By: Marshall Ramsey II, Worthy News U.S. Correspondent
Below is a commentary of a news article appearing at http://news.yahoo.com/reports-shots-fired-near-major-tunisian-museum-120932301.html. This debunks the official story that
21 dead in attack on Tunisian museum; 2-3 gunmen at large
TUNIS, Tunisia (AP) -- Attackers opened fire Wednesday at a major museum in Tunisia's capital, gunning down 17 tourists as dozens more sprinted to safety. At least 21 people in all were killed, including two gunmen, but some attackers may have escaped, authorities said. (Classic government sponsored terror line designed to get people to be scared.)
The attack on the famed National Bardo Museum in Tunis was the first on a tourist site in years in Tunisia, a shaky young democracy that has struggled to keep Islamic extremist violence at bay.
It wasn't clear who the attackers were but security forces immediately flooded the area. Tunisia's parliament building, next to the museum, was evacuated. (If security forces flooded the area immediately, it means that they were anticipating the attack. If they knew an attack was going to happen, why didn't they try to stop it? Why let it get as big as it did? It also stands to reason that if they knew the attak was going to happen, they might know the number of gunmen in the attack and the type/types of weapons going to be used. If so, this indicates a desire on the part of Tunisian security forces to let the situation escalate such as it did, which implies that it may have had something to do with the planning of the attack.)
Private television Wataniya showed masked Tunisian security forces escorting dozens of tourists up nearby steps and away from the danger, as armed security forces pointed guns toward an adjacent building. Many elderly people, apparently tourists, ran in panic to safety, including at least one couple carrying two children. (That there is specific mention of a private television company on site as the 'incident' is in action suggests a money deal between the government of Tunisia and Wataniya, with Wataniya being complicit in this terrorist attack on its own people. An adjacent building - the parliament building perhaps? The mention of an elderly couple carrying children is sensationalism designed to evoke sympathy in the public and get them to not question the offical version of events.)
(Twitter photos showing hostages appear to be doctored. There are no signs of fear, one woman looks as if she fell asleep, and the pictures were taken from inside the museum. If there were really hostages being taken as the photos suggest, then there would be some fear on the part of the hostages. There is none. These people appear to be nothing more than crisis actors paid by their government to participate in said event. This means that the Twitterers, especially Kristina Dei, are government plants.)
Tunisian Prime Minister Haib Essid said 21 people were killed: 17 tourists, two gunmen, a Tunisian security officer and a Tunisian cleaning woman. He said the dead tourists came from Italy, Poland, Germany and Spain.
He said two or three of the attackers remained at large.
Several other people were reported wounded in the attack, including three Poles and at least two Italians. The Italian Foreign Ministry said 100 other Italians had been taken to a secure location.
Some of the Italians at the museum were believed to have been passengers aboard the Costa Fascinosa, a cruise liner making a seven-day trip of the western Mediterranean that had docked in Tunis. Ship owner Costa Crociere confirmed that some of its 3,161 passengers were visiting the capital Wednesday and that a Bardo tour was on the itinerary, but said it couldn't confirm how many, if any, passengers were in the museum at the time.
The cruise ship recalled all the passengers to the ship and was in touch with local authorities and the Italian Foreign Ministry.
Wednesday's attack was a strong blow to Tunisia's efforts to revive its crucial tourism industry.
The National Bardo Museum, built in a 15th-century palace, is the alrgest museum in Tunisia and houses one of the world's largest collections of Roman mosaics among its 8,000 works. The museum is near the North African nation's parliament, 4 kilometers (2 1/2 miles) from the city center. A new wing with contemporary architecture was built as part of a 2009 renovation, doubling the surface area. (Both bards(Bardo) and Muses tell stories about the past. This may have some significance.)
