Fw: The Open Scroll Blog - Eurovision Song Contest; Monarch programming

The Open Scroll Blog Decoding the Eurovision Song Contest Logo Posted: 18 May 2013 08:19 PM PDT As I write, the 58th annual Eurovision Song Contest finals are underway in Malmo, Sweden. (Thanks Ivan) Since 2004, the logos for this contest have featured the heart symbol, using it as the letter "v" in a stylized wordmark. This year's version follows the trend of insetting the imagery of the host country's national flag inside the heart, adding a butterfly and the slogan, "we are one." There's nothing new or unusual here but the extent of the layering of the symbols and degree of promotion is notable. The collection speaks of Illuminati global dominance through mind-control programming, the rise of a Monarch slave army, illumination through ritual sodomy, an exaltation of the Beast of Revelation 13 and the promotion of his mark. The stylized Eurovision wordmark has 666 cleverly embedded inside. Each 6 is slightly obfuscated, but they appear together in sequence. The first letter 0 is drawn like a 6. The second 6 follows it, a Roman numeral, VI. The third 6 is next in line and is spelled out, six. When you break it down, its undeniable. Why hide it? It's not just to keep from offending Christians, we can be assured. The subliminal impact is enabled through subtilty and magnified, an influence that might better be identified as the supernaturalism of a magickal spell because witches project such through a symbol. Make no mistake, there is witchcraft at work, the craft of the Illumined. The way that's done calls out the word Sion, Zion. The ending "sion" balances the beginning "Euro," equating them. Even the connecting emblem is significant, a VI, Roman numeral 6, the number of man associated with Revelation 13. The 6 or 666 is the agency of the Illumined Zionist and antichrist elite. Note, there are two kinds of Zionists, one being a genuine, good. The other describes the Luciferian NWO agenda, where the kings of the world give their power to the one empowered by the Dragon. This embedding of "sion" or "Zion" in Eurovision's wordmark logo is the same trick being consistently executed by the esoteric Zeus worshiping IOC in branding the Olympics. 11 Then I saw another beast coming up out of the earth; and he had two horns like a lamb and he spoke as a dragon. 12 He exercises all the authority of the first beast in his presence. And he makes the earth and those who dwell in it to worship the first beast, whose fatal wound was healed. 13 He performs great signs, so that he even makes fire come down out of heaven to the earth in the presence of men. 14 And he [false prophet beast] deceives those who dwell on the earth because of the signs which it was given him to perform in the presence of the beast, telling those who dwell on the earth to make an image to the beast who *had the wound of the sword and has come to life. 15 And it was given to him to give breath to the image of the beast, so that the image of the beast would even speak and cause as many as do not worship the image of the beast to be killed. 16 And he causes all, the small and the great, and the rich and the poor, and the free men and the slaves, to be given a mark on their right hand or on their forehead, 17 and he provides that no one will be able to buy or to sell, except the one who has the mark, either the name of the beast or the number of his name. 18 Here is wisdom. Let him who has understanding calculate the number of the beast, for the number is that of a man; and his number is six hundred and sixty-six. ~ Revelation 13:11-18 Confucius observed that, "Signs and symbols rule the world, not words nor laws." Have you caught on to what he meant? Have you grasped how the second commandment (forbidding symbolic imagery) was given for our protection? Has your religious instruction removed it entirely? 4 "You shall not make for yourself an idol, or any likeness of what is in heaven above or on the earth beneath or in the water under the earth. 5 You shall not worship them or serve them; for I, the Lord your God, am a jealous God, visiting the iniquity of the fathers on the children, on the third and the fourth generations of those who hate Me, 6 but showing lovingkindness to thousands, to those who love Me and keep My commandments. ~ Exodus 20:4-6 If you've followed The Sodomite Gateway Series you'll find the symbolic elements of these recent logos are very familiar. The popular heart symbol mimics the form of the buttocks, which is used to signal ritual sodomy, sodomite love in action. The Athens 2006 features a signal anus in the mandala. Blue and red combine to purple sodomy. The circles are squared, the alchemical squaring of the circle that signals ritual sodomy enlightenment. Feel the rhythm? In that context? NO THANKS! The fire star flower of Baku 2012 is a puckered anus of the sun god, orange sodomy, and another 666 can be found in the three swirls. Light your fire? In that context? Again, NO THANKS! Some of the branding for the Eurovision Song Contest of 2011 featured a starry vortex, a stargate, centered on the heart. Yellow = star light = fallen angel illumination. Orange sodomy. Such a vortex is actually cryptically embedded in the stylized Eurovision wordmark, especially in those that feature the Islamic celestial emblems! I believe the symbol of the Anja chakra is intended, which is an energy vortex associated with the pineal gland and the opening of the third eye. What is really meant by Eurovision is the opening of the third eye! I see the stylized letter R as a very familiar Eye of Horus. According to definition #5 of the American Heritage Dictionary, "VISION" is, "The mystical experience of seeing as if with the eyes the supernatural or a supernatural being." EuroVISION! Europe is an ancient goddess. If you can link Anja symbol's triangle in circle to the arcane philosopher's stone and mystical squared circle and make the essential connection to ritual sodomy you know exactly how that eye is being opened! Sodomite sex magick