The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here.
Series Links: The Sodomite Gateway When I was writing about The Clockwork Orange in Part 70 of this series I made note of how the lead character sang a song from an old musical from 1952, the title song from the movie, "Singin' in the Rain." He sang it while violently beating a man during a home invasion, just before raping his wife. The song didn't mean anything to me at the time. Some time later, I was watching an episode of the Sci-Fi show Fringe (The Boy Must Live) and observed how "Singin' in the Rain" was referenced again. I had begun to put it together by then. I had learned that rain and the umbrella were ritual sodomy symbols with rain as semen and the umbrella as both the anus (opened) and the phallus (closed). (See parts 75 and 76) I suspected that the famous scene where Gene Kelly danced and sung the title song might be leveraging these symbols too, and that's just what I found! This classic is a masterpiece of sodomite sex magick!
Here's a clip of the featured scene.
"Singin' in the Rain" 1952 ~ Gene Kelly You see, this evil isn't new. Our parents grew up with it, and so did their parents. While the amount of exposure folks have to the symbolic imagery has increased exponentially, it was still embedded in the culture, in architecture, product labels and the illustration of newspapers, periodicals, school textbooks and other books, and theatrical productions.
I'm going to describe what I see in the clip and describe the coded language in the lyrics. There's Occult symbolism throughout. I'm going cover a lot of detail but skip over some of it because it's just so densely packed! It will take me more than one post to get through it. This will segue into some more posts about umbrella symbolism, including at least a couple focused on episodes of Fringe, Lord willing.
As the famous scene from Singin' in the Rain opens we see a classic romantic setting where the man, Don Lockwood (played by Gene Kelly), and woman, Kathy Selden (played by Debbie Reynolds), kiss goodnight in the doorway. They're standing under his black umbrella, a familiar object that, with its scalloped edge, resembles the anus.
The scene is modeling the Royal Arch in a Masonic Lodge. The bricks are the signature masonry element, with the bricks as lodge brothers, cemented together with the fecal mortar of the binding oaths and supernaturalism of ritual sodomy. The couple stands under the Royal Arch, a sodomite gateway, the umbrella overhead suggesting the arch. Two lamps flank this altar, as the typical pillars and the sun and moon. Another pair of pillars appear in the hand rail posts. There's love in action, but what appears on the surface may be considered merely misdirection, the mask.
We're all familiar with religious art where a halo of light is placed behind the head of a subject to indicate holiness. Consider the circle on the window as Kathy's halo, but instead of being holy, of course, she's illuminated. She wears a purple cap to model the sodomite phallus. Yes, that's what he's kissing. Listen to the words spoken. Don is dissociated, unable to perceive the reality of the rain, gone to a sunny place "somewhere over the rainbow." When they separate, she goes off through the doorway into the light, where we see a phallic head shaped lamp shade.
When Don starts to get musical, he seems to be singing some nonsensical words. When you catch on to the esoteric nature of the scene you realize he's singing a ditty about
doody, a childish word for poop. I've heard that kind of signaling before. Sometimes, I hear the word "duty" used in the midst of other symbols of the sodomite gateway or trauma-based mind-control programming. The woman had just made a poetic reference to the rain as "California dew." Given the rain-as-semen metaphor, her embellishment applies to his ditty, which is about the combination of "dew" and "doody."
Yeah, I know. Try not to laugh so hard - you'll hurt yourself. This is really quite a serious matter.
Don waves off the waiting vehicle. He doesn't need a driver anymore. He's got the hook-up. He's illuminated and now he's the driver, the SRA handler.
He pauses and collapses the umbrella while standing under the water that pours off an awning, which splashes off his hat. He's layering the symbols and giving us the key, identifying to us that the hat is just like the umbrella. While he pauses, we see the oval panel on the door presenting the halo of illumination behind his head, just after he swings the butt signaling umbrella over to the backside of a woman's bust in a store front display window. That oval is framed by two panels like parenthesis, or like mirrored letters C, presenting a subtle sodomite and Masonic 33 signal.