"It is not by chance that today's terrorism affects a country that represents hope for the Arab world. The hope for peace, the hope for stability, the hope for democracy. This hope must live," French Foreign Minister Laurent Fabius said in a statement minutes after the crisis ended. (Only minutes after the crisis ended? This suggests that Mr. Fabius had his statement written out in advance. It also suggests that he helped plan the supposed attack, which implicates the government of France in this psychological conditioning operation, (that people should willingly give up their rights and freedom for government owned "security",) for it can be called nothing else.)
Speaking at the Louvre museum to all for international efforts to preserve the heritage of Iraq and Syria against extremist destruction, French President Francois Hollande said he had called the Tunisian president to offer support and solidarity.
"Each time a terrorist crime is committed, we are all concerned," Hollande said. (It appears that President Francois Hollande of France is also part of the government sponsored attack. Given that he is speaking on a "terrorist attack" on a museum while in a museum, and given the fact the the government of Tunisia, and possibly the Italian government, are involved, it seems that there may be more national leaders involved in the operation, which suggests funding on a massive international scale. International bankers are people to look at, especially if they have been loaning large amounts of money to the governments mentioned in the above article. This may be a down payment for service rendered.)
Tunisia recently completed a rocky road to democracy after overthrowing its authoritarian president in 2011, seen by many as the start of the so-called Arab Spring. The country has been more stable than other countries i the region, but has struggled with violence by Islamic extremists in recent years, including some linked to the Islamic State group. It also has extremists linked to al-Qaida's North Africa arm who occasionally target Tunisian security forces. (The Arab Spring was the start of World War III, which appears to pit the Muslim world against Christianity. For certain, it is a staged event by some very rich people working behind the scenes, people who appear to be bent on world domination.)
A disproportionately large number of tunisian recruits -- some 3,000, according to government estimates -- have joined Islamic State fighters in Syria and Iraq.
The American Embassy in Tunis was attacked in September 2012, seriously damiging the embassy grounds and an adjoining American school. Four of the assailants were killed. Overall, though, the violence that Tunisia has seen in recent years has been largely focused on security forces, not foreigners or tourist sites.
The attack comes the day after Tunisian security officials confirmed the death in enighboring Libya of a leading suspect in Tunisian terror attacks and in the killings of two opposition figures in Tunisia. (This is a smoke-screen line designed to deflect from the truth that the government of Tunisia is behind the attack. It does tell us that the attack was planned out many days in advance, possibly even involving the killing of the terrorist leader, which suggests that the government executed terror attack in Tunisia may have been planned in advance by months.)
Ahmed Rouissi gained the nickname of the "black box of terrorism." The information on his death was made public by security officials giving testimony in parliament and cited by the official TAP news agency. ("Black box of terrorism?" This suggests that Mr. Rouissi recorded the terror attacks of those in control, which means that he was not a leading source of terror, but possibly a government puppet whose final bit of usefulness came in the form of his sacrifice to the unholy desires of those he worked for, a.k.a. the governments of the world and the super-rich bankers, media moguls, and others who have the governments of the world on their payroll.)
Libya, which has devolved into chaos, is a source of major concern for Tunisia.
Also a major worry is the Mount Chaambi area on the border with Algeria where al-Qaida in the Islamic Maghreb has reportedly been helping a Tunisian group which has killed numerous soldiers.
---
Elaine Ganley and Jamey Keaten in Paris, Nicole Winfield in Rome, and Monika Scislowska in Warsaw, Poland, contributed to this report.
Below is a commentary of a news article appearing at http://news.yahoo.com/reports-shots-fired-near-major-tunisian-museum-120932301.html. This debunks the official story that
21 dead in attack on Tunisian museum; 2-3 gunmen at large
TUNIS, Tunisia (AP) -- Attackers opened fire Wednesday at a major museum in Tunisia's capital, gunning down 17 tourists as dozens more sprinted to safety. At least 21 people in all were killed, including two gunmen, but some attackers may have escaped, authorities said. (Classic government sponsored terror line designed to get people to be scared.)
The attack on the famed National Bardo Museum in Tunis was the first on a tourist site in years in Tunisia, a shaky young democracy that has struggled to keep Islamic extremist violence at bay.
