Posted: 28 Aug 2014 11:13 AM PDT
Unless you remember my mention of this film, odds are, you've never heard of it. It's not the kind of film that attracts the masses but it is notable for the insight that can be gleaned. The way I see it, if you've been learning The Plot, what the opening revelation of Jesus Christ from biblical prophecy says is now unfolding, you'll read much of it in this esoteric film's dialog. It's produced with the typical spin and smoke and mirrors of obfuscating forms, but it represents a good opportunity for teaching the truth through it.
Some of the beans spilled in this illumined production are evident without any identification of the characters in their multiple roles. More are spilled when you understanding who they represent.
Here's the description from IMDb. It was written by Mirror Images LTD, the entity representing the film's writer and director.
"The Penitent Man tells the story of psychologist Dr. Jason Pyatt, a man devoted to his work - a man torn from his family. With his struggling marriage and mounting bills, Jason is at a crossroads with the life he has chosen and the life he could have. When one of his clients - the mysterious Mr. Darnell - walks into his office and paints him a repentant tale of future economic and moral collapse, Jason's eyes are forever opened. With the help of his best friend Ovid, he embarks on a personal mission to change the course of his future, and possibly the world, forever."
There's not much action but plenty of dialog. Most of the exchange is between Dr. Pyatt and Mr. Darnell in Pyatt's office. Those scenes are woven in with conversations Pyatt has with his friend Ovid, mostly over lunch. This isn't a review, so, as usual, there's spoilers.
The man responsible for the low budget film is Nicholas Gyeney. His last name is pronounced "genie." If your wish is to be enchanted with mind-control imagery, he seems to have granted it. If you're accustomed to finding visual symbolism in movies you don't have to look hard to find evidence of the spiritual subtext. Dr. Pyatt's office is decorated with idols, with statues and masks on shelves and on the walls. In some of the scenes of Pyatt and Ovid meeting for lunch we see a totem pole. The name, Ovid, makes a fairly obvious link with the famous Roman poet, the author of Metamorphosis.
I'm going to share a few insights that I think are most relevant because of the deception that is coming as the Antichrist is about to be revealed, and then is. Here's my plot summary.
Mr. Darnell comes to Dr. Pyatt as a patient, but not one who seeks the kind of help a typical patient might. The quite rational and intelligent Darnell claims to be from the future. He weaves an engaging tale of having discovered the secret to time travel, receiving it in a sudden insight. He shared it with the government and they paid him well for it. What he shared gave people the ability to view history, not the future. He withheld his knowledge of how to travel. The ability to view events all the way back to the beginning eventually went public and society basically crashed and burned because people lost hope for the future. The reality he described wasn't the truth, the revelation of the Bible, but rather the standard version (fabricated lies) that's taught in "public" school. Darnell gives the impression that by engaging Pyatt in this tale he's hoping to get some redemption, because he's a penitent man, by saving the world from the ruin he ignorantly brought upon it. He believes Pyatt is somehow going to be able to benefit from the wisdom he conveys and thereby change the course of history. By the end of the film, we come to understand that Pyatt and Darnell are the same man. Darnell went back in time in a gambit to "change fate" by warning his younger self of the outcome if he chooses to go down the same road. We see in the closing scenes the implication that, although the way it happens is different, the outcome will be the same. Pyatt-Darnell therefore fails in his attempt to change his destiny and the fate of the world.
There are many theories about time-space manipulation, viewing and travel. I'm not interested in theory, and not smart enough to figure things out on my own. I believe the Lord is able to inform us about what we need to know.
Here's some of the visual imagery that speaks volumes about the esoteric nature of the content.
A notable scene takes place late in the film that is kind of a money shot, loaded up with symbolism. This image is the focal part of that. Pyatt is walking down the street carrying a bouquet of roses. The roses are lined up with a 5 point star. Stacked primary symbols of Venus don't just happen accidentally. That symbolism is not only well supported in the visual imagery, it factors in to the esoteric layer of the developing plot.
Pyatt buys the bouquet from a florist who wears a t-shirt bearing the classic winged emblem of angels and gods. It reads, The Falling.
The obvious reference is to the falling of angels, the subject of Genesis 6 and Enoch 8-9.
His apron makes allusion to the Masonic apron, and represents what that represents, a covering as Adam and Eve received prior to their eviction from the Garden of Eden.