I'm singin' in the rain
Just singin' in the rain
What a glorious feelin'
I'm happy again.
Glory is a supernaturalism, a manifesting expression of God that relates to power and light - or, in contrast, gods and a dark power and light. The movie poster I opened with has this phrase superimposed over the three umbrellas, "What a Glorious Feeling." That's a reference to the initiation into illumination the slave experiences and the power transfer the handler experiences during ritual sodomy.
"
The Illuminati believe that they can suck the life spirit out of a person through intercourse with what they call the Eye of Horus (the anus). This is why the leaders of this World Order (such as George Bush, Bill Clinton, and tens of thousands of others) are into sodomy, they are trying to vampirize all the years of life out of the victim to gain a longer life. Some of the sad child victims, who have been kept exclusively for this purpose do look like the life force has been sucked out of them. Sodomy has its own secret chamber on the cabalistic tree of life." (
Deeper Insights into the Illuminati Formula by Fritz Springmeier & Cisco Wheeler)
Don leaps up and hangs off the lamp post, extending out the umbrella in its phallic form.
I'm laughing at clouds.
So dark up above
By this, is he referencing the clouds of the book of Jude and the darkness of those agents of evil? He's being drenched with the rain and loving it, singin' in the rain.
In this pose, Don is superimposed over another Royal Arch, a doorway, a sodomite gateway. There's just no mistaking this once you become familiar with the routine. On one side we have the phallus, and on the other, the illuminating light of the sun god; an illustration of the left hand path. He's lifted one leg to cross it with the other, forming a cross or sodomite plus sign, and a triangle as the space under his crotch, the anal triangle.
Don jumps down and embraces the giant phallic pole, pressing his umbrella up against it as he does an effeminate thing with his voice.
The character's name is "Don Lockwood." Is there some kind of wood-as-phallus thing going on here? Is the lock and key sodomy metaphor being used? I believe there's an allusion being made from this character to another Don, not so much Don Juan, womanizer, as "Don Quixote," the protagonist of another classic which Fringe makes reference to in a very symbolic scene featuring a black umbrella (Black Blotter episode). But that's for another post, Lord willing.
The sun's in my heart
And I'm ready for love.
The sun is in his heart, and you may take that in context as the heart-as-bottom. The sun is the sun god Horus, the *s
O n* son of the Devil, who is engaging Don in ritual sodomy by proxy.
Marion Knox, an experienced deliverance minister explains. "
Basically, Satan cannot sodomize someone on his own, but he can influence somebody to sodomize someone else and then it's like having Satan sodomize them and put the sodomy power within them." Oh yeah. Don is ready for
love.
He's doing this bit in front of the Palm View (or Vista, perhaps) Apts, which is noted on a little sign on a shade on the doors. The palm is a symbol I've written plenty about on these pages. It is the tree under which Leto gave birth to the son of Zeus, Apollo.
Here's a logo that presents a palm view many sodomites in Hollywood would be familiar with, the sodomite gateway.
He dances off and strikes another pose, opposing the umbrella with the hat in an apparent modeling of the forward
catcher of the two Vitruvian men.
Let the stormy clouds chase.
Everyone from the place
Come on with the rain
I've a smile on my face
With the rain pouring onto his upturned face, he sings that verse, and we note the homonym that validates the rain-as-seminal fluid metaphor through redundancy. Off he strolls, swinging the umbrella with his hand in a pocket to give us a subtle variant of the classic hidden hand signal that has been used by Illuminists over the centuries. That means his actions are cloaked, secret, with an assurance that he's isolated from accountability.
Don passes under an illuminated Horus sunrise arch as he gets in position for the next set, where ancient Egyptian sex magick is demonstrated right before our eyes.
I'll pick this up in the next post, Lord willing.
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