Tuesday, September 30, 2014
Surfing Sunboy: A disturbing change in the beaches of Southern Cal...: Also, this disturbing factoid regarding a change in the ocean currents no seems to be reporting on. Every year, in November, in Califo...
Posted: 28 Sep 2014 12:38 PM PDT
Yesterday marked a very notable transition. Aaron and I have been led to anticipate something special in this season, and what developed on Yom Teruah did not disappoint! Before I share about that, in another post, Lord willing, last night brought another noteworthy development. The date of the Antichrist apocalypse was signaled through the Starz network show, Outlander. The final episode of this season, titled, Both Sides Now, featured the following conversation.
Mrs Graham: The stories are old. Some say as old as the stones themselves. Passed down through generations and generations through ballads and songs. I first heard them from my grandmother and she from hers. The songs tell stories about people who travel through the stones.
Frank Randall: Travel through stone. I'm not sure I take your meaning.
Mrs Graham: Not literally through the stone itself. You see, the circle at Craigh Na Dun marks a place on the earth where the powers of nature come together.
Vicar Wakefield: Superstition and twiddle-twaddle.
Frank Randall: Go on.
Mrs Graham: The stones gather the powers and give it focus like a glass - Dae ye ken? (Do you know?) - and certain people on certain days it allows them to pierce the veil of time. Mr. Randall, you know your wife went up that hill the day she vanished. I believe she didn't come back down that hill, at least not in 1945. I believe she traveled to some other time.
Frank Randall: Where or when would that be?
Mrs Graham: I don't know. Every traveler is different. They must make their own journey, on their own path, but the songs do say that the travelers often return.
Frank Randall [standing up]: I see. I shall leave for Oxford this afternoon.
Mrs Graham: Did you not hear me!
Vicar Wakefield: Mrs Graham!
Mrs Graham: I said they often return!
Frank Randall: I did hear you. I simply do not share your beliefs.
Insight into what the show is really all about comes when you know what's appointed for the date that the show itself is scheduled to return for its "Midseason Premiere." April 4, 2015. That day will be marked by a blood red moon in lunar eclipse in Virgo. Although the dating on the Lord's calendar depends on the sighting of the new moon and ripening of the barley, best projections identify it as the 13th day of the 1st month. That's the day of the year when the biblical models present the revealing of the lawless one!
See the following posts for similar accounts. (ordered by posting date)
Here's some miscellaneous bits of interest. All this should make more sense in the post that follows. This is a season for validating signs, for strengthening faith and hope, and love. Note: Saints have "stargate access" to commune with the Lord of Glory, at His invitation. Seek it, as He may lead. The joy of the Lord is our strength.
The pilot of the series: While on her honeymoon, WWII combat nurse, Claire Randall is mysteriously transported back to 1743 Scotland. As I wrote recently in Our Lady of the Bicycle, Playing Cards, Time-Space and the Euchre Miracle:
"If you see the 808 milestone marker as an ancient standing stone, an interesting connection can be made with a TV show on the STARZ (stars = angels) network called, Outlander. A woman was transported back in time when she placed her hands on a standing stone monument. A coven of witches had just performed a Beltane ritual there in the moonlight. Standing stone ~ milestone marker ~ time-space stargate. Finding herself in the past, she soon encounters a man who looks like her husband's twin, who is his infamous ancestor. His nickname is Black Jack. That's a secret time code. The card game Blackjack is also called 21. The number 21 is a time number, generally meaning, the fullness of time. She and he may be seen to be linked through time, obviously. Her husband was the last person she interacted with before her transit, and Black Jack was the first significant contact, following."
"Starz" Network: Stars = angels ~ Angels Network
"Outlander": a foreigner. It's code for the Antichrist, from beyond this dimension, an alien or foreigner from out of this land.
"Both Sides Now": The dimensions linked through time, just like a scene in this episode illustrates when the outlander, Claire, and her husband Frank Randall both come to the circle of standing stones at Craigh Na Dun seeking each other. Despite being separated by time they can hear each others voices crying out. "Both Sides Now" describes a bridge through time.
In "Both Sides Now," 1945's Frank Randall begins to demonstrate the brutal and sadistic character that his infamous ancestor Black Jack Randall displays in 1743. About that display of excessive brutality, the Vicar made an interesting comment about Frank Randall drinking from the same cup of evil as the Nazis. Comparing Frank Randall to The Nazi, Hitler, an Antichrist.
A network of clockwork angels - bridging time. Time hack opening stargate for transit of Horus.
Frank Randal [standing up]l: "I see. I shall leave for Oxford this afternoon."
"I See." He's illuminated, CLAIREvoyant.
"leave" ~ a travel word
"this afternoon" ~ the appointed time.
"Oxford" Code for Silver Gate transit of the beast. Ford, to cross a stream like the river of time. OX is the circle X mark of the beast sign. Oxford signals the crossing of the river of time by the beast, through the celestial Silver Gate. OX is the horned Silver Gate constellation of Taurus. Taurus is the 9th constellation (correctly counting from Virgo). Count how many words there are in Frank's declaration. There are 9.