works today as it has from the beginning. Aaron noticed how the peculiar letter "s" was like a kneeling figure, with the dot of the "i" as his hairy head. With the letter combo "io" spelling the IO of Helios, the sun god, the scene is one of sodomizing the sun god. When a letter "i" is called out with a peculiar dot in a layered esoteric symbol, it represents the "i" of Horus, the eye of Horus. Horus, aka Helios. Ritual sodomy opens the eye of Horus. I have to think the Eurovision wordmark balances the "Eu" for European Union at the front end with "On" on the back end. On, the city of the sun, Heliopolis. The EU: the new On. The EU certainly has the stargate in mind, identifying itself with the ancient Tower of Babel. Eurovision Song Contest apparently supports that ancient agenda towards a goal of storming heaven and scoring the ultimate coup. When Aaron and I were taking another look at this famous EU poster, it became apparent how the stars form a square in the sky, and that they appear above the round spiraling ziggarut tower. Seen from overhead, the two present the alchemical squared circle! The crane forms a letter "T" or "Tau." It is the signal three point "T" for the "anal triangle." In the context, it is also a Tau cross of Taurus, home of the Pleiades. Some of us believe ritual sex of the sodomite kind factored into the building of the stargate long ago. Whoever channeled that symbolic poster seems to have expressed it redundantly. The T crane is used for building. It was built with bricks bonded with slime, and the people are pictured correctly as the bricks, cemented together with fecal slime. When the cross and heart appear together, like in 2013's logo for Sweden and the one for Athens 2006, the same redundant imagery leveraged by religious mystics for many centuries appears, which should be familiar to Europeans most particularly. The Rosicrucians and Martin Luther favored the butt graphics you see here. Holy tihS, right? The freshened up Eurovision versions are among the signs and symbols that rule the world of today! You've probably already identified the butterfly of the contest's 2013 branding as a signal of Monarch programming. It is that, to be sure! Those events are mass ritual, programming the masses with NLP and imagery that captivates and controls hypnotically and supports the programming of an army of multiples that includes the Illuminati chosen ones. Here's how this year's branding is interpreted, which offers us a little more insight as the official explanations typically drop hints. "On 17 January 2013, at the semi-final allocation draw, the EBU revealed the graphic design, created by Gothenburg-based branding agency Happy F&B for the 2013 contest, featuring a butterfly and slogan "We Are One". The butterfly features an array of colours and textures, it also represents something small which can start powerful and big movements, a phenomenon known as the butterfly effect, indicating that a flap from one butterfly can start a hurricane." (Wikipedia) The Butterfly effect is a scientific term used in chaos theory. This has also been popularized in entertainment media. "The butterfly effect is a common trope in fiction when presenting scenarios involving time travel and with hypotheses where one storyline diverges at the moment of a seemingly minor event resulting in two significantly different outcomes." The time travel trope isn't merely science fiction because there's a legitimate reality! To suggest the butterfly image is a symbol of the Butterfly effect is very meaningful in the context of the Eurovision branding, where the hurricane is a whirlwind, a vortex that is biblically associated with a stargate, a construct that redundantly supports the imagery of the opened third eye chakra! Through that, the dimensional portal is accessed and space-time distortions are managed. One must make the connection of the kundalini vortex of ritual sodomy illumination, of course. One must also acknowledge how the oblique reference to chaos theory forms a secondary link through the butterfly, the emblem of Monarch mind-control programming as the means of introducing the chaos into the world that will transform this age order into the next. The Monarch army will bring the whirlwind of chaos in what they call the Black Awakening! Here's how the slogan factors in. "We are one." "Europe: Many Tongues One Voice." The Eurovision Song Contest slogan is a match to indicate their parallel goals. Unity. Represented in one butterfly they are a hive, a Borg collective with a hive mind. They are transformed from the caterpillar, able to ascend as into godhood. The Monarch slave army, bound together, through the tie that binds, ritual sodomy. They are programmed universally with Illuminati Delta alters that will be mass triggered to bring chaos in the Black Awakening. Their action, as the warrior Bride of Antichrist, is appointed to transition this order into the next, where the Beast will rule the world for a season. You may not have given any notice to the meanings of the flag symbols. We are One ~ Eu (you) R 666 Eu R the beast collective. We are one. Mind-control programmed. Watch and see if it isn't so. Coming soon, to a theater (of war) near you! Many of those featured by the Eurovision Song Contest brand are those that bear the imagery of the Abrahamic faiths. These are invariably symbols of the union of the sons of god with the dauthers of men. This is the reproductive scheme that represents the arena or warfare from Garden of Eden forward. This is what the Illuminati is all about, with their 13 bloodlines and global mind-control programming. The ancient gods, Horus aka Thor, Apollo, etc., they are coming through the stargate, literally, and their coming is facilitated by those who promote such as the Eurovision Song Contest. The ritual magick is working. The form of the butterfly speaks to me of the deep knowledge of our time, the pattern of three things and then a fourth. If you still don't know that means, you have not been paying attention to a crucial element.

