicking, we're rewarded with further interactive engagement. Different ingredients selected for the bubbling cauldron yields different results. To most, of course, it's all good fun, but those who understand the supernaturalism involved will see it for what it really is, as a form of ritual magic.

Here's how I interpret what I see as a label on the cover of what is probably her book of shadows. Hidden in every letter is a key which suggests secret doors may be opened. The Masonic square and compass is suggested in the first letter O. The second O conceals the astrological glyph for Gemini that, with a hint of the horned Taurus, is a sign of the Silver Gate, an ancient "back door" to heaven. The letter L is a scorpion, the sign of Scorpio that makes reference to the Golden Gate of heaven. That Gate is between Scorpio and Saggitarius, the archer. Is it just me or does that neighboring E look like a bow?

A pair of 33 signals appear, in the counts of opposed bats and scorpion legs. Code 33.

The most obvious symbol is perhaps the most easily overlooked. The triangle in circle prompting our engagement with a glow is the alchemical symbol that indicates the sodomite gateway, and also time-space. Our 3 physical dimensions are represented in the trinagle, and the surrounding circle is our time domain.




Saturday, June 8, 2013

Fw: The Open Scroll Blog - Marmaduke; ritual sodomy; Coming of Antichrist


The Open Scroll Blog

The Open Scroll Blog


Posted: 07 Jun 2013 01:26 PM PDT
Marmaduke is a fictional character, a Great Dane featured in a newspaper comic strip drawn since 1954 by Brad Anderson. The popular dog appeared in an animated series with Heathcliff (a cat) in 1980. Marmaduke (Wikipedia) was also featured in a combined live action/animation film in 2010. What a peculiar name! Marmaduke is kind of a portmanteau, a composite of Marmalade and duke. Naming a dog Marmaduke makes a pretty vivid Occult statement, which matches to the esoteric interpretation of the movie poster imagery seen here.

In Alice in Wonderland, an empty jar of orange marmalade was handled by Alice as she tumbled down the rabbit-hole. The color and the tangy fruit preserves are symbols of ritual sodomy and mind-control programming. (See Part 76 - The Sodomite Gateway - Alice in Wonderland's Orange Marmalade)

A Duke is a nobleman with the highest hereditary rank. "Dogs resembling the Great Dane have been seen on Egyptian monuments dating back to 3,000 BC. In all literature in all languages, bar none, up until the year 1880 the Great Dane is fully recognized as being the great hunting dog for big game from the Royal Danish Kennels." (Wikipedia) Think - ancient Egypt, Monarch programming, royal Illuminati bloodlines. Duke is slang for excrement, and also sodomy.
Urban Dictionary - Duke #1: "a word that I looked up to see people's opinions on the basketball team, but instead i got mostly horribly disgusting sexual definitions. I never knew "duke" was a slang word for butt sex."
Urban Dictionary - Duke #13 - "poop."

A dog in Occult symbolism is typically representing the dog-star, Sirius, ultimately the incarnation of Lucifer. "Dog" is "God" spelled backwards. A dog is slang for a male prostitute and sodomite. I just wrote a couple days ago about dogs in mind-control programming contexts, about Dorothy's Toto, the similar Terrier in the Progressive Insurance commercials and Dr Green's German Shepherds. Lady Gaga was pictured in a suggestive pose with a poodle in Part 107 of this series.

The Marmaduke movie imagery on the box cover is in harmony with that. Decoded, the orange (Marma-lade) color signals ritual sodomy, with the highlight behind him as the sodomite sun god. The blue wave in the corner of the box presents a right triangle, and he is associated to the hypotenuse, Horus, the offspring of Osiris (vertical) and Isis (horizontal). The date palms are Phoenix dactylifera, and these signal victory over death. He's wearing shades, filtering and obfuscating the light, hiding the eyes to signal third eye illumination. The water covers his bottom, displaying the metaphor of water as semen in ritual sodomy. Surfing into the sandy shore says to me that this Duke is the royal sodomite beast seen rising out of the sea.

Friday, May 17, 2013

Fw: The Open Scroll Blog - Wreck-It Ralph; Rihanna; ritual Sodomy


The Open Scroll Blog


Posted: 16 May 2013 02:47 PM PDT
Aaron and I watched Disney's recent DVD release of the award winning Wreck-It-Ralph and talked about the excessive symbolism for days afterwards. "The film tells the story of the titular arcade game villain who rebels against his role and dreams of becoming a hero. He travels between games in the arcade, and ultimately must eliminate a dire threat that could affect the entire arcade, and one that Ralph himself inadvertently started." (Wikipedia) Several days after we watched it, Joseph Herrin gave it some coverage on his Parables Blog, mostly interpreting the allegorical Satan vs Christ themes. There's some good observations and some good comments made on the post.

