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Posted: 14 Sep 2014 11:30 AM PDT I recently demonstrated how the bicycle is one of the objects used in Occult signaling media to represent heaven's vehicles, which are interdimensional transports for entities that generally appear in bodily forms. I'll be making reference to that post with the assumption that it is fresh in your mind: Part 8 - Decoding The Penitent Man (2010) - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators The bicycle can be used as a symbol in a biological or metaphysical context where demonic spirit enters or exits a body, where it represents the mechanism or mechanisms of opening the dimensional portals or stargates in the mind. Entheogenic drugs, sexual ritual, trauma inducing or brain wave disrupting stimuli, these are combined in systematic methodologies to bring a person into a dissociative or susceptible trance state. Because that kind of stargate transport mechanism may also be represented by a bicycle, it compares to the symbol of the pine cone or the pineapple that represents the activation of the pineal gland. They signal the bringing of illumination with the knowledge of good and evil. In the first example, an E.T. movie poster, the imagery attending the flying bicycle supplements and extends the symbolism of the bicycle. The moon is a goddess symbol, and her presence is really necessary for proper theurgic ritual. The feminine connection is easily seen in the word, menstrual, which describes the lunar cycle but is most frequently used with reference to the woman's fertility cycle. The huge full moon provides illumination, and that's symbolic. The pine trees also present both fertility and illumination symbolism. Pine trees bear pine cones, which are the seed. The pine cones are implicit in the picture even though they're not illustrated. And God said, Let the earth bring forth grass, the herb yielding seed, and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so. ~ Genesis 1:11 Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on. If you're new to this blog, welcome! You may want to explore this series to get a foundation of understanding about The Sodomite Gateway. In relationship with the fertile female moon, the pine tree is the fertile seed producing male. The pine tree has the phallic form. Ritual celestial sex is pictured by the pine tree touching the moon. There's another key aspect in view. Given that we're being "mooned," sodomite gateway imagery is evoked as a major mechanism of illumination. While the illumination aspect of the full moon is obvious, in the pine tree symbol it's hidden. It's only revealed when you grasp how the pine cone represent the pineal gland. The full moon and pine tree illumination is emphasized by making them touch because of the added layer of kundalini-pineal illumination. Now, what we're going to discover is how the bicycle symbol compares to that with matching sexual, regenerative and illumination symbolism. We'll see that there's more symbolism involved. The moon is a celestial body, with angelic body connotations, and the pine tree is an evergreen, a symbol of eternal life or immortality. The bodily transformation aspect is also inherent in the symbolic bicycle. In The Wizard of Oz, as the bicycle turns into a broom, Miss Gulch turns into the Wicked Witch of the West. Bodily transformation occurs, which is a change of garments in code language. The broomstick-bicycle ridden by the witch has a history in pharmakeia. Witches would and perhaps still do smear entheogenic flight-inducing ointment on a broomstick to use it as an applicator. It is then ridden, as you see in these images. The broom is also used as a ritual phallus for sodomizing, where the broom is "ridden" with or without the "benefit" of pharmakeia. SRA handlers use certain kinds of drugs to encourage dissociation. They also use many kinds of instruments when sodomizing slaves to induce them to "go over the rainbow." That's the expression Illuminati programmers use to make reference to bringing a slave into a trance state for programming. Technically, that's how Miss Gulch got to Oz on her bicycle, becoming the Wicked Witch of the West. The bicycle is equivalent to the broom. On one level, see Miss Gulch as the Illuminated and illuminating slave-handler, who operates transdimensional magick as she traumatizes Dorothy. She held Toto captive and was taking him to be destroyed. She used a bicycle-broom to bring trauma - and Dorothy subsequently went over the rainbow. Watch the film and see it unfold from this perspective. This bicycle-as-broom and as the mechanism