When Claire first arrived in 1743 she though it wise to use her maiden name to isolate herself from identification with her husband's ancestors. Pronounced, Beecham, the family name is, Beauchamp. That also happens to be the family name of the Witches of East End (Lifetime network), who are a cursed royal family from Asgard who struggle to control the Bifröst stargate. Not a coincidence, despite the different networks.
Claire and Frank were on their honeymoon. Code for goddess assisting transit. Moon, goddess. Honey bee, Queen Bee Melissa, Ishtar Inanna. When Claire went through the V (Venus - Vogue - Virgin - Victory) cleft rock standing stones, the sound she heard was the buzzing of bees.
Claire was a nurse and herbalist. Goddess of healing and magic, who dispensed a love potion in one episode.
Claire is notably disrespectful of men's authority. Jezebel. Her favorite exclamation is "Jesus H. Roosevelt Christ!" Overlaid Messianic identification. H = Harpocrates, the boy Horus who is linked to the rose? Roosevelt, means, "from rose field." The rose goddess, Isis-Venus, the Virgin Mary. Claire had found herself planted in the midst of the political turmoil leading up to the Jacobite Rebellion. Her beloved Clan MacKenzie was going to be slaughtered by the King's army, as she remembered from the farther future history, because they were trying to set their king of the House of Stuart on the throne of the realm. Theirs was the Catholic side in opposition to the their Anglican rulers.
The fictional standing stones of Craigh Na Dun are located near to Inverness. From the hilltop we overlook a waterway that must be linked to Loch Ness. The legendary Loch Ness monster known as Nessie is believed by many to be extradimensional, manifesting and disappearing as through a space-time portal.
The infamous portal opening black magician Aliester Crowley (the Amalantrah Workings, 1919) lived on Loch Ness, 21 miles (34 km) south of Inverness. He lived in the Boleskine House, which was constructed in the 18th century by Archibald Fraser as a hunting lodge. Crowley purchased the house from the Fraser family in 1899. Here's an interesting connection. The house was built in the era when the fictional outlander, Claire arrived. Not long after her arrival, she married a Scottish clansman to obtain legal protection for her and her adopted clan from the vicious Black Jack Randall. Her husband of circa 1743 is named James Alexander Malcolm MacKenzie Fraser. Claire (clear - clair-voyant) Fraser is thus connected with the Boleskine House, near to Craigh na Dun's standing stone circle. Portal opening magick ritual locations. (There also seems to be a kind of a kinsman redeemer - Ruth-Boaz messianic thing going on because of the fugitive Jamie and Claire's abiding with the MacKenzie clan on their land.) Led Zeppelin's guitarist Jimmy Page purchased the house in 1970, who is a famed black magician and Occult bookshop owner and publisher. Lyrics, Battle of Evermore
About 1945, WWII had just ended. Aliester Crowley was a secret agent of the Crown during the war. He died in 1947. Frank Randall was also a secret agent during the war, MI-6. In 1946, a kind of protege, rocket scientist and black magician Jack Parsons famously performed the Babalon Working. That can be compared to Crowley's Amalantrah Workings. Jack Parsons' Scarlet Woman, Marjorie Cameron and L. Ron Hubbard (Scientology) participated. Reference to the Babalon Workings is made when Illuminati chosen ones refer to them selves as BWBs, Babalon Working Babies. Many magical workings were done by the Nazis during the war, and Die Glocke as a time-travel device is legendary.
What really speaks to Aaron and I about 1945 is the 70 year span to 2015, which I've written about before. The wedding of the Bride and Bridegroom is the subject of Psalm 45, which presents a perspective of the events of 1945 (see Hidden Prophecies in the Psalms, by J.R. Church), which projects in a heptadic (times 10) echo into 2015.. The lawless one is to be revealed on the 13th day, and the Bride, stolen away by her Bridegroom on the 21st.
About 1743, in Roman numerals: MDCCXLIII. The simple Occult alphabetic code produces from that letter string the sum of 86. This present Shemitah that is the 4th from the sign of 1991 is number 860 from Adam. So, 1743 ~ 860. The destination of the time-traveling Outlander. The last wolf in Scotland is thought to have been shot in 1743, in the town of Killiecrankie. Wolf ~ Apollo and the goddess - links to the moon. On February 23, 1743, Mayer Amschel Rothschild was born, a major Illuminati player.
April 4, 2015. Is someone who left and is greatly missed returning from the past? According to ancient legend? Through the kind of magick of the standing stones being stirred by such as the Beltane ritual? It's a recurring message that I see more and more frequently.
Monday, September 29, 2014
Posted: 26 Sep 2014 12:52 PM PDT
As I illustrated in the previous post, the scene pictured in this screenshot is loaded with significant Occult imagery about the arrival of the Antichrist. I'm going to be decoding the very significant dialog that leads up to that esoteric beverage service, and also the imagery of Darnell's vintage watch. The time hack that opens and closes the stargate is featured, and beans are spilled about the how and why of it in what I recognize as the film's pivotal scene. There is, in this pivotal scene, a grand and epic irony to be noted.