My decoding effort could slot nicely into the sodomite gateway series because there's so much of that symbolism throughout, but it stands well on its own. (What? Sodomy symbolism in a Disney film? That's not really surprising, is it?) If we camped on it long enough there's probably plenty enough material for a dedicated blog, but I'm not going there, not even to do a series (Lord willing). I had not planned to blog about this animated feature at all but the Lord was bringing it to my attention a couple mornings ago. The theme of the warrior bride of antichrist is played up, which was the subject touched upon a couple posts back regarding Lady Gaga's "Marry the Night." This is a big deal now more than ever. If you're right now finding yourself in the midst of some intense spiritual warfare, the bride of antichrist is probably involved, on the attack.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, you may want to pass on this one.


This picture features Wreck-it Ralph and Vanellope Von Schweetz, the two main characters. Although there's no point in the plot where the big man and little girl literally become lovers, the love relationship that develops is a promotion of the kind that facilitates pedophilia. Young viewers are softened up to make easy targets for predators, standard fare for Disney productions. This is also an example of the gentle giant trope, where the appearance is intimidating so the manner compensates for it to warm us up to the character.

Familiar symbols mark the clothing that identifies Ralph as a homosexual. The orange of his shirt and the purple accent lines are signature elements of ritual sodomy. The button the purple line passes through is just a simple button, but given how a purple line bisects it, it's a sun wheel squared circle. The overalls are unbuttoned to expose his left side, which speaks of the left hand path. Exposing the left breast is a practice that is historically associated with the rites of initiation into the orders of the illumined. At some step in their ascension through the ranks of an order, the initiates are ritually sodomized to bind them to the group and illuminate them.

The outfit worn by Vanellope features a crisply pleated miniskirt, another ritual sodomy symbol. Forming a pleated ring around her waist, this is akin to the pleated bottom symbols of the sphincter-ringed anus that are the familiar peanut butter cups, marshmallow cups and cupcakes. I see this validated in the film by the obvious use of the cupcake symbol, when Ralph has one land on him in the Sugar Rush game that's kind of like the classic board game, Candy Land and like the new Candy Crush Saga. He is encased in the cupcake so he wears it like a suit.


(Hey, it seems doug successfully embedded an easter egg in the chandelier.)

Just in case we happen to miss that symbol they decorate it with hearts all around the pleated bottom. Ralph spins around with it a few times at one point to demonstrate the vortex of the chakra and stargate. When he falls over and becomes a helpless victim, two more characters confirm the symbolism even further. The lurking Wynnchel and Duncan rush over. "Now we got em!"

With a comedic play on the cops and donuts link, these donuts are a sodomite couple. These cops are into S&M, always using their nightsticks on Ralph. The names derive from donut franchises. Winchell's Donut House was big in California. "Donut" is a metaphor for "anus" in prison culture. Do an image search for Village People and you'll see the cop and biker model. Search this blog for Dunkin' Donuts and Krispy Kreme. We see these donuts in the scene below, standing behind the cupcake Ralph who has "assumed the position."


They appear in the court of King Candy. The name presents the sodomite Masonic number 33 with the K=11 and C=3. KC=11*3=33. The 33rd is the top level of the public face of Freemasonry, and attaining it makes you something of a king. The KC is effeminate, light on his feet. Ralph calls his court's color pink and the King corrects him by calling it salmon. Gay. He's wearing purple tails. Purple. Tails. Right.

Ralph in the cupcake had been all green and you see him there with this green coating still on his hands. Osiris green. Identity: Osiris.


Ralph, the "lovable" abusive pedophile sodomite lives in a dump (defecation) and covers himself with bricks (dung). He puts his head on a stump, signaling oral sex. He's always falling in a mud hole (rectum) and in the Sugar Rush game it's always chocolate, another scatological metaphor. Word play on "duty" as fecal "doody" is an obvious plot feature as Vanellope engages Ralph at some length in juvenile potty banter. The arcade game called Hero's Duty (like Call of Duty) is where Ralph went to try to win a medal. There's more name calling and trading of insults heard in the movie but the scatological theme is pretty evident.

At one point, Ralph steals two cherries and smuggles them through customs. Because moving fruit across the border between games is illegal, these are forbidden fruit, making popular reference to the sin in the Garden of Eden. The cherry is slang for a virgin, and with Ralph as Satan this models the serpent stealing Adam's and Eve's cherries, their virginity, sodomizing them both. (See Who is Cain's Father?) You see, the Devil knows this - he was there! He boasts about it plenty, yet church folk remain almost entirely oblivious and in denial.

The name Vanellope sounds like "Vanilla Pee," which compares to the frequent references in the film to chocolate poop. The flavor associations speak of how slaves are forced to consume bodily excretions of every kind as part of the litany of trauma inducing abuses that encourage dissociation. Vanellope is in the role of Ralph's child slave. "Ralph" means "Wolf Counsel." He's a SRA programmer-handler, which is in keeping with his role as Satan.