of bringing dissociation explains the controversial music video that Queen made for their song, Bicycle Race, from their Jazz album, 1978. "The song is notable for its video featuring a bicycle race with nude women at Wimbledon Stadium, which was edited or even banned in several countries." (Wikipedia) The video is suggestive that riding a bicycle is a euphemism for sexual intercourse, but there's a layering that is more esoteric. A sequence is featured where the bicycles are lined up at the starting line and the racers ring their bicycle bells. The bell ringing is a dimensional transit signal that complements that of the bicycle-seat-as-broom applicator of the flying ointment. The song was written by the band's flamboyant frontman, who went by the name, Freddy Mercury. Mercury = Hermes = Anubis. Wimbledon Stadium is primarily a greyhound racing facility. Fast dogs, like Mercury-Anubis. The music video combines the imagery of the goddess and the psychopomp, leveraging the bicycle-seat-as-broomstick-applicator and flight symbolism. Historically, a stadium (Greek) is where the gods are worshiped with sporting contests. It's a kind of temple, just like with the Olympics. The lyrics are a lot of nonsense unless you interpret them with this understanding. Here's the lyrics with commentary. The style feature of word association is a simple way to mix and match the symbols without any need for it to make sense to the listener. The themes (even linking 2x the beast with the office of the American Presidency) identify this popular song as a pretty high level bean spilling Illuminati vehicle. Bicycle Race - Queen Bicycle bicycle bicycle... I want to ride my bicycle I want to ride it where I like [expressing the basic tenet of Aliester Crowley and principle of Thelema - "Do what thou wilt shall be the whole of the Law"] You say black I say white [knowledge of good and evil - the bicycle riding is how one gets into that illuminated state] You say bark I say bite ["a dog's bark is worse than his bite" - reference to the dog star Anubis-Sirius - making a greyhound race connection in the music video] You say shark I say hey man Jaws was never my scene [flip it - being a predator is his scene] And I don't like Star Wars [angel wars is his scene] You say Rolls I say Royce [vehicles driven by the elite, Illuminati - also, their engines powered British aircraft in war time - - angel wars. Their engine names are symbols of the gods: Eagle, Falcon, Hawk, Kestrel (Falcon), Peregrine (Falcon), Goshawk, Buzzard, Vulture. Then, there's the Merlin and Griffon. ] You say God give me a choice You say Lord I say Christ [Here's the key. The choice he wanted and promoted is another lord and christ that is not mine. ] I don't believe in Peter Pan [implying that my Lord is merely fictional] Frankenstein or Superman [in those classics of fantasy literature may be found the alternate he chose] All I wanna do is Bicycle bicycle bicycle... Bicycle races are coming your way So forget all your duties oh yeah! [duties = doodys - scatological-defecation - ritual trauma and sodomy bringing dissociation, which makes you forget as you go into trance. The bicycle races are code for the programming rituals.] Fat bottomed girls they'll be riding today [butt reference] So look out for those beauties oh yeah On your marks get set go [marks = the ritual's targeted victims] Bicycle race bicycle ... You say coke I say caine [cocaine - pharmakeia - and a naming of the offspring of Eve and the Nachash - Cain is related to his Choice.] You say John I say Wayne [reference to the baptizer beast, the Papal high priest. John WANE - John 3:30: "He (Jesus) must increase, but I (John the Baptist) must decrease."] Hot dog I say cool it man [Enthusiasm for the coming baptism/anointing - phallus of Osiris involved in the regeneration-transit event] I don't wanna be the President of America [associating the beast with the office of the Presidency] You say smile I say cheese [wear an insincere face - false identity] Cartier I say please [Jewelry (Jew-Israel) and timepieces - the time element that is key to the transit!] Income tax I say Jesus [reference to Judas Iscariot, who was responsible for the finances] I don't wanna be a candidate For Vietnam or Watergate [V(ietnam) W(atergate) ~ V W = VVV=666 because V=vav, the 6th letter of the Hebrew alphabet. The signal of the beast and his mark is once more being associated with America and the office of the President.] Cos all I want to do is Bicycle ...I want to ride it where I like The bicycle is featured briefly in Coldplay's "Strawberry Swing" video (@2:09). It appears