Fw: The Open Scroll Blog - Knights, Blinds, and Fencing

The Open Scroll Blog Part 98 - The Sodomite Gateway - Knights, Blinds and Fencing: Securing 'Singin' in the Rain' Posted: 15 Mar 2013 04:45 AM PDT This classic film is recognized as a standard in the industry, and probably not just for song and dance. There's an impressive range of subtle sodomite gateway symbols woven in very cleverly with Freemasonry imagery. What we see in this clip spills the beans on Illuminati activity in your neighborhood and mine, on MK-ULTRA, Monarch or SRA programming. The reason we haven't recognized the activity is because it's done in secret. The reason we haven't recognized the signs of it that are set right out in plain sight is because we've been programmed not to see it. The cloaking is a spiritual matter, but the supernaturalism is contingent upon the symbols through which the demonic power is projected. These symbols through which their secret ways and means are expressed are the tangible evidence of the hidden activity. I had left off describing how the Singin' in the Rain sequence ends with an exhibit of how the protective seal on the programmers activity is ultimately maintained, with the policeman in front of the Art School demonstrating how the authorities are complicit. In this post, we're going to examine the complement to that scene, which provides exceptional insight into how the programmers get away with it through views of the agents and mechanisms at work, including those in vehicles like this film. If you use two monitors, you may find it helpful to open the video in one while you read this post in the other. "Singin' in the Rain" 1952 ~ Gene Kelly If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway At the 2:44 minutes mark, Don leaves the Egyptian sex magick set at the Pharmacy. He passes a rather plain setting on his way over to the umbrella programming scene staged at the LaValle Millinery Shop. After some very effeminate prancing in front of this rather dull setting, which the sign says is the Richard Carlane Music Studio, he arrives at the programming set, where the millinery shop and the bookstore are distinctly linked together, as I described in Part 96. What happens there requires the highest level of security. After looping around the millinery shop and bookstore, Don arrives at the Mount Hollywood Art School, where he splashes around in the puddles and encounters the policeman. As a last line of defense in their security scheme, we have the policeman, in front of the Art School. At the other end is its complement, where other kinds of security are on exhibit in front of the Music Studio. (Music and Arts - keep that in mind.) There's plenty of what might be considered as rather generic sodomite sex magick being modeled by Don's routine (who's being particularly "light on his feet," don't you think?), but I perceive three distinct kinds of symbols that suggest that the security theme is the reason for the set, which really must be seen as validation of the reason for the symmetry. To really cap it off, there's another layer of symbolism that links two of those kinds of symbols together! Yes, it is complex. That's the nature of their business. Note the two pairs of louvered shutters at the Studio. These are storm shutters, sure, but they are also functioning as blinds. They filter the light, they control the view through the window. Aliester Crowley used language that included this terminology. This famous Freemason, Theosophist and illuminated sorcerer, who relished being labeled "the worlds most wicked man," wrote the following in "The Book of Lies." "The card 15 in the Tarot is "The Devil", the mediaeval blind for Pan." He was declaring his understanding of how the Devil is actually Pan, and his use of "blind" is akin to how we might use the word "code." "The Devil is code for Pan." It's a substitute used for obfuscation and deception. In the same book, his use of the plural clarifies the word further. "Paragraph 1 is, of course, a well-known scientific fact. In paragraph 2 it is suggested analogically that all thinkable things are similarly blinds for the Unthinkable Reality." The blind is a symbol, representing something else. It provides a layer of secrecy, guarding the sensitive reality. I've noted a few times in this blog how blinds are featured as graphical elements in some logos, ads, commercials and such to signal that an Occult work is present but concealed. That's the case at the Music Studio, where the louvered shutters conceal and reveal the light filtering through the windows as an allegory. This is one of the three kinds of security elements. Another kind are the crosses. A couple of instances are signaled as Don crosses his legs while dancing. The most obvious instance of the cross appears on the entry doors, a plus sign sodomite symbol. Putting this on the doors is perfectly fitting for the signal anus of the sodomite gateway. Such a cross is usually red, or white on red, because it signifies the crossing of the blood streams and life force of the two engaged in ritual sodomy. It signifies the binding function of that act, and the blood oath not to tell about it. It represents the