The operation of the stargate pictured when Pyatt uncorks the decanter and pours the Scotch while jiggling the crystal stopper requires a kind of time hack. Darnell drops clever hints about it in this segue as he tells his mind-bending story to his unsuspecting younger self, and demonstrates it with a simple but profound object lesson.
Pyatt: Time viewing, huh? But you're not actually viewing me. You're here. You're actually sitting right here, so - how is that possible?
Darnell: You don't believe me?
Pyatt: It's not my job to believe you, but I want to understand. So, so, okay. So you, you created this amazing technology but not now, some time in the future. And that technology only allows you to see, so how are you here?
Darnell: I want you to understand why more so than how.
Pyatt: But you've got to understand that as a man of reason the things that you're telling me are all impossible to accept.
Darnell: I understand.
Pyatt: I've studied all this, I've fantasized about it, I mean, most scientists, people like, like uh, Albert Einstein (Darnell interjects: Hawking), Stephen Hawking, they don't even believe like something like this is possible, yet you're sitting here, telling me that you're actually living proof that it exists.
Darnell: Yes I am.
Pyatt: The idea of taking a man or a woman from one time and putting them to another that already happened - there's just so many questions that arise from that.
Darnell: I was as skeptical as you are when I began.
Pyatt: Okay, uh, one of the biggest issues that comes up right away is causality. So if you change something in the past then-
Darnell: The grandfather paradox is something we all debated for a long time. If Jimmy goes into the past and kills his grandma, will Jimmy or his family ever exist?
Pyatt: Right. So-
Darnell: I came to two conclusions about time. Many theories existed. But now I could eliminate the arguments that travel was impossible, or that only forward travel was. I did tests and experiments that led me to two possibilities. Either time was circular, constant, or, when you went back it would create an offshoot.
Pyatt: Like a separate time line.
Darnell: That's right. A new branch of time moving forward, parallel to the original, with its own events and outcomes.
Pyatt: So, which is it?
Darnell: The definitive answer to that question is close to impossible. Even if Jimmy goes and kills his grandfather and wipes out his whole family in the process. Does time ultimately find its way to the same outcome, or is it set in a new direction, a new course, or, does the original future coexist with a separate timeline that Jimmy created, or, does Jimmy fail? Maybe if Jimmy tried to do something as significant as kill his grandfather in the past, time or fate would not allow it. The gun would jam, or a bird would get in the way.
At this point in the conversation, Darnell pulls out his pocket watch, opens the case, checks the time and sets it down on the coffee table. His action provides for some very appropriate punctuation because of the significance of what he had just said. The film's ending leaves the audience with the strong impression that the question Darnell posited about time or fate not allowing Jimmy to kill his grandfather in the past has been answered. Despite Darnell's trips into the past, his best effort to change the outcome merely effects the way it unfolds. "Does time ultimately find its way to the same outcome"? The result informs us, yes. This scene's dialog provides the main question answered by the film, declaring the very hypothesis of Darnell's desperate experiment. It has our attention.
Darnell had checked his pocket watch in the film's opening scene, and he checks it again immediately after posing the critical question answered in the film's closing scene. The checking of the time on his pocket watch is a fitting way to identify the critical pivot of the time travel themed film. That is where we discover the key dialog.
Another element embedded in that pivotal snippet of dialog appears under the same bright spotlight. When Darnell posits, "does the original future coexist with a separate timeline that Jimmy created," the typical assumption is that the name of his hypothetical story's time traveler is arbitrary and insignificant, but it's not. Jimmy: "a short crowbar; to force open with or as if with a crowbar." When he says, "a timeline that Jimmy created," he's secretly telling us about the use of a crowbar of sorts to jimmy time-space, forcing open a stargate for the purpose of changing outcomes. This is what I've been calling the time hack. What we're witnessing in the film is "a timeline that Jimmy created" because he, Darnell, the time traveler, jimmied the stargate mechanism. When he makes that sly declaration and then pulls out his pocket watch and opens the watch case, it's a slick illustration of how he manipulated time and opened the time-space portal to travel into his past and appear in our present!
The operation of Darnell's signal timepiece provides us with a technical illustration. This diagram of a wormhole pictures the folding of time-space.
When Darnell pulls out his watch, we see that the hinged case is folded like time-space when a wormhole is opened. When he opens the case it is an unfolding of the watch, modeling to us the unfolding of time-space. It's an object lesson that demonstrates the manipulation of a time-space wormhole, and of time itself.
Early in the conversation scripted above, Pyatt asks, "so how are you here?" Darnell replies, "I want you to understand why more so than how." In the conversation that follows, instead of explaining why he's there it seems like he's just explaining the grandfather paradox, but he's actually revealing, in that pivotal scene's dialog and action, both why he's there and how he got there. The keys involve understanding about Jimmy and the watch. How he got here was by jimmying the time-space wormhole. Why he's here is to change the outcome with, "a separate timeline that Jimmy created."