The other Sugar Rush game characters nicknamed Vanellope, Glitch. That interprets to Switch, the alter switch. From the perspective of the multiple, switching alters disrupts the continuity of a perception of the timeline, so that glitching presents a window of insight into that experience. Her glitching allowed her to jump through space-time. Switching between alters provides access to resident psi powers, and this is the key to the success of multiples. Can some actually glitch like that? Well, yeah. Pretty much like that. It's sometimes called astral projection. In conjunction with Ralph's heroic sacrifice (as he fell to earth) Vanellope's glitching is what ultimately saved the games of the entire video arcade. The antichrist SRA and slave saviors, right?

It turns out at the end of the movie that she is actually a princess, royalty, and therefore a chosen one, which is a multiple that is of a royal Illuminati bloodline. Monarch programming.

Vanellope's glitching began when King Candy hacked the game code and reprogrammed her. Here's the obvious metaphor of game character programming as mind-control programming. Vanellope's programming was changed, her code was rewritten. The code of other characters was rewritten at the same time. Their memories were locked away in this programming, so they forgot Vanellope was princess and henceforth identified the programmer as the King, their master. For Monarch slaves, locking memories away happens every time there's a programming event, and some of the programming imprints new ones. The game code is the Illuminati programming script.

King Candy plays an important role, who is himself a programmed alter identity. Typical slave-handler-programmer. At the end we discover he's actually Turbo, from the defunct game Turbotime. He's actually a legendary rogue character from out of the past, considered long gone. We learn that "Going Turbo" means game jumping with intent to hijack the game. If the fallen angels as ancient gods come to mind, you're on the right track. Turbotime was his game, and we see in this a picture of the Antichrist, returned as an ancient god from out of the distant past. Here's yet another example of Monarch programming and Antichrist Beast symbolism appearing together, with one wrapped around the other.

The game jumpers represent dimension jumpers, the sodomite gods. This is evident from the turbo that references an energetic vortex, the stargate and emblem of ritual sodomy and Eye of Horus enlightenment. When King Candy (33) glitches/switches to his Turbo alter, we see him wearing a white helmet with a big red T on it. The T: Anal triangle. The helmet: Glans penis. Sodomite. He assumed the role of King in Sugar Rush. He's the Antichrist, substituting himself on the throne of authority. He later takes another form, as the image of the Beast. He merges with a psy-bug (dragon) and transforms into a flying hybrid. Beelzebub, Lord of the flies, or, of them that fly. Prince of the power of the air. He is then destroyed by the light, as not by "human" hands. That light was associated with a mixing of "Diet Soda Hot Springs" and mentos, a symbolic lake of fire. Fitting image. You're familiar with Revelation 17 and following, right?

The titular arcade game is all about Wreck-it Ralph and Fix-it Felix. They are together as Shiva, destroyer (Wreck-it) and creator (Fix-it) of worlds. That's the Illuminati programmed game play. Ralph is like Apollyon or Abaddon, the destroyer. Felix has a magic hammer, given to him by his father. He is a type of Thor. There are scenes where Felix-Thor appears with his magic hammer on a rainbow bridge (Bifröst), which features heavily in the Sugar Rush action. Thor is also an Antichrist identity. Fix-it Felix equates to 666 as FIF. With F=6 and I-9 FIF is 696, and since 9 flips to 6, 666.

Felix gets married at the end of the movie. This antichrist bridegroom takes a bride, the Bride of Antichrist. Here's a picture of the wedding, with the wedding party at the altar of the sun.


The stained glass window backdrop is a sun god image and a squared circle anal portal, sodomite orange, of course. The lights you see on it are the laser sight beams of Calhoun's soldiers, the Bride of Antichrist army, who are sighting and illuminating their potential targets. Think about that.

Sergeant Calhoun is the star of Hero's Duty. Hero = Antichrist Beast. Hero's "Doody." She's a sodomite SRA slave. Her name is Calhoun, and her name means "Warrior." She is a sodomy programmed supersoldier, a Delta, an assault leading specialist. She's usually wielding a gun, a phallic symbol. She's got a sexy feminine figure. She's a Beta programmed sex kitten who seduces Felix with her looks. She's an abusive woman who demeans men like a marine drill sergeant, and brings them under subjection, even slapping them around. Butch. Jezebel.

Here's a screenshot from a comedic romantic scene. The purple heart. Sodomy. Both of them are inside, and she wields and fires the phallic gun. Slaves are commonly sodomized with guns and knives. See the helical windings? This is a genetic signal of reproductive sex magick. Ritual sodomy, reproductive sex magick, Antichrist and Bride of Antichrist. Below them is Nesquick sand, quicksand, chocolate poop, into which they had fallen. Their exit involved Felix ordering Calhoun to do her duty. That would be a #2, if you're tracking the doody theme. Her duty was to punch Felix hard in the face over and over, to roughly abuse him, in the Nesquick sand pit. SRA sodomy abuse, trauma leading to dissociation, their way of escape. They found themselves in a surreal scene of singing laffy taffy. Somewhere over the rainbow.


There's many, many more sodomy signals in the movie, and I'll illustrate just a few more.