protection afforded a member by that fraternity of the blood oath. Another instance appears in the stylized shape of the Studio sign. It's subtle, but it's the shape of the emblem of the York Rite Order of Knights Templar, the top level order that equates to the 33rd degree of Scottish Rite Freemasonry! It's a sign, get it? Ignore the words and read the shape. The top three levels of the steps of York Rite Freemasonry have the cross shape featured in their symbolism. With that observation, you can identify this scene as yet one more Masonic setting. The front of the Music Studio has the three steps, and this ascending entryway is like a step pyramid that resembles the diagram of the Steps of Freemasonry. To the right is what looks like a close match to the form of the cross of the Knights Templar. The place is probably named the Richard Carlane Music Studio to make allusion to the Ancient Mystical Order Rosae Crucis, the Rosicrucians. ( Richard Carlane ~ RC ~ Rosy Cross ~ Rosae Crucis ~ Christian Rosenkreuz ~ Roman Catholic) They're BIG on Egyptian artifacts and esoteric symbols. The sodomite fraternity that appears to be most particularly identified by the RC sign is infamous for providing the kind of defence and security that assures the continuation of their work and the status quo of the illumined elite. The Knights of Malta. Heads UP! If you choose to research them very deeply, be prepared to engage in spiritual warfare. And, to that I must add alongside them the Knights of Columbus. KC~K=11 C=3 ~ KC=33 So, the shutters signal Crowley's blind, the way of coding language to guard the sensitive realities, a way of obfuscation. The crosses signal the binding sodomite oaths to secrecy and the protection afforded by the Illuminati brotherhood. The third kind of symbol implying that security is the reason for the set is the fencing. The fencing is subtle, but our attention is drawn to it when Don draws his umbrella across the fence posts to make a little music. You know what a fence is, right? Here's a few definitions. A structure serving as an enclosure, a barrier, or a boundary Archaic - A means of defense; a protection To avoid giving direct answers; hedge Now, when you put the matter of the fencing together with the crosses and shutters, this becomes quite the showcase of defensive mechanisms! I had referred to Don's prancing around in front of the Music Studio as rather generic sodomite sex magick, but the choreography brilliantly layers in some elements that connect these things together in a vivid way! One of Don's charades involves the kind of fencing that is a classic European martial art, where he wields the umbrella as a kind of sword. Following this fencing demonstration, Don runs his umbrella-sword across the fence posts to make the connection for us. When we identify the umbrella as a sword we recognize that link to the fence and one to the knights identified by the cross symbol. On the Steps of Freemasonry you can see swords at the side of the Knight Templar and Knight of Malta, dressed in their military regalia. The martial art of fencing an example of the many skills used in the defense of their realm. The identification Don makes with the Knights is even much stronger yet when you identify the umbrella as a medieval lance! His prancing presents him as the lance wielding knight, riding a prancing horse. As he dances in this scene, the tap dancing sound provides the soundtrack of the horse's hooves. And, here's the seal on the deal. When he makes his first pass across the set, he's windmilling the umbrella, spinning it around like a windmill. This Don is Don Quixote! The reason for choreographing this epic character, who had an obsession with chivalric literature, spoke in the Old Castilian language and wore old armor that probably derived from the grail quest period, has to be the link to the knights of the sodomite cross, the Illuminati security force. Today, Don Quixote seems rather obscure, but the novel's windmill scene would have been more recognizable in 1952. That literary work is widely accepted as a masterpiece. According to Wikipedia, "As a founding work of modern Western literature, and one of the earliest canonical novels, it regularly appears high on lists of the greatest works of fiction ever published. In a 2002 list, Don Quixote was cited as the "best literary work ever written"." In 1959, a teleplay based on the book came out, and that was adapted into a musical called "Man of LaMancha," which has become one of the most enduring works of musical theater. The song, "The Impossible Dream" came from that musical. I'm not sure I would have recognized the reference to Don Quixote if I had not seen a cryptic reference to the novel while studying one of the Fringe episodes that featured the black umbrella. That's a post I'm really looking forward to! There's plenty of protection being signaled here to balance the policeman at the other end of the programming scene. What this Singin' in the Rain musical is concealing and revealing is just how it is that the programming and programmers are very well protected. There's more here, even in this scene, but I'm going to leave it for another post, Lord willing!