A little research turns up the fact that the t-shirt names the title of Gyeney's first film, which he made while he was still a student in film school. The following excerpts from an interview are worth noting. (Nicholas Gyeney On 'The Penitent Man')
"At the age of 20, Nicholas completed his first independent film, The Falling. The film premiered in Seattle in 2006 to a crowd of 600 people. The film resulted in a standing ovation that lasted through the scrolling end credits.
We shot the movie in 12 days in and around Seattle in the Capital Hill area in a big Masonic home/ retirement hospital. It's a Masonic building called "The Landmark on the Sound", which is a very cool place."
A Masonic building. Sometimes that might not mean much, and sometimes it does. The film's symbolism suggests that all the locations were chosen with intent to leverage those symbols in the way of Occult ritual.
Here's the logo for Mirror Images, LTD. Again, that entity is basically, Nicholas Gyeney, the writer and director of the film. Drawing upon over 4 years of decoding as documented on this blog, it decodes to 666. Leveraging the letter i as a 9, the 999 formed inverts to 666. The reflection signals the Hermetic Maxim, As Above, So Below. It's a spiral "i" of Horus. Mirror Images, makes reference to the "twinning" of trauma-based Illuminati mind-control programming because alter identities are created in mirror image pairs. The spiral "i" of Horus makes reference to the anal vortex or kundalini energy involved in the ritual sodomy that brings the slave to dissociation and illumination. The mirror is a classic goddess symbol, and so is the spiral. I see the logo as a triple goddess image (maiden-mother-crone), and as a genetic model of the triple helix DNA of that coming trans-human beast life. That life is usually identified as Horus produced as Isis raises Osiris. There are 2 yonic vesica piscis shapes, each inside a classic Ichthus, the messianic fish that represents the magickal phallus of Osiris, eaten by the fish. It's a bit like the astrological glyph for Virgo and even more like the one for Scorpio. With Virgo as the virgin goddess and Scorpio as a Golden Gate sign, it speaks to me of Theurgy. The M and I letters represented by the logo decode to 13 and 9, important signal numbers I've written about at length over the years. The 13 represents the rebel-lord-beast and the goddess and their union. The 9 is the single digit signaling the (three times three) transformation of the mark of the beast.
All that? Really? Yeah - and probably more. It's high level stuff.
Here's an sample of the conversation Darnell has with Pyatt in his office.
Dr. Pyatt: Yeah, I do have a question. So how does this thing work? Anybody can just travel back?
Darnell: No. That is not what I intended. You can't just give anyone the power to actually go back. Think of the ramifications of that. What I envisioned was more like a window in time.
Dr. Pyatt: A window? Like what? Like a big screen what you could just see history on?
Darnell: Yes, a bit simplified, but yes. Once it was released publicly, people could see any time they desired without directly affecting past events. It was the only way to keep it safe. So we thought.
Dr. Pyatt: So theoretically anybody could see anything.
Darnell: Think about it as memory recall. Everyone has experiences they can revisit even vividly. Now imagine events in time as memories for the world in the space-time continuum. I discovered a way to harness that.
Dr. Pyatt: Now you mentioned being able to see the creation of man. I mean, you could see humans assemble, develop their gods, and destroy each other. I mean, Jesus Christ!
Darnell: He was just a man. Imagine the devastation from a revelation like that. 95% of the world's population believed in a god in some form. The scientists, the politicians, and eventually the public were able to go back and see the Christian Son of God as a mortal man. It shook the foundations. Even atheists began to lose hope for the future. Southern evangelists began lashing out violently at anybody who supported the new discovery. The world was more divided than ever. The road to hell had been paved with good intentions, and it was just the beginning.
Dr. Pyatt: Well what happened, some kind of big war, or?
Darnell: Once the technology was simplified ... Only the most wealthy could afford it at first but with any new technology price decreases with time. People were going back to the beginning. They were peering into new dimensions of space and time looking for positive proof of evolution, the origins of man, the mythic stories from ancient Greece, and it spread like wildfire and informed civilization as we know it.
Dr. Pyatt: If this technology existed we could learn everything.
Dr. Pyatt: I mean, think of what we could do. What we could accomplish with that.
Hey, just think of what we could accomplish with that. Right. There's the familiar line of thinking that inspires many fools in their folly. Darnell acknowledges having thought that (when he was Pyatt, of course), but makes a point about the potential was exploited in actual practice to bring bad results instead of good.