This image is of a medal Vanellope made and gave to Ralph. On one side, it says he is her hero. On the other, "To Stinkbrain." It's a heart-bottom. There's a purple band coming out of it. It's brown inside. The "o" in "to," that's, well, you get the picture. He is her hero stinkbrain, her handler, enlightened with gnosis through ritual sodomy.

When Ralph is helping Vanellope learn how to drive her new racer, the scene is set to a Rihanna song, "Shut up and Drive." The lyrics are racy, to use an appropriate figure. The sexual innuendo is obvious as she herself is the vehicle to be driven.

I've been looking for a driver who is qualified
So if you think that you're the one step into my ride
I'm a fine-tuned supersonic speed machine
Got a sunroof top and a gangster lead

So if you feel it, let me know, know, know
Come on now, what you waiting for, for, for?
My engine's ready to explode, explode, explode
So start me up and watch me go, go, go, go

Get you where you wanna go, if you know what I mean
Got a ride that's smoother than a limousine
Can you handle the curves? Can you run all the lights?
If you can, baby boy, then we can go all night

'Cause it's 0 to 60 in 3.5
Baby, you got the keys
Now shut up and drive, drive, drive
Shut up and drive, drive, drive

I got class like a '57 Cadillac
And overdrive with a whole lot of boom in the back
You look like you can handle what's under my hood
You keep saying that you will, boy, I wish you would.

Ralph is the handler and Vanellope his slave. Can you run all the lights? Can you illuminate her? The sodomizing handler has the keys, the slaves access codes. Class rhymes with something anatomical. and "a whole lot of boom in the back" suggests A-wHOLE lot of boom in the back. If you can "handle the curves" or "handle what's under my hood" - you're her handler. What's under her hood is the hidden or secret programming. "You keep saying that you will, boy, I wish you would." It's all about his will because he's the slave's master. The official music video makes it plain enough through Rihanna's gestures that this innuendo is all leaning towards anal sex. The song length: Length 3:33.

"Swizzle Malarkey is a character within the game Sugar Rush. His theme is Unicorn Pops and various other lollipops, and his signature kart is the Tongue Twister. On the online adaptation of Sugar Rush, both he and Gloyd Orangeboar are unlocked by completing the second track, Cakeway." What a sodomy NLP laden description! Malarky = BS. The swizzle stick is a phallus, and using a swizzle stick to stir a drink creates a vortex. Unicorn Pops, another sodomy reference. To pop is to have sex with. The unicorn with the spiral horn is a third eye power cone magical god beast linked to homosexuals. The Tongue Twister. Gross. Gloyd Orangeboar. Orange is a signal sodomy color. Orange-boar = orange bore. Gloyd presents the unusual GL combo that speaks of girl love, pedophilia.

Even the closing credits of the movie are signaling ritual sodomy. The following image appears with Sonic the Hedgehog making a cameo appearance, appearing during a song precisely while the word being sung is "bonding."


Bonding is a notable feature of sodomy. Sonic circled the square, signaling the alchemical symbol for ritual sodomy.

I've more than scratched the surface of what's there in this Illuminati programming vehicle but there's plenty more there. The slick production is just so sly. This animated feature carries on the Disney tradition, programming another generation of children as the Bride of the sodomite Antichrist.

Friday, April 26, 2013

Fw: The Open Scroll Blog - Fringe; Candy Crush; Mind Control


The Open Scroll Blog

The Open Scroll Blog


Posted: 26 Apr 2013 08:25 AM PDT
Candy Crush Saga is a popular game for both iOS and Android smartphones. In March 2013, it became the most popular game on Facebook with 45.6 million average monthly users, surpassing FarmVille 2. The brand and game imagery features mind-control symbols.

Here's a commercial I saw yesterday.

Caveat: If you're a victim of ritual abuse who is still being delivered, or if you're easily offended by mature subjects and descriptive language, you might not want to continue here.

Candy Crush Saga Commercial



The logo's heart was a pretty obvious symbol of the butt that caught my attention right away. Also, Candy Crush = CC and since C=3 it is a 33; signature Masonic degree and graphic image of engaging sodomite butts! The busy rainbow of colors floating, rising and dropping spoke to me of "go over the rainbow" programming. See here for some background: Yoplait Umbrella Commercial After a few moments of considering the meaning of the brand imagery it became apparent that the word anus was wrapped around the heart. Clever. The colors red and yellow blend to orange, another sodomy signal and a third layer of redundancy: heart + anus + orange.

That creepy little girl has cheeks like eyes that make the other element a third eye. See how the curve of the mouth frames the pupil? This is the illumination symbol that usually accompanies ritual sodomy signals, as I've demonstrated in the sodomite gateway series.

I noticed her wierd dress looked like it had horns for sleeves so I flipped it over. Yikes! The angry Baphomet appeared! See the dark circles under his eyes, golden ears, a chin with beard? He's dressed up for the occasion with a sodomite bow tie. The mouth is a Masonic Royal Arch and squared circle! So, that's not really a mouth, it's the other end of the GI tract.