The level of detail in this richly layered scene exposes the magickal work of the theurgist. It compares to other scenes like the Scotch and water baptism and when Darnell stalks Pyatt past the Pretty Parlor. Let's pause for a moment to consider how and why this is so. On Darnell's watch is a fob, a short chain. It's completely ordinary, yet, that doesn't mean it's not symbolic. The fob represents the seirai, the great chain of being.
"By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'" (source)
"Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'" (The David Flynn Collection - Kindle Edition)
Some Freemasons claim that the G inside their square and compass emblem stands for Geometry, connecting that with the reason why they refer to their god as the Grand Architect of the Universe. They practice theurgy. I wouldn't argue against the G meaning Geometry but there really is far more to it than that.
When Darnell retrieves his watch he reaches into his jacket with his right hand. HELLO! It's the ancient illuminated brotherhood's hidden hand sign, which is also called the sign of the Master of the Second Veil. The location of the film set is an old Masonic building, so that's fitting. With the hiding of the right hand, only the left is exposed, which speaks to me of a sign that he's a man on the left hand path.
Regarding Darnell's vintage watch, there are yet two more symbols to be identified. Yes, more. It would be an error to ascribe the depth of the symbolism coded into this film to human cleverness, and likewise, the decoding of it.
The style of watch with a folding case is called a clamshell watch. Think, Venus, arriving on a sea shell. There, in the immediate context, is the requisite presence of the goddess. Another goddess image appears in this scene because the large picture of a full moon on the wall of Dr. Pyatt's office is occasionally in view.
In addition to the picture of the moon there's a globe on a shelf, plus a horned (Taurus - the celestial Silver Gate) tribal mask to establish a celestial setting. The other pagan idols in the office, and perhaps most obviously, Shiva, provide essential connections with the celestial gods.
Darnell's vintage watch is also known as a pocket watch, and he usually keeps it hidden in his jacket pocket. I believe the watch pocket represents a hidden compartment of time-space, a pocket universe according to how the concept has been illustrated in TV shows like Fringe and The Tomorrow People. The wormhole through time-space represented by the watch opens between this realm and the pocket universe, which may be identified with the Milky Way, the duat, the underworld; the containment zone where the spirit of antichrist is presently abiding.
Recall what I wrote in Part 5. "I'm informing you about the art and craft of the messaging, but more than that, I want to impress upon you just how profound this casual appearing low budget film really is, so that, as I also interpret some of the dialog, you assign to it the same level of significance that is evident in the expertly layered media vehicle." Here's some of that significant dialog, which I'm camping on this little film to bring forth in this very late hour of a critical season. Do I have your attention?
In the film's pivot, Darnell declares in a deliberately cryptic way what he says openly elsewhere, that he's here is to change the outcome with, "a separate timeline that Jimmy created." With reference to that part of the conversation, Darnell isn't there to kill his grandfather like the hypothetical Jimmy, but the film's ending presents a similitude. Future-Ovid comes back to assassinate Jason before he can "become Mr. Darnell" and ruin the future. Darnell intercepts him and foils his plan, but in doing so he simply involves himself as a direct agent in the event that transforms him. While Darnell wrestles Ovid for the gun, a bullet is fired that grazes Pyatt's head. Pyatt goes into a coma. When he awakens it's with an epiphany, with the insight about how to view and travel through time. The end result is that, instead of "a separate timeline that Jimmy created" leading to a different outcome it is implied that, despite his best effort, the future is still going to be ruined.
This film's presentation of the proof of the grand experiment's hypothesis is extremely ironic! See Darnell as the "darnel," the tare, as the agent of the ancient Dragon who is called in the ultimate manifestation, the Antichrist. The Antichrist represents the return of the King Apollo or Horus, with the same god incarnating in a different body and time. His destiny, fate or "outcome" has been declared in the Bible, in places like Genesis 3:15 and Revelation 19:20. Judgment awaits, and he will not escape it. Yet, that's the play, to avoid judgment, from a most simple perspective. In the language of the film, that prophesied future represents a timeline with an outcome that the Tare is intended to change. It's mind-boggling that I'm permitted to address this, and proclaim it! The film's ending suggests the correct answer to the essential question about whether the Adversary can avoid his appointed end, as the Bible describes it. He cannot, despite the time hack gambit. His efforts to hijack the timeline, so to speak, are already accounted for in the biblical text. His failed efforts are already the record of history. There will be no rewriting, no departure from what the sovereign God of Abraham, Isaac and Jacob has appointed!
Despite what most think, the devil doesn't yet know his time is short. (Rev. 12:12) Until he's cast down again, he's still operating on the premise that he will alter the outcome declared in the Bible with his time hack and his messianic pretender, because of what he sees in his future as he looks ahead. What is hidden from him is the key to his downfall. It will be as it has been.
Consider the message of the Apostle Paul. The sovereign God invented the concept of concealing and revealing as a method of bringing his plans to fruition.