It wasn't clear who the attackers were but security forces immediately flooded the area. Tunisia's parliament building, next to the museum, was evacuated. (If security forces flooded the area immediately, it means that they were anticipating the attack. If they knew an attack was going to happen, why didn't they try to stop it? Why let it get as big as it did? It also stands to reason that if they knew the attak was going to happen, they might know the number of gunmen in the attack and the type/types of weapons going to be used. If so, this indicates a desire on the part of Tunisian security forces to let the situation escalate such as it did, which implies that it may have had something to do with the planning of the attack.)
Private television Wataniya showed masked Tunisian security forces escorting dozens of tourists up nearby steps and away from the danger, as armed security forces pointed guns toward an adjacent building. Many elderly people, apparently tourists, ran in panic to safety, including at least one couple carrying two children. (That there is specific mention of a private television company on site as the 'incident' is in action suggests a money deal between the government of Tunisia and Wataniya, with Wataniya being complicit in this terrorist attack on its own people. An adjacent building - the parliament building perhaps? The mention of an elderly couple carrying children is sensationalism designed to evoke sympathy in the public and get them to not question the offical version of events.)
(Twitter photos showing hostages appear to be doctored. There are no signs of fear, one woman looks as if she fell asleep, and the pictures were taken from inside the museum. If there were really hostages being taken as the photos suggest, then there would be some fear on the part of the hostages. There is none. These people appear to be nothing more than crisis actors paid by their government to participate in said event. This means that the Twitterers, especially Kristina Dei, are government plants.)
Tunisian Prime Minister Haib Essid said 21 people were killed: 17 tourists, two gunmen, a Tunisian security officer and a Tunisian cleaning woman. He said the dead tourists came from Italy, Poland, Germany and Spain.
He said two or three of the attackers remained at large.
Several other people were reported wounded in the attack, including three Poles and at least two Italians. The Italian Foreign Ministry said 100 other Italians had been taken to a secure location.
Some of the Italians at the museum were believed to have been passengers aboard the Costa Fascinosa, a cruise liner making a seven-day trip of the western Mediterranean that had docked in Tunis. Ship owner Costa Crociere confirmed that some of its 3,161 passengers were visiting the capital Wednesday and that a Bardo tour was on the itinerary, but said it couldn't confirm how many, if any, passengers were in the museum at the time.
The cruise ship recalled all the passengers to the ship and was in touch with local authorities and the Italian Foreign Ministry.
Wednesday's attack was a strong blow to Tunisia's efforts to revive its crucial tourism industry.
The National Bardo Museum, built in a 15th-century palace, is the alrgest museum in Tunisia and houses one of the world's largest collections of Roman mosaics among its 8,000 works. The museum is near the North African nation's parliament, 4 kilometers (2 1/2 miles) from the city center. A new wing with contemporary architecture was built as part of a 2009 renovation, doubling the surface area. (Both bards(Bardo) and Muses tell stories about the past. This may have some significance.)
"It is not by chance that today's terrorism affects a country that represents hope for the Arab world. The hope for peace, the hope for stability, the hope for democracy. This hope must live," French Foreign Minister Laurent Fabius said in a statement minutes after the crisis ended. (Only minutes after the crisis ended? This suggests that Mr. Fabius had his statement written out in advance. It also suggests that he helped plan the supposed attack, which implicates the government of France in this psychological conditioning operation, (that people should willingly give up their rights and freedom for government owned "security",) for it can be called nothing else.)
Speaking at the Louvre museum to all for international efforts to preserve the heritage of Iraq and Syria against extremist destruction, French President Francois Hollande said he had called the Tunisian president to offer support and solidarity.
"Each time a terrorist crime is committed, we are all concerned," Hollande said. (It appears that President Francois Hollande of France is also part of the government sponsored attack. Given that he is speaking on a "terrorist attack" on a museum while in a museum, and given the fact the the government of Tunisia, and possibly the Italian government, are involved, it seems that there may be more national leaders involved in the operation, which suggests funding on a massive international scale. International bankers are people to look at, especially if they have been loaning large amounts of money to the governments mentioned in the above article. This may be a down payment for service rendered.)