I've been writing about the nature of the deception that will open the way for the Antichrist's reception. I put many examples on exhibit that illustrate how a window into the past will be opened as into the Akashic Record. A twisted version of history's most significant people and events will be actively projected, globally, and false memories will be activated in a shared experience that is both collective and individual in how it is interpreted. Religious figureheads must be targeted as the focus of attention, being the basis for social order with constraints imposed by the implicit morality structures of large segments of the population. Romans 11 reveals how the key to history and man lies with the identity named, and profaned, in the script of The Penitent Man.
Is the presentation of Jesus Christ as being just a mortal man going to be enough to shake the foundations of those who profess to be Christians? Sure, but you should know that the epic scam is going to go beyond that. Here's the biblical description that reveals how it's going to go.
1 Now we request you, brethren, with regard to the coming of our Lord Jesus Christ and our gathering together to Him, 2 that you not be quickly shaken from your composure or be disturbed either by a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come. 3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. ~ 2 Thessalonians 2:1-4
What is revealed to us about that most threatening hour is not just about the saints being quickly shaken from our composure. There is a component that involves convincing evidence about the promised resurrection. Our hope rests firmly upon that, and, if that resurrection is already past, we will be left without hope.
It is my custom to repeat an important caveat, that it's not enough for you to believe what I'm telling you now about this event, to be spared from being deceived in that hour of crisis. Knowledge of the time and the trust relationship that represents is going to be essential.
I will repeat another precautionary warning, which you are probably choosing to ignore. If you are one who thinks you can continue taking matters of gender propriety lightly and still be found as one who "wins the race," it's a bad bet. The problem Israel had in their wilderness trial was that they did not forsake their idols. That was an example for our benefit, ladies and gentlemen of the Body of Christ.
You adulteresses, do you not know that friendship with the world is hostility toward God? Therefore whoever wishes to be a friend of the world makes himself an enemy of God ~ James 4:4
Moving on, Darnell describes a world where the gods are stripped of their deity, but that's not how it's going to be. A man will be deified and accepted as the incarnation of each man's god. The goddess will manifest in glory and affirm the deification as baptismal rites are performed by her high priest, the Pope. Key elements lacking in this film's script are furnished by the visual imagery and supported by the esoteric identities of the characters.
Let's explore one of Pyatt's clever lines a little more deeply.
"Now you mentioned being able to see the creation of man. I mean, you could see humans assemble, develop their gods, and destroy each other. I mean, Jesus Christ!"
When Pyatt says, "I mean, Jesus Christ!" we interpret it as an emotional outburst. We hear him uttering a common profanity, "taking the Lord's name in vain." We dismiss the words, "I mean," as filler words, a meaningless expression. Having just heard the same filler words in the previous expression, it's an obvious conclusion. Yet, when we make the effort to analyze it in context we discover a deeper meaning. Darnell seized the opportunity to declare from his enlightened perspective that "the Christian Son of God" was just a mortal man, making Him a liar and the Bible a falsified account, fraudulent. Pyatt's well crafted line is a similar assault, on the integrity of the apostles and eye witnesses to His resurrection. It's a subtle device. When he says, "I mean, Jesus Christ," consider this as a tip-off. He's explaining the subject of his previous statement. About what he just said, he means, Jesus Christ. He is the subject, the singular "god" that he suggests men assembled and developed. "I mean, you could see humans assemble, develop their gods, and destroy each other. I mean, Jesus Christ!" He's referencing and supporting an age old conspiracy.
Matthew's gospel provides an account of what happened following the crucifixion.
27:59 And Joseph took the body and wrapped it in a clean linen cloth, 60 and laid it in his own new tomb, which he had hewn out in the rock; and he rolled a large stone against the entrance of the tomb and went away. 61 And Mary Magdalene was there, and the other Mary, sitting opposite the grave. 62 Now on the next day, the day after the preparation, the chief priests and the Pharisees gathered together with Pilate, 63 and said, "Sir, we remember that when He was still alive that deceiver said, 'After three days I am to rise again.' 64 Therefore, give orders for the grave to be made secure until the third day, otherwise His disciples may come and steal Him away and say to the people, 'He has risen from the dead,' and the last deception will be worse than the first." 65 Pilate said to them, "You have a guard; go, make it as secure as you know how." 66 And they went and made the grave secure, and along with the guard they set a seal on the stone. 28:1 Now after the Sabbath, as it began to dawn toward the first day of the week, Mary Magdalene and the other Mary came to look at the grave. 2 And behold, a severe earthquake had occurred, for an angel of the Lord descended from heaven and came and rolled away the stone and sat upon it. 3 And his appearance was like lightning, and his clothing as white as snow. 4 The guards shook for fear of him and became like dead men. 5 The angel said to the women, "Do not be afraid; for I know that you are looking for Jesus who has been crucified. 6 He is not here, for He has risen, just as He said. Come, see the place where He was lying. 7 Go quickly and tell His disciples that He has risen from the dead; and behold, He is going ahead of you into Galilee, there you will see Him; behold, I have told you." 11 Now while they were on their way, some of the guard came into the city and reported to the chief priests all that had happened. 12 And when they had assembled with the elders and consulted together, they gave a large sum of money to the soldiers, 13 and said, "You are to say, 'His disciples came by night and stole Him away while we were asleep.' 14 And if this should come to the governor's ears, we will win him over and keep you out of trouble." 15 And they took the money and did as they had been instructed; and this story was widely spread among the Jews, and is to this day. ~ Matthew 27:59 - 28:15
I don't doubt that the conspiracy being given a further bump by Gyeney's clever script will be validated in the coming hour of crisis with false evidence, ported through time itself as a epic hoax. The evidence offered in support of the lie will be quite real. It just won't be true.