Check out the Masonic square and compass in the hat/dress. Pretty sly.

If that wasn't enough, they layered in even more "33" numbering in the way they tied the two words together. Matching to the reclined 3 at the top of the heart is this opposing 3 at the bottom.

Candy Crush Saga is a celebration of the edible candy which, in the context, pretty clearly indicates copraphagia, and pedophelia.

I thought the an+us trick seemed familiar. Sure enough. Orange Crush played the same bit! Illuminati mind-control.

I wondered about what more might be in the popular game's name and there are some interesting anagrams that can be found. I think the reason why the Candy Crush is a saga probably relates to the ancient gods, who are worshiped by the Illuminati.

Saga:
a. A prose narrative usually written in Iceland between 1120 and 1400, dealing with the families that first settled Iceland and their descendants, with the histories of the kings of Norway, and with the myths and legends of early Germanic gods and heroes.
b. A modern prose narrative that resembles a saga.
Posted: 25 Apr 2013 05:22 PM PDT
This is a continuation of the previous post, "Donald for Donald." You might want to open it in another window so you can reference it while you read this because I'm going to address different elements of that same scene. There's more layers of both Monarch programming and antichrist beast symbolism masterfully woven into this episode.

Engaging with this material brings a conviction to many of us about how we've been so undersold on the evil genius of the Devil's work among us. As the Lord provides, let's make the most of this season as the spiritual war in the heavens and on earth waxes great. Don't take any revelation insight opening to you or the trials you are experiencing for granted, which come by much grace. Let me encourage you once again to take hope in the Lord, who is our refuge and who is faithful!

Caveat: If you're a victim of ritual abuse who is still being delivered, there may be triggers ahead so be forewarned.

The main subject of this reunion scene in Act 1 involves the boy. September responds to Walter's query about what he is by relating a story of how the boy came to be, divulging also the back story of the Observers. For some Fringe plot context, the Observers are waging war against mankind. One of the Observers (kind of a Herod figure) is going to target the boy, who is already known by those assembled in September's apartment to be the key to their salvation from destruction at the hands of the invading Observers. An important action in the scene involves a old fashioned music box. The song it plays makes plain sense when you identify it as, "What Child is This?" Most who make that connection will remember it as a religious Christmas song. Obviously, the song title echo's Walter's question so the logical conclusion is that the song's context holds the answer, that he is as the Christ child, the savior of man. That insight provides a satisfying reason for the music box's role in the plot but there's more to be read into it than just that.

I've already identified September/Donald as a Monarch programmer and Messiah figure, more precisely, antichrist. Obviously, the boy is another antichrist. We're going to see this scene as an enactment where September is a slave and also the boy's handler, and both of them are antichrist Beasts. The antichrist symbolism appears to be wrapped inside the SRA programming symbolism to model to us a version of the False Prophet and Antichrist Beasts of Revelation 13.

The box on September's coffee table looks like a book with pictures of two butterflies on the cover. It contains a small music box. Donald removes it from the box and plays it long enough for us to identify the tune, then gives to Michael/Anomaly XB-6783746, who also plays it. It's a simple mechanism that used to be very common. Those I'm familiar with were always wound with a key then turned on and off with a lever, but this one requires turning a little crank. The tune it plays is "What Child is This?" but it's also known as "Greensleeves." This is more than just an toy to entertain him while the adults discussed important matters. There's some profound symbolism in all this!


The butterflies signal Monarch programming. The box looks like a personalized hand made book because programmers keep such a log book for each slave that contains program structures, access codes, triggering signals and gestures (like I wrote about here). I believe the larger of these two butterflies represents the adult handler, Donald, and the smaller, his boy slave. Michael is a chosen one, a genetically groomed multiple, and the book is his programming log, kept by Donald. The objects in the box would of course be related to Michael's programming. I believe this plays symbolically on more than one level.

What Donald and Michael do with the box dramatizes a programming session. The handler takes the box and turns the crank so the music plays. In this instance, the program is this simple ritual. Programs of various kinds might be installed and rituals are one common kind. When Michael then does what Donald did we see the slave has learned the ritual. Mind-control programming is often done when the slave has been placed in a trance through ritual sodomy and this is what is being signaled by the song titled "Greensleeves." From the song's Wikipedia entry: "One possible interpretation of the lyrics is that Lady Green Sleeves was a promiscuous young woman and perhaps a prostitute. At the time, the word "green" had sexual connotations, most notably in the phrase "a green gown," a reference to the way that grass stains might be seen on a woman's dress if she had engaged in sexual intercourse out-of-doors." Having grass stains on the sleeves would suggest sodomy more particularly.