Tunisia recently completed a rocky road to democracy after overthrowing its authoritarian president in 2011, seen by many as the start of the so-called Arab Spring. The country has been more stable than other countries i the region, but has struggled with violence by Islamic extremists in recent years, including some linked to the Islamic State group. It also has extremists linked to al-Qaida's North Africa arm who occasionally target Tunisian security forces. (The Arab Spring was the start of World War III, which appears to pit the Muslim world against Christianity. For certain, it is a staged event by some very rich people working behind the scenes, people who appear to be bent on world domination.)
A disproportionately large number of tunisian recruits -- some 3,000, according to government estimates -- have joined Islamic State fighters in Syria and Iraq.
The American Embassy in Tunis was attacked in September 2012, seriously damiging the embassy grounds and an adjoining American school. Four of the assailants were killed. Overall, though, the violence that Tunisia has seen in recent years has been largely focused on security forces, not foreigners or tourist sites.
The attack comes the day after Tunisian security officials confirmed the death in enighboring Libya of a leading suspect in Tunisian terror attacks and in the killings of two opposition figures in Tunisia. (This is a smoke-screen line designed to deflect from the truth that the government of Tunisia is behind the attack. It does tell us that the attack was planned out many days in advance, possibly even involving the killing of the terrorist leader, which suggests that the government executed terror attack in Tunisia may have been planned in advance by months.)
Ahmed Rouissi gained the nickname of the "black box of terrorism." The information on his death was made public by security officials giving testimony in parliament and cited by the official TAP news agency. ("Black box of terrorism?" This suggests that Mr. Rouissi recorded the terror attacks of those in control, which means that he was not a leading source of terror, but possibly a government puppet whose final bit of usefulness came in the form of his sacrifice to the unholy desires of those he worked for, a.k.a. the governments of the world and the super-rich bankers, media moguls, and others who have the governments of the world on their payroll.)
Libya, which has devolved into chaos, is a source of major concern for Tunisia.
Also a major worry is the Mount Chaambi area on the border with Algeria where al-Qaida in the Islamic Maghreb has reportedly been helping a Tunisian group which has killed numerous soldiers.
---
Elaine Ganley and Jamey Keaten in Paris, Nicole Winfield in Rome, and Monika Scislowska in Warsaw, Poland, contributed to this report.
Just in case we happen to miss that symbol they decorate it with hearts all around the pleated bottom. Ralph spins around with it a few times at one point to demonstrate the vortex of the chakra and stargate. When he falls over and becomes a helpless victim, two more characters confirm the symbolism even further. The lurking Wynnchel and Duncan rush over. "Now we got em!" 
The stained glass window backdrop is a sun god image and a squared circle anal portal, sodomite orange, of course. The lights you see on it are the laser sight beams of Calhoun's soldiers, the Bride of Antichrist army, who are sighting and illuminating their potential targets. Think about that. 
She is a sodomy programmed supersoldier, a Delta, an assault leading specialist. She's usually wielding a gun, a phallic symbol. She's got a sexy feminine figure. She's a Beta programmed sex kitten who seduces Felix with her looks. She's an abusive woman who demeans men like a marine drill sergeant, and brings them under subjection, even slapping them around. Butch. Jezebel. 
This image is of a medal Vanellope made and gave to Ralph. On one side, it says he is her hero. On the other, "To Stinkbrain." It's a heart-bottom. There's a purple band coming out of it. It's brown inside. The "o" in "to," that's, well, you get the picture. He is her hero stinkbrain, her handler, enlightened with gnosis through ritual sodomy. 