4 and my message and my preaching were not in persuasive words of wisdom, but in demonstration of the Spirit and of power, 5 so that your faith would not rest on the wisdom of men, but on the power of God. 6 Yet we do speak wisdom among those who are mature; a wisdom, however, not of this age nor of the rulers of this age, who are passing away; 7 but we speak God's wisdom in a mystery, the hidden wisdom which God predestined before the ages to our glory; 8 the wisdom which none of the rulers of this age has understood; for if they had understood it they would not have crucified the Lord of glory; 9 but just as it is written,"Things which eye has not seen and ear has not heard, And which have not entered the heart of man, All that God has prepared for those who love Him." 10 For to us God revealed them through the Spirit; for the Spirit searches all things, even the depths of God. 11 For who among men knows the thoughts of a man except the spirit of the man which is in him? Even so the thoughts of God no one knows except the Spirit of God. 12 Now we have received, not the spirit of the world, but the Spirit who is from God, so that we may know the things freely given to us by God, 13 which things we also speak, not in words taught by human wisdom, but in those taught by the Spirit, combining spiritual thoughts with spiritual words. ~ 1 Corinthians 2:4-13
The moment is near when the devil will make his play, thinking to check and then checkmate my King. He will manipulate time-space for a short term advantage, or so it will be perceived. What's ironic is that, just like Darnell's observation, "time or fate would not allow it." In truth, the God of time and fate will not allow, because what He has appointed is what will be.
The dialog that follows the scene where Darnell sets his watch on the coffee table is also valuable. This is the last of the conversation that segues into the drink service, the cloaked baptismal sequence.
Pyatt: I don't understand, so, if you're from the future, theoretically, a time far after Jimmy would have killed his grandfather, wouldn't you see the changes it made?
Darnell: It's not that simple, Dr. Firstly, only the traveler would ever know. If time had changed, we would never experience it. To us, Jimmy never existed.
Pyatt: Okay, okay. What if somebody went back and killed Hitler?
Darnell: What if Hitler was killed?
Darnell: What if originally Hitler was killed and somebody went back and changed it, kept him alive. To us, we would remember it as our history, as if it always happened. Many people believe that time eventually corrects itself. If Hitler was dead, someone would likely step up and take his place. Thank God mercifully I never have to test that theory.
Pyatt [stands up with a start]: Yeah but you can.
Darnell: I guess so.
Pyatt: You being here brings all that into question. I need a drink, man.
At this point, we have the pause for refreshment covered in Part 10. Pyatt's final word isn't here for filler. "I need a drink, man." This is the segue into the messianic baptism ritual, a last supper "John 13" ritual. A man is going to be baptized with a drink. Think, Son of Man, and blood.
53 So Jesus said to them, "Truly, truly, I say to you, unless you eat the flesh of the Son of Man and drink His blood, you have no life in yourselves. 54 He who eats My flesh and drinks My blood has eternal life, and I will raise him up on the last day. 55 For My flesh is true food, and My blood is true drink. 56 He who eats My flesh and drinks My blood abides in Me, and I in him. ~ John 6:53-56
"I need a drink, man." That's how it works.
So, in the pivotal conversation Pyatt proposes another hypothetical scenario and names Hitler. There's an interesting character. Like how Darnell named Jimmy for symbolic purposes, Hitler is named as a notable antichrist and precursor to the coming Antichrist, who is being modeled here by both Darnell and Pyatt.
I'm going to close this post with an analysis of Darnell's lesson. "What if originally Hitler was killed and somebody went back and changed it, kept him alive? To us, we would remember it as our history, as if it always happened. Many people believe that time eventually corrects itself. If Hitler was dead, someone would likely step up and take his place. Thank God mercifully I never have to test that theory."
Again, the ending of the film correctly implies "that time eventually corrects itself." Truly, the God of time and every dimensional construct won't allow for a different outcome. Time, it may well be said, is a servant construct, and it serves Him, who created it. The Antichrist maneuver is already accounted for in the biblical text. Those failed efforts are already the record of history.
Darnell's expression of gratitude is more than filler, of course. Here's the twist up. With his time gambit he, The Tare, steps up and takes the place of Hitler, who is dead. He walks in his shoes to finish what his functional forbears failed to complete. Some historians claim that Hitler saw the future in the Akashic record and communed, with his SS henchmen, with the fallen angels. I don't doubt it. They met with unforseen circumstances, and failed. They were deceived. The Tare, deceived, will also fail. Limited success has been granted, however, and in the horrors to come my Lord's purposes will be served, and His glory will manifest! His faithful will reign with Him.
Friday, September 26, 2014
Part 10 - Decoding The Penitent Man (2010) - Decanting Spirit into a Host Vessel * RIGHT ON SCHEDULE
Posted: 24 Sep 2014 05:24 PM PDT
I've demonstrated how even the most common looking scenes in The Penitent Man can have many layers of deep esoteric content. In this post, a screenshot from another ordinary looking scene is featured, one that has so much to reveal in context. Of all the film media's messaging vehicles I've perceived and analyzed to date, The Penitent Man ranks in the top tier.