I believe the music box in this programming dramatization represents more than just some kind of ritual, that it's also a trigger. When Donald played it he turned the crank, a trigger gesture, and the tune it played was a trigger. This, along with perhaps the producing of the object from out of a box with butterflies on the cover, appears to represent a standard three part trigger code to activate Michael, whose immediate response was to repeat what Donald had done because that's what he was programmed to do in response to that trigger.

This action involving the music box takes place right after Walter has asked what the boy is. Donald responds to the question by demonstrating the answer, that he is a chosen one and his slave. This kind of demonstration process is common in the Bible, especially in the Gospels. The Fringe folks are not stupid, and they have lots of help with this mind-control working.

There's more here because there's antichrist symbolism wrapped around the handler/slave interaction. When we recognize the activity as an activation sequence and consider the symbolism of Donald and Michael as antichrist beasts we can identify this scene as a prophetic modeling of the Beast's "activation" by the false prophet! Biblically, this is what's called the revealing of the lawless one in 2 Thessalonians 2, which I've often described as the sign to the Bride. As I've written at length, John the Baptist was Yahweh's appointed High Priest. He "activated" the Messiah, so to speak, by baptizing him in the Jordan where Y'shua subsequently received the anointing. After forty days of temptation in the wilderness, Y'shua emerged to begin ministering as Yahweh's anointed. The Devil's plan hinges upon a counterfeit, element for element, including an activation of his chosen one by his anointed high priest, who is presumed to be a chosen one who is demonically programmed to carry out that key ceremonial ritual. (The high priest's office is that of the Pope, and that very agent might be the Jesuit who was just installed in the Vatican.)

Read the lyrics of "What Child is This?" until it really sinks in how this song heralds the arrival of the Messiah. Then, watch the Fringe episode, and when you see this scene enacted, put the words to the tune as Donald activates Michael. When Michael repeats the activation ritual he announces his own arrival and possibly signals the implementation of the mark of the Beast, the anointing-activation of others!

If that interpretation seems like I might be reaching, there's a precedent for this that was set in 2008. During the London Ceremony at the close of the Olympics in Beijing this same song was played to herald the arrival of another model of the antichrist Beast! It was playing while the bus rolled in to the bus stop at the crosswalk. The song was heavily obfuscated, sampled in with a similar song (We Three Kings), but some of us were able to pick it out from the carnival like blend. I documented my observations here (Olympic Ceremony Symbolism). You can listen to it in a brief audio clip I posted here, which includes a reversal of it at the end and a traditional church organ version in the middle. The Fringe folks weren't reinventing the wheel, just giving it one more spin!

When the roles played by Donald and Michael are understood to be those of the false prophet and the Beast and the key interaction as a dramatization of the baptism that reveals, replaying the scene where they meet in the hall outside the apartment exposes that as a preview of the same. It's evil genius, wrapping this too in the sodomite handler/slave symbolism. They illustrate this critical scenario once, then again, expanding on it to present their cryptic message with redundancy.

As you can see in the sequence of screenshots below, when Donald greets his visitors in the hall, Michael has a purple hood pulled over his head. Donald approaches him slowly and, kneeling down, he pushes the hood back to uncover his head. On one knee before him, Donald touches hands with Michael, and the camera has swung around to present their joining against the appropriate background.


In a prophetic modeling of the revealing of the lawless one, we see Donald kneeling before the boy as the false prophet humbling himself before the Beast. With the hood covering his head, he is hidden, but Donald's act of uncovering his head represents the baptism and anointing that reveals! With an understanding of the supernaturalism of headcovering's glory language (as declared in 1 Corinthians 11), the uncovering of his head exposes the glory of his "head," which will be the Dragon (Revelation 13:4). As these two touch hands, they join, in a blessing that is actually cursing, as the transfer is notably from the Papal high priest's left hand. As the camera sweeps around, the backdrop changes, momentarily bringing into view a pair of lamps on the wall flanking a doorway that signals a dimensional portal in familiar imagery common to so many Masonic scenes. This pre-enactment pictures the crux move that the ancient dragon has eagerly anticipated for a very long time!

When the camera finishes the sweep, we see the pair framed as in the last screenshot above, with the bright sun light streaming into their sanctuary through the portal windowed doors. That's a metaphor for spiritual illumination and also a testimony about the heavenly glory that will attend the ceremony and become manifest in the earthly realm. Some of you may recall how the same prophecy was dramatized in Beijing during the Olympics London Ceremony, where the lighting feature was provided by the bus lights.

These are not the only two witnesses to the revealing! The redundancy I've been seeing as I become more familiar with their symbol language is staggering in scale! That event and other key elements of what's coming have been expertly embedded into our entertainments and marketing media for a very long time!

Interpreting other elements, we see the high priest wearing the vest, his Papal vestments and blue-of-heaven shirt. The one who stands before him wears the royal purple of a king's robe. The setting of the hallway in front of Donald's apartment and, with attending witnesses, presents this as a semi-public ceremony at a place that is at that time associated with the high priest, and we'll see soon enough whether the reality unfolds as pictured.