Friday, August 29, 2014
Thursday, August 28, 2014
Raided, huh? Perhaps to gather up leftover evidence of the crime?
| Professor J posted: "Luke 17:26 – "And just as it happened in the days of Noah, so it will be also in the days of the Son of Man." Matthew 24:37 – "For the coming of the Son of Man will be just like the days of Noah." In January of 2012, I noted the increase in UFO sighti" |
Tuesday, August 26, 2014
Posted: 25 Aug 2014 07:38 AM PDT
Progressive Commercial: Flo's Dream
Miscreant squirrel. Obsessed with acorn. Captivity. Cloud-nest. Goddess and Silver Gate and mind control programming symbols. This all seems so familiar. Oh yeah! Coldplay's Strawberry Swing! I just published a post covering these same subjects. Progressive's marketing dept - Coldplay fans? Have the producers gone to the same school or are they just drawing from the same well of inspiration? What matters is the result, which advances the agenda of the dark side powers.
Flo's bedroom scene is Progressive's comical take on the Vogue. Flo, who lives to sell insurance, is iterating through the kinds of policies offered instead of counting sheep. It takes a turn when she has obviously succeeded in her effort to help her fall asleep.
Chipmunk family reunion.
Someone stole the nuts.
Most would think it crazy to say so, but Flo's dream is a swipe at the true God's character. It's the dream of the Adversary to bind the Creator and seize the spoils. It's supported by the ancient rebellion leading goddess. The victorious chipmunk holding the acorn at the end is Lady Justice. The flower gives it away.
The video opens with some Illuminati mind-control programming symbolism. The carousel - carousel programming. The music box music. The unicorn - magickal androgyne. On the padded headboard are diamonds, symbols of Chosen Ones, Illuminati programmed multiples. Flo puts herself into a dream state with the trigger sequence of policies, with the enchanting music, into a trance state for programming.
There's a Jezebel jab, with the flipped theme of stealing the nuts. The female robs the male of masculinity by usurping his authority.
Goddess imagery abounds. Lady Justice, the chipmunk. The white picket fence looks like a scallop shell - Venus, on the sea foam cloud. Piggy bank - pig-boar symbol of Inanna-Ishtar. Flo's pillow forms an angel wing. Her bed is a vehicle. FloW - Vogue. To go, transport in a vehicle. Progressive, advancing, going forward.
On the hood of Flo's bed-car, the P (Progressive) is the 11th letter, the pillar and Gemini twins number, set between the racing stripes that are a pillar. The white of the car is argent, in heraldry, the equivalent of silver. She is the goddess and the Silver Gate transiting vehicle is seen with the cloud. On the padded headboard you can see the line of XXXX that conceals the W of the Goddess, the M of the beast, the Masonic square and compass... Just because it's common and subtle doesn't mean its not legitimate. Symbols are deeply layered.
The closing scene is a Progressive nightlight. Nice touch. The Night Light in the sky is the moon, a goddess symbol. Re is the sun god. progREssive, with Re right over the plug.
I found this Code 33 collage in my inventory of previously unpublished stuff. The Certified Snapshot Agency Code 33 Royal Arse-Arch.
The life preserver is the sodomite orange with divine white squared circle, the sodomite gateway. The I "heart" insurance button adds a bonus feature - the heart butt for the goddess of "heart." The life preserver is a Mark of the Beast circle X. Think about it. Folks will take it as a life preserver, but it will actually cause it to end as they trade it in for an epic loss. Note the subtle bent elbow W pose.