During one of the more engaging sessions in the office with Darnell, Dr. Pyatt takes a breather to serve some drinks. As you see in this screenshot, there's nothing really unusual about the scene that might call our attention to it - except the idol of the god Shiva.
Thus far in this series, the decoding of the film's symbolism has exposed the central theme of the raising of Osiris into Horus, by Isis. In biblical language, that activity is described as the revealing of the lawless one, aka the Antichrist beast. What happens in that day and season has been the focus of much of my attention for many years now. What the Lord has opened to me about it from the Bible is continually reinforced through what He reveals through the world's Occult messaging systems. When the lawless one is revealed it will be with a baptism and anointing, according to passages like 2 Thessalonians 2 and John 13, and this is what's being illustrated to us by the gracious host, Dr. Pyatt. The context of this inconspicuous "pause for refreshment" provides plenty of validating insight and spills more beans about the season's dynamic.
During this scene, water and spirit (Scotch whisky is a spirit) are poured into glasses. Think about how the empty glasses represent host bodies. The drinks are for the symbolic Pyatt and Darnell characters, who alternate in their roles between the identities of Osiris and Horus.
What you can't see in this still image is the essential action of the picture. While Dr. Pyatt is pouring the Scotch into a glass he's jiggling something in his other hand. As he's decanting spirit into a vessel, he's demonstrating the concurrent activation of a stargate. If you're disCERNing about the choosing and placement of props on this clever set, you're catching on already! We're being engaged in a ritual demonstration of the baptism of the lawless one. The symbolism of the elements involved in the esoteric scene, the props, characters, action and dialog; these combine to tell quite a vivid story about what's coming in a matter of months!
Most of you will readily dismiss that comment about "coming in a matter of months." Too bad. We're in kind of a bonus season. With the impact of America's breached borders being felt across the land, claims of threats by ISIS and others, air strikes in Syria and the overstated and misrepresented claims of the dire threat of Ebola now in the news, many folks are burying their heads deeper in the sand, but let's not be ignorant of the threats that are real. A season of chaos will facilitate the transition into the new order. The reset of America is coming. Gary Stearman and Thomas Horn are now pooling their considerable resources for what may be described as the building of a tent pitched in the pre-trib rapture camp as a base for an expanding empire. That represents a kind of spear, one whose shaft is not true, and, with a necessarily bent tip, but it's a spear, nonetheless. It's another evidence of the goddess at work, unifying and consolidating. An epic season of opportunity has been mercifully extended, and Aaron and I can tell you with full confidence that it is for our preparation, for the saints to be made ready. In 1988, Henry Gruver and a strike force were miraculously translated to the catacombs under Rome on a sovereignly sponsored mission. The release of apostolic anointing was secured, "loosed to the Body of Christ worldwide for the preparation of the church becoming glorious." That was not for nought. I implore you to seize the opportunity to both get and give, in this closing season, as the Lord Himself leads, leaving nothing undone, until He who probes our character and proves our mettle is satisfied. His reward is and will be great! And, enduring! And there will likewise be forfeit.
I'm proceeding on the assumption that you're already pretty familiar with this blog and what I've written about the sign for the Bride, and stargates and their activation. When the lawless one is revealed, the ancient god Horus (or Apollo or Apollyon the destroyer or Shiva or Ishvara...) is going to be released from containment in a supernatural realm. Like Scotch poured from a decanter into a glass, pneuma antichristos will be decanted into a host of crystalline DNA flesh. This anointing will reveal him because baptism is for the purpose of revealing. In 2 Thessalonians 2, attention is given to the matter of timing and of a limited season of restraining. When the limit of the season for restraining is reached, the lawless one is revealed.
And you know what restrains him now, so that in his time he will be revealed. ~ 2 Thessalonians 2:6
The decanter of Scotch is a clever model. The container of spirit has a stopper. The stopper has to be removed before the spirit can be released. Stopper in = restrained. When it's time for what the spirit is there for, you pull out the stopper, the restrainer. The unrestrained spirit is then decanted into a ready container, a chosen vessel. What Pyatt jiggles in his right hand is the decanter's stopper, which is lined up visually behind the idol of the Lord of the Dance. This modeling is perhaps even more clever! His jiggling is simulating the cosmic dance, Shiva's Dance of the Nataraja. He's simulating the activation of the stargate with one hand while he decants the spirit into the host vessel with the other. It's a profound demonstration!
One of the dictionaries I consulted offered the following as an example of usage, "Decanter of deans: a company of deans." The decanter of Scotch-spirit represents a company of spiritual entities. Think, 2 Thessalonians 2:7. Think, Rango: "Where are your friends now, amigo?"
To call the essential matters of time and timing to our attention, Pyatt wears a wristwatch as he pours the Scotch. To give that object's presence and role some emphasis, a little over a minute before Pyatt pours the Scotch, Darnell very deliberately sets his pocket watch on the coffee table between them. He had pulled it out of his vest pocket, opened the case, checked the time and set it down on the coffee table, still open and facing him. Why be so obvious with checking and watching the clock? It alerts us, puts us on watch for time cues. The intense conversation they are having is on the subject of time travel, so this conspicuously touches on the primary theme. The attention given to Darnell's monitoring of time makes us mindful of the passing of time.