All that is wrapped in sodomite handler/slave symbolism, just like in the music box scene that happens once inside the apartment. The purple hood worn by the boy is a redundant signal of sodomy, by the color and by the hood that I've illustrated from the examples of Humpty Dumpty of Puss in Boots, Kenny of South Park and most recently from the Hello Kitty Fairy Tale dolls of a recent McDonalds promotion. When Donald pushes it back off Michael's head, the engagement identifies them as sodomite pedophile handler and slave. The roles they play are supported in the scene by how Donald and Michael are positioned right in front of another handler-slave pair! When Olivia was a girl, she was one of the subjects in a special institute Walter ran in Florida. They have a handler/programmer and slave relationship that is probably the most obvious of the entire series. By positioning Donald in front of Walter and Michael in front of Olivia, they have doubled the handlers on one side and the slaves on the other, superimposing one set on the other!

To be continued, Lord willing!

UPDATE:  The first instance of sodomy after the Great Flood began with Mizraim, also known as the mythological figure An/Anu, the Egyptian sky god.  Apparently Nimrod (also called Gilgamesh in Mesopotamian/Sumerian mythology) spent some time with Mizraim and Mizraim brought this practice to his attention, Mizraim having practiced this on one or more wives and concubines.  Nimrod tried it, liked it, then incorporated it into what we now know as the Babylonian Mystery religion.  All Mystery Religion cults are offshoots of this first one, and the practice of anal sex is featured in almost all of them.

Sunday, March 17, 2013

Fw: The Open Scroll Blog - Knights, Blinds, and Fencing




The Open Scroll Blog

The Open Scroll Blog


Posted: 15 Mar 2013 04:45 AM PDT
This classic film is recognized as a standard in the industry, and probably not just for song and dance. There's an impressive range of subtle sodomite gateway symbols woven in very cleverly with Freemasonry imagery. What we see in this clip spills the beans on Illuminati activity in your neighborhood and mine, on MK-ULTRA, Monarch or SRA programming. The reason we haven't recognized the activity is because it's done in secret. The reason we haven't recognized the signs of it that are set right out in plain sight is because we've been programmed not to see it. The cloaking is a spiritual matter, but the supernaturalism is contingent upon the symbols through which the demonic power is projected. These symbols through which their secret ways and means are expressed are the tangible evidence of the hidden activity.

I had left off describing how the Singin' in the Rain sequence ends with an exhibit of how the protective seal on the programmers activity is ultimately maintained, with the policeman in front of the Art School demonstrating how the authorities are complicit. In this post, we're going to examine the complement to that scene, which provides exceptional insight into how the programmers get away with it through views of the agents and mechanisms at work, including those in vehicles like this film.

If you use two monitors, you may find it helpful to open the video in one while you read this post in the other. "Singin' in the Rain" 1952 ~ Gene Kelly



If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

At the 2:44 minutes mark, Don leaves the Egyptian sex magick set at the Pharmacy. He passes a rather plain setting on his way over to the umbrella programming scene staged at the LaValle Millinery Shop. After some very effeminate prancing in front of this rather dull setting, which the sign says is the Richard Carlane Music Studio, he arrives at the programming set, where the millinery shop and the bookstore are distinctly linked together, as I described in Part 96. What happens there requires the highest level of security. After looping around the millinery shop and bookstore, Don arrives at the Mount Hollywood Art School, where he splashes around in the puddles and encounters the policeman. As a last line of defense in their security scheme, we have the policeman, in front of the Art School. At the other end is its complement, where other kinds of security are on exhibit in front of the Music Studio. (Music and Arts - keep that in mind.)


There's plenty of what might be considered as rather generic sodomite sex magick being modeled by Don's routine (who's being particularly "light on his feet," don't you think?), but I perceive three distinct kinds of symbols that suggest that the security theme is the reason for the set, which really must be seen as validation of the reason for the symmetry. To really cap it off, there's another layer of symbolism that links two of those kinds of symbols together! Yes, it is complex. That's the nature of their business.

Note the two pairs of louvered shutters at the Studio. These are storm shutters, sure, but they are also functioning as blinds. They filter the light, they control the view through the window. Aliester Crowley used language that included this terminology. This famous Freemason, Theosophist and illuminated sorcerer, who relished being labeled "the worlds most wicked man," wrote the following in "The Book of Lies." "The card 15 in the Tarot is "The Devil", the mediaeval blind for Pan." He was declaring his understanding of how the Devil is actually Pan, and his use of "blind" is akin to how we might use the word "code." "The Devil is code for Pan." It's a substitute used for obfuscation and deception. In the same book, his use of the plural clarifies the word further. "Paragraph 1 is, of course, a well-known scientific fact. In paragraph 2 it is suggested analogically that all thinkable things are similarly blinds for the Unthinkable Reality." The blind is a symbol, representing something else. It provides a layer of secrecy, guarding the sensitive reality.