The North American Demo Boat Show has the 8 point Star of Inanna and compass Rose goddess symbols, plus the Azazel-Horus red cross.
The Progressive sponsored Boat Show ads feature suns and the red spiral of life to celebrate the sun god and his goddess.
progressive = 16+18+15+7+18+5+19+19+9+22+5 = 153
The 153 is a resurrection number. See John 21, with 153 fish caught in the net. Could that be why Progressive sponsors boat shows and not car shows? Vogue: to sail or row, to sway or rock, water in motion. Progressive Flo. Goddess. Stargates. Raising Horus from Osiris from out of the Milky Way.
Ode to Flo -- Progressive Insurance Commercial
Posted: 25 Aug 2014 08:08 AM PDT
Some of the notable stargate transit imagery in the official video for Coldplay's Strawberry Swing was already brought to light, but there's more, and there's still value in giving it some attention, even in this late hour.
Again, here's the official video, Coldplay - Strawberry Swing.
While these words are heard, "People moving all the time Inside a perfectly straight line," Chris makes his vertical ascent in the pipe to emerge from the stove pipe hat. It's perfectly timed. While the rest of the verse is heard (Part 5), Chris ascends up to the sky castle on a cloud. I described this ascent as being on the kingdom viaduct, the mecillah. It's a time-space bridge that opens a lane for vehicular traffic. Upon reaching the sky castle on a cloud, a battle ensues.
From the heavens the stars fought, from their courses [mecillah] they fought against Sisera. ~ Judges 5:20
The cloud the superhero rides is a proper vehicle for ascent into the abodes of the gods.
As we read in Isaiah 19:1, "Behold, the Lord is riding on a swift cloud..." The superhero rides the cloud, like the Lord he imitates.
We see the miscreant squirrel-god's abode is with a cloud, not unlike the throne vehicle with the presence of the Lord God described by Ezekiel. He even wears a kind of rainbow suit.
4 As I looked, behold, a storm wind was coming from the north, a great cloud with fire flashing forth continually and a bright light around it, and in its midst something like glowing metal in the midst of the fire
27 Then I noticed from the appearance of His loins and upward something like glowing metal that looked like fire all around within it, and from the appearance of His loins and downward I saw something like fire; and there was a radiance around Him. 28 As the appearance of the rainbow in the clouds on a rainy day, so was the appearance of the surrounding radiance. Such was the appearance of the likeness of the glory of the Lord. And when I saw it, I fell on my face and heard a voice speaking. ~ Ezekiel 1:4, 27-28
The tent of the Tabernacle in Deuteronomy is a model of what is in Heaven.
The Lord appeared in the tent in a pillar of cloud, and the pillar of cloud stood at the doorway of the tent. ~ Deuteronomy 31:15
So we see cloud pictured in the squirrel's sky castle that covers the threshold. The cloud castle is a clever and fanciful representation of what the tabernacle and temples were truly modeled on.
See this study (just updated and expanded), Heaven's Vehicles - UFOs - Fake and Genuine, for more insight.
In Part 5, I presented the pitcher falling off the pedestal as a dimensional transit symbol that Strawberry Swing has in common with A-jax's "Insane" music video. They have another in common, the mode of propulsion. The superhero rides a smoke cloud that sails on the wind, paddling like he's in a boat on the water. This transport may be aptly described as, vogue. Vogue, means, "to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course." It's a popular symbol!
From The American Heritage® Dictionary of the English Language: "vogue: "[French, from Old French, probably from voguer, to sail, row, of Germanic origin; see wegh- in Indo-European roots.] ... The Indo-European root of vogue is wegh-, meaning "" Among many other forms derived from this root was the Germanic stem wga-, "water in motion." From this stem came the Old Low German verb wogn, meaning "to sway, rock." This verb passed into Old French as voguer, which meant "to sail, row." The Old French word yielded the noun vogue, which probably literally meant "a rowing," and so by extension "a course," and figuratively "reputation" and later "reputation of fashionable things" or "prevailing fashion.""
The "Insane" character with the Vogue hat wears a shirt with twin dogs that look like Anubis, with the twins referencing Gemini and the celestial Silver Gate. The utility chain of twinned torus (Taurus) construction presents a redundant witness, with keys suggesting his access to the locked gates. He makes with his crossed hands a winged figure. He's the psychopomp, able to traverse dimensions. He's Vogue, like Chris Martin who paddles the cloud vehicle because he's going, sailing on the wind and rowing, being transported in/on a vehicle.