Time factors into the revealing of the lawless one because the scheduling is mission critical. The event is an appointment that will happen as it must, precisely on schedule. The other way time factors in has to do with the physics involved. For the transit pictured in the pouring of Scotch, an interdimensional portal has to be opened, which is to say that time-space must be manipulated. The stopper that Pyatt jiggles behind the "Lord of the Dance" idol is functionally a Scotch-spirit stopper, but as a part of the decanter, it's kind of a space-time compartment stopper, a "time stopper." Both the idol and stopper are notable signal devices. The aspects of time and energy are inherent in both.
Before I expand on that, let's consider the use of the water and Scotch symbolism. Think, baptism. This is what John the Baptist said about the Messiah's coming.
As for me, I baptize you with water for repentance, but He who is coming after me is mightier than I, and I am not fit to remove His sandals; He will baptize you with the Holy Spirit and fire. ~ Matthew 3:11
Consider who gets what beverage. The water is for Darnell, who sells himself as the penitent man. "Water for repentance." He's the aged and less mighty whose life is passing away, in contrast to the younger and more mighty. Scotch is a spirit, and with high alcoholic content, it burns. The burning spirit is for Pyatt. The transition or transfer from John the Baptist to the Lamb of God is thus modeled. The allegory here is limited, of course, but if you're tidy with the limits, it works. Darnell usually plays the Osiris role to Pyatt's Horus, and that works here too. Baptism is a death and resurrection model. Water represents death, and being wet with it, the end of the life of the flesh. The Osiris of legend was killed and chopped into 14 pieces, then scattered in the Nile. It was a watery grave. Dead. Isis collected and assembled the pieces, using them to magickally raise Osiris, into Horus. Resurrection, after a fashion. Very clever. This also leads to an alternate and parallel allegory.
Isis only recovered 13 of the 14 body parts of Osiris because his phallus had been eaten by a fish. The reproductive ritual that represented an essential aspect of the ceremonial raising required a phallus, so the goddess of magic made a substitute. This reproductive ritual is reenacted for us in the scene. In this allegory, the water is the water of life and the identities of the characters flip. Pyatt plays Osiris to Darnell's Horus. In the featured screenshot, see the loins of Pyatt-Osiris through the water and pitcher. The water in the pitcher represents the seminal fluid or seed of Osiris. The pitcher is the magickal substitute phallus. When you look at the surface of the water in the pitcher from this angle you're seeing an ellipse, a vesica piscis. That's the divine feminine. Consider the visual alignment. Are you seeing what you're looking at? When water is poured from the pitcher into a glass and subsequently given to Darnell, that service represents the reproductive work of Isis, raising Osiris into Horus. This allegory is strengthened as we follow the director's suggestion to keep watch over the passing of time. When Pyatt hands Darnell his drink, they linger. With both men holding the glass, the transaction takes fully three seconds to complete. Three, the resurrection number!
The allegory is strengthened even further when viewed from a certain technical perspective. When the glass is passed from one man to the other, it is from right hand to right hand, and the lingering makes it look like a handshake. My experience as a Web developer relates the handshaking transaction to the TCP or transmission control protocol. A connection for data transfer is established by a three way handshake, and it has to do with opening a port. Stargate. Gene (genetic data) transfer. In secure transmissions, special attention is given to identification, authentication and encryption-decryption.
The resurrection number 3 is also inherent in the spirit of Pyatt's drink of choice. By law, all Scotch whisky must be aged in oak barrels for at least three years. There's the resurrection code. I note that there's actually water in his drink too, even though he doesn't add any when serving himself. Whatever the cask strength of the distilled spirit is, before bottling it has to be made to conform to the target proof for that particular product. This is done by diluting it with water, which typically amounts to something in the neighborhood of 20% by volume. Scotch + water provides for a combined spirit and water baptism ritual for Pyatt.
Now, as I mentioned earlier, both the idol of Shiva and the decanter's stopper are notable signal devices. The aspects of time and energy are inherent in both.
The statue of Shiva as the Lord of the Dance links to CERN, of course, and the Large Hadron Collider. The record breaking high energy atom smasher is scheduled to be operational again in the Spring of 2015, and it appears that it will be leveraged for the opening of the stargate facilitating the emergence of Horus through the outpouring of pneuma antichristos. The God particle is claimed to be the key to the mass property of all matter, which, according to Einstein's relativity equation, unlocks the secret of time or time-space.
I'm hoping that you are grasping the reality of what's being pictured in this film's esoteric "prophetic" scenario. The authority to exercise control over time-space has been granted to the Adversary for a limited season to accomplish the sovereign Lord's own purposes. That fantastical ability will be duly exploited, right on schedule and according to set limits. My God is ever sovereign, and He's in complete control, but yet the illusion must suggest otherwise.