This classic film is recognized as a standard in the industry, and probably not just for song and dance. There's an impressive range of subtle sodomite gateway symbols woven in very cleverly with Freemasonry imagery. What we see in this clip spills the beans on Illuminati activity in your neighborhood and mine, on MK-ULTRA, Monarch or SRA programming. The reason we haven't recognized the activity is because it's done in secret. The reason we haven't recognized the signs of it that are set right out in plain sight is because we've been programmed not to see it. The cloaking is a spiritual matter, but the supernaturalism is contingent upon the symbols through which the demonic power is projected. These symbols through which their secret ways and means are expressed are the tangible evidence of the hidden activity. 
"Singin' in the Rain" 1952 ~ Gene Kelly
I've noted a few times in this blog how blinds are featured as graphical elements in some logos, ads, commercials and such to signal that an Occult work is present but concealed. That's the case at the Music Studio, where the louvered shutters conceal and reveal the light filtering through the windows as an allegory. This is one of the three kinds of security elements.
If you choose to research them very deeply, be prepared to engage in spiritual warfare. And, to that I must add alongside them the Knights of Columbus. KC~K=11 C=3 ~ KC=33
One of Don's charades involves the kind of fencing that is a classic European martial art, where he wields the umbrella as a kind of sword. Following this fencing demonstration, Don runs his umbrella-sword across the fence posts to make the connection for us. When we identify the umbrella as a sword we recognize that link to the fence and one to the knights identified by the cross symbol. On the Steps of Freemasonry you can see swords at the side of the Knight Templar and Knight of Malta, dressed in their military regalia. The martial art of fencing an example of the many skills used in the defense of their realm. 
Here are some examples of Occult imagery picturing the doors-in-doors kind of mind-control programming structures described in the previous post. 
The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. 
The Dave Matthews Band's latest album is titled, "Away From The World." The title describes the condition pictured on the cover. When the mind-controlled slave is ritually traumatized and sodomized, they withdraw "away from the world," into an alter identity. This is technically called dissociating, and this is intended for the purpose of organizing the fractured mind into many compartments. The disturbing looking occupants pictured are each isolated in their cells, symbols of the dissociated identities. This album cover pictures a snapshot of a slice of the 3D matrix. 
The classic TV game show Hollywood Squares is a similar allegory. The celebrities are stars (angels) set into a 9 paneled grid. They answer questions, enlightening the panelists who make a play of attempting to discern the truth amidst the clever fabrications that are usually lies intended to deceive. Based upon the game, tic-tac-toe, they use language like "X gets the square," to reward the contestant for a successful call. They also say, "Circle gets the square," referencing the alchemical squaring of the circle! In the picture I present here, the sodomite signaling plus sign is highlighted. The scoring alignments of rows and columns mock up a magick square, a tool of the kind of Enochian magick practiced by Dr. John Dee. Holly wood has long been used to make magick wands, not for stage tricks but for ritual use. Their magick is real, and many of the show biz celebrities are Illumined Occultists and SRA handlers/slaves; practiced deceivers who prey upon the ignorant with their ceremonial magick.
I watched episode 1 for the first time the night before starting this post. A movie titled 
The Illuminati songstress Jessie J models the doll house metaphor in her music video, "Price Tag." She is herself a doll house, with many compartmentalized alters. What you see here is an equivalent to the Captain Kangaroo door, with many windows opening to rooms in the door. Jessie J's bare legs present us with the form of a pyramid, and the hands conceal and reveal how the handlers are at the top, in control. The triangle formed also signals the anal triangle or sodomite gateway as the means of producing this condition. The dormers signal us with sodomite plus signs. 
Dollhouse was created by writer and director, Joss Whedon, under Mutant Enemy Productions, and it was aired on the FOX network. Mutant Enemy. FOX=666. Connecting some dots?
On one level it models the switching from alter to alter. 
Dodgson was not himself an illuminated slave, handler and programmer. 
In this image you see Jessie J in the hall, pressing her fists to her head like in a vice. Pressure on the brain = ritual trauma. This forces the dissociation. 
At the tea party banquet, pink doors with panels with purple accents appear at one end. The message seems to be that they are her alters, every character. 