I've noted a few times in this blog how blinds are featured as graphical elements in some logos, ads, commercials and such to signal that an Occult work is present but concealed. That's the case at the Music Studio, where the louvered shutters conceal and reveal the light filtering through the windows as an allegory. This is one of the three kinds of security elements.

Another kind are the crosses. A couple of instances are signaled as Don crosses his legs while dancing. The most obvious instance of the cross appears on the entry doors, a plus sign sodomite symbol. Putting this on the doors is perfectly fitting for the signal anus of the sodomite gateway. Such a cross is usually red, or white on red, because it signifies the crossing of the blood streams and life force of the two engaged in ritual sodomy. It signifies the binding function of that act, and the blood oath not to tell about it. It represents the protection afforded a member by that fraternity of the blood oath. Another instance appears in the stylized shape of the Studio sign. It's subtle, but it's the shape of the emblem of the York Rite Order of Knights Templar, the top level order that equates to the 33rd degree of Scottish Rite Freemasonry! It's a sign, get it? Ignore the words and read the shape.



The top three levels of the steps of York Rite Freemasonry have the cross shape featured in their symbolism. With that observation, you can identify this scene as yet one more Masonic setting. The front of the Music Studio has the three steps, and this ascending entryway is like a step pyramid that resembles the diagram of the Steps of Freemasonry. To the right is what looks like a close match to the form of the cross of the Knights Templar.

The place is probably named the Richard Carlane Music Studio to make allusion to the Ancient Mystical Order Rosae Crucis, the Rosicrucians. ( Richard Carlane ~ RC ~ Rosy Cross ~ Rosae Crucis ~ Christian Rosenkreuz ~ Roman Catholic) They're BIG on Egyptian artifacts and esoteric symbols.

The sodomite fraternity that appears to be most particularly identified by the RC sign is infamous for providing the kind of defence and security that assures the continuation of their work and the status quo of the illumined elite. The Knights of Malta. Heads UP! If you choose to research them very deeply, be prepared to engage in spiritual warfare. And, to that I must add alongside them the Knights of Columbus. KC~K=11 C=3 ~ KC=33

So, the shutters signal Crowley's blind, the way of coding language to guard the sensitive realities, a way of obfuscation. The crosses signal the binding sodomite oaths to secrecy and the protection afforded by the Illuminati brotherhood. The third kind of symbol implying that security is the reason for the set is the fencing. The fencing is subtle, but our attention is drawn to it when Don draws his umbrella across the fence posts to make a little music. You know what a fence is, right? Here's a few definitions.

  • A structure serving as an enclosure, a barrier, or a boundary
  • Archaic - A means of defense; a protection
  • To avoid giving direct answers; hedge

Now, when you put the matter of the fencing together with the crosses and shutters, this becomes quite the showcase of defensive mechanisms! I had referred to Don's prancing around in front of the Music Studio as rather generic sodomite sex magick, but the choreography brilliantly layers in some elements that connect these things together in a vivid way!

One of Don's charades involves the kind of fencing that is a classic European martial art, where he wields the umbrella as a kind of sword. Following this fencing demonstration, Don runs his umbrella-sword across the fence posts to make the connection for us. When we identify the umbrella as a sword we recognize that link to the fence and one to the knights identified by the cross symbol. On the Steps of Freemasonry you can see swords at the side of the Knight Templar and Knight of Malta, dressed in their military regalia. The martial art of fencing an example of the many skills used in the defense of their realm.

The identification Don makes with the Knights is even much stronger yet when you identify the umbrella as a medieval lance! His prancing presents him as the lance wielding knight, riding a prancing horse. As he dances in this scene, the tap dancing sound provides the soundtrack of the horse's hooves. And, here's the seal on the deal. When he makes his first pass across the set, he's windmilling the umbrella, spinning it around like a windmill. This Don is Don Quixote! The reason for choreographing this epic character, who had an obsession with chivalric literature, spoke in the Old Castilian language and wore old armor that probably derived from the grail quest period, has to be the link to the knights of the sodomite cross, the Illuminati security force.

Today, Don Quixote seems rather obscure, but the novel's windmill scene would have been more recognizable in 1952. That literary work is widely accepted as a masterpiece. According to Wikipedia, "As a founding work of modern Western literature, and one of the earliest canonical novels, it regularly appears high on lists of the greatest works of fiction ever published. In a 2002 list, Don Quixote was cited as the "best literary work ever written"." In 1959, a teleplay based on the book came out, and that was adapted into a musical called "Man of LaMancha," which has become one of the most enduring works of musical theater. The song, "The Impossible Dream" came from that musical.

I'm not sure I would have recognized the reference to Don Quixote if I had not seen a cryptic reference to the novel while studying one of the Fringe episodes that featured the black umbrella. That's a post I'm really looking forward to!

There's plenty of protection being signaled here to balance the policeman at the other end of the programming scene. What this Singin' in the Rain musical is concealing and revealing is just how it is that the programming and programmers are very well protected.

There's more here, even in this scene, but I'm going to leave it for another post, Lord willing!