The gaining of control over the key-lock mechanism will be a kind of hack. The vault of heaven will appear to be broken into, forced open like what we see in the film when Pyatt yanks the stopper out of the decanter. The matter of forced access is supported by the clever dialog of the scene, which I intend to provide, but first, let's explore how the stopper is used in connection with the stargate image to illustrate the operation of the stargate that opens to facilitate the "Scotch pouring" transit.
Both the decanter and its stopper are made of crystal. While Pyatt pours the Scotch, he's jiggling the stopper in his other hand as if he's nervous, but the way he's jiggling it presents it as the oscillating of a crystal. "A crystal oscillator is an electronic oscillator circuit that uses the mechanical resonance of a vibrating crystal of piezoelectric material to create an electrical signal with a very precise frequency. This frequency is commonly used to keep track of time (as in quartz wristwatches), to provide a stable clock signal for digital integrated circuits, and to stabilize frequencies for radio transmitters and receivers. " (Wikipedia) If you've been paying attention, this symbolic action makes all kinds of sense in the context. Time, energy, and with this generation of fixed frequency electrical energy being generated right behind the image of the stargate, well, it's quite brilliant. Consider how Pyatt's symbolic wristwatch probably has a crystal oscillator too. The spirit being decanted by the hand with the wristwatch - the crystal being oscillated behind the stargate - the two activities are being directly connected for us, and a structural resonance or a quantum entanglement is suggested.
At some point in the conversation, Pyatt drills Darnell for more technical detail about how time travel works. Darnell tells him that it involves speeding up one end of the wormhole while slowing down the other. What is illustrated in this screenshot speaks to me of a sly demonstration.
Many of the similar demonstrations I've covered involve things like pitchers or candlesticks falling or cats or dogs or people jumping off pedestals, where the force of gravity is acting on mass over a fixed distance. Remember this scene from I, Pet Goat II? This character leaps "into the drink" the very instant he is visually aligned with the clock tower obelisk behind him.
In this screenshot from The Penitent Man, we see gravity acting on a fluid as the Scotch falls from the spirit container down into the chosen vessel.
If you think I'm getting carried away and going overboard here, you might want to review the previous posts in series to get a grounding perspective.
To be continued, Lord willing.
This is legit.
Good day all, this came from the Methodist minister in Ranburne asking for prayer. I have removed several of the email chain individual emails, but copied the core request.I just got this from Kevin who got it from Mary Sue McDaniel etc. This is a desperate situation and these people need your prayers urgently!!!My heart just aches over what is going on with ISIS. I was forwarded this email from a missionary over there about what is going on and how we can pray specifically. I know you all will pray diligently. I just can't imagine....Subject: Urgent Prayer
Subject: prayer request from Pat Winkler
This is so sad...
A friend just got a text message from her brother asking her to shower him and his parish in prayer. He is part of a mission and ISIS has taken over the town they are in today. He said ISIS is systematically going house to house to all the Christians and asking the children to denounce Jesus. He said so far not one child has. And so far all have consequently been killed. But not the parents. The UN has withdrawn and the missionaries are on their own. They are determined to stick it out for the sake of the families -even if it means their own deaths. He is very afraid, has no idea how to even begin ministering to these families who have seen their children martyred. Yet he says he knows God has called him for some reason to be his voice and hands at this place at this time. Even so, he is begging prayers for his courage to live out his vocation in such dire circumstances. And like the children accept martyrdom if he is called to do so. She asked me to ask everyone we know to please pray for them. These brave parents instilled such a fervent faith in their children that they chose martyrdom. Please surround them in their loss with your prayers for hope and perseverance.
She was able to talk to her brother briefly by phone. She didn't say it but I believe she believes it will be their last conversation.
Pray for her too. She said he just kept asking her to help him know what to do and do it. She told him to tell the families we ARE praying for them and they are not alone or forgotten -- no matter what. Her e mail broke my heart. Please keep all in your prayers.
This came this morning... Just a few minutes ago I received the following text message on my phone from Sean Malone who leads Crisis Relief International (CRI). We then spoke briefly on the phone and I assured him that we would share this urgent prayer need with all of our contacts.
"We lost the city of Queragosh (Qaraqosh). It fell to ISIS and they are beheading children systematically. This is the city we have been smuggling food too. ISIS has pushed back Peshmerga (Kurdish forces) and is within 10 minutes of where our CRI team is working. Thousands
more fled into the city of Erbil last night. The UN evacuated it's staff in Erbil. Our team is unmoved and will stay. Prayer cover needed!"
Please pray sincerely for the deliverance of the people of Northern Iraq from the terrible advancement of ISIS and its extreme Islamic goals for mass conversion or death for Christians across this region. May I plead with you not to ignore this email. Do not forward it before you have prayed through it. Then send it to as many people as possible. Send it to friends and Christians you may know. Send it to your prayer group. Send it to your pastor and phone him/her to pray on Sunday during the service - making a special time of prayer for this. We need to stand in the gap for our fellow Christians.
Love, light and blessings
Thursday, September 25, 2014