Vogue, is signaled inside the cloud castle when we see Chris tiptoe past the rocking horse. Vogue: "to sway, rock -- to go, transport in a vehicle." The rocking horse. A horse is most commonly ridden or used to pull a vehicle, even heavenly vehicles. See 2 Kings 6:17 and Isaiah 5:28. Consider Apollo's quadriga.
Vogue. It's a popular symbol! During the opening ceremony of the Sochi Olympics, the celestial transport with Horus at the mast (as sailing) moved across the sky under the stargate-signaling rods as the psychopomp rowed at the oars. Lobov, love, was within, the "feminine soul of Russia" - Mother Russia, the goddess of love, Venus, Mary.
The Queen of Pop, Madonna, had a hit song titled, Vogue, released in 1990. "Commercially, the song remains one of Madonna's biggest international hits, topping the charts in over 30 countries, including Australia, Canada, Japan, the United Kingdom and the United States. It became the world's best-selling single of 1990, selling over six million copies." " The video has been ranked as one of the greatest of all times in different critic lists and polls, and won three awards at the 1990 MTV Video Music Awards out of a total of nine nominations." "Before Madonna popularized the dance, Vogue was performed mostly in bars and disco of New York City on the underground gay scene."(Wikipedia)
(On that topic, the VMA awards are on tonight, and more mass ritual public performance magick will be attended privately by the undergrounders. There's extra attention now because of the celebrity shootings during a pre-party.)
The music video demonstrates Vogue to us as both the "Material Girl" icon of fashion and as the mother goddess involved with stargate transit.
Madonna - Vogue
The pedestals aren't there just to add a touch of class. You see goddess statues on pedestals, and a cat on the pedestal, like in A-Jax Insane - the cat goddess Bastet. It's the stargate symbol. The use of the black and white format does more than make homage to the early days of film. The Lord revealed to me that the Occult black and white motif is a reference to the tree of knowledge of good and evil. It's signaled with checkerboards and sometimes in film style.
The lyrics are all about the dimensional transit! Again, vogue, means, "to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course."
Lyrics - Madonna - Vogue
"I know a place where you can get away
Come on, vogue Let your body go with the flow (go with the flow)
If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it
Oooh, you've got to
Let your body move to the music
Oooh, you've got to just
Let your body go with the flow
Oooh, you've got to
A dimensional transit is implicit in what is meant by this ritual sodomy euphemism whereby one aquires gnosis and illumination.
"If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it"
The illumined refer to the initiation as the new birth. (It's the Adversary's counterpart) The mechanism may be described as the installation of demons. Superstar = Chosen One.
The Mona Lisa painting is pretty Vogue. Chris tiptoed past the painting right before coming to the Vogue rocking horse. Mona = Madonna, and Lisa (derived from Elizabeth) is not unlike Melissa, the honeybee goddess. Remember from previous posts how that, in Strawberry Swing, the captive is the Queen Bee and the superhero is a bee.
In the goddess exalting and bean spilling animated feature, The Bee Movie, you'll find two scenes where a Vogue magazine is used to threaten the bee. Specifically, it's the large Italian Vogue. Italy, means, "calf-land or land of cattle" (same root as the Latin vitulus, a 1 year old calf). Consider how the offspring of Hesat (The divine cow goddess Hathor in earthly form) and Mnevis (the earthly bull form of Ra) is Anubis, the psychopomp.
The following screenshot reveals how Vogue is being used as an Occult reference. The fashionable art of the poster features his idol, the Virgin Mary and Madonna, the Killer Queen. She poses as the pinup girl with her vehicle. Vogue. The worker bee has one on his bookshelf just like it. Vogue. He's seen here about to sharpen his stinger as he gets ready to go.
A scene from a TomorrowLand festival pictures a young attendee wearing the fashionable goddess Vogue. Water in motion: Flow. (Also, wolf, backwards)
Progressive Insurance is Vogue. They are Progressive, advancing, going forward. Their iconic spokesperson is named Flo. Flow.
Progressive Insurance Commercial - Flowing with Flo at the Marina
Flomotion...Floin' With My Homies...Ebb n Flo... Listen for the music reminiscent of Venice with its gondolas. (I, pet goat II - Anubis) Watch for the part at the end where the goddess operates the "throttle of Osiris" on that vintage boat. Code 33: Flo ~ 6+12+15=33
Sunday, August 24, 2014