during a dimensional transit sequence in the context of Illuminati mind control as well as in the baptism of the lawless one. The superhero models an exit from the underworld. He passes by 2 skulls and then a bicycle on his way out. Heads without bodies signal dissociation. Skulls, like his colorless garment, indicate that he's in the underworld, the place of the dead. It's a resurrection sequence that draws upon the lion-fish as the sea creature that swallowed Jonah, signaling the sign of Jonah. In trauma-based mind control programming, children are bonded to dolls and teddy bears, which (and sometimes pets and people) are then dismembered to create trauma. Mickey Mouse ears are a very common symbol of Illuminati programming. He's inside the GI tract sewer drain pipe and emerges from the man's top hat, which is sodomite gateway imagery. The bicycle symbol has to be interpreted in this context. It's a vehicle for dissociation, for "going over the rainbow." Related to the broom, it has distinct sexual "ram"-ifications. Another music video where the bicycle is a dual symbol is Miley Cyrus - We Can't Stop. The exercise bike is leveraged like a regular wheeled bicycle, for dimensional transit and as the dissociative mechanism. The entheogenic element is obvious as Miley sings these lyrics. So la da di da di, we like to party Dancing with Molly [party drug MDMA - "Mandy" - "ecstasy"] Doing whatever we want This is our house This is our rules And we can't stop And we won't stop The expression of Thelema appears like in Queen's Bicycle Race, "I want to ride my bicycle - I want to ride it where I like." The obvious pretext of the bicycling is to enlarge her butt for twerking, but it really just accents the ritual sodomy aspect. The illumination wrought is emphasized by comparing her companion's appearance to hers. She is white on white and he is black on black. That's the signal of the knowledge of good and evil - the illumination. He hand signals the Baphomet and wears the logo for Astrid Andersen clothing on his shirt. Astrid ~ Astre or Aster, star. Star = angel. The name, Astrid, means, beautiful or beloved god, divine strength - power of god. The name, Anderson, decodes to son of man. The scene in the exercise room is pretty rich. In the first image, we see Miley, ridding the bicycle as from one dimension (grid) into another (window). For more decoding of the video, see the following, or search this blog for Miley Cyrus. Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate Part 38 - Celestial Stargates - "We Can't Stop" Spilling the Beans about Celestial Signs! A psychedelic song from a 1968 is about a white bicycle. More of the same. White = divine illumination. The band? Tomorrow. The future, time code. The psychedelic implies the entheogenic, the shamanic journey. The cover art illustrates the kundalini activation enlightenment. Tomorrow (1968) 'My White Bicycle' Riding all around the street Four o'clock and they're all asleep I'm not tired and it's so late Moving fast everything looks great. [The ritual is past, ending typically at 3 AM to leverage the 60+60+60 or 666. Everyone has cleaned up and heads for home - but the high persists] See that man, he's all alone Looks so happy but he's far from home [Dissociated - the core persona is sad and isolated, trapped, but there's a happy face front alter] I ring my bell, smile at him [The handler's voice - dimensional transit - gone to that happy place over the rainbow] Then I kick over his garbage bin [butt trauma - ritual sodomy] The rain comes down but I don't care [the rain man - the sodomizer] The wind is blowing in my hair Seagulls flying in the air [Dissociated, in the trance state. Wind = spirit and seagulls are unclean birds, demons.] The lamppost hangs, his hand in space shines no light upon my face [The face behind the mask of the front alter is buried within.] Through the darkness we still see My white bicycle and me [The third eye, inner vision, astral projection and remote viewing] Policeman shouts but I don't see him They're one thing I don't believe in [another authority has control] He'll find some charge but it's not theivin' [in the context of the ritual, "charged" objects have resident spirit empowering them, like the slave.] The lyrics naming the lamppost and policeman allude to a familiar classic. "Daisy Bell" is obviously code for the goddess of love who fires the darts. The bicycle built for two is the sexual vehicle that facilitates ascent into the realm of the half-crazy. Bicycle Built For Two There is a flower Within my heart, Daisy, Daisy! Planted one day By a glancing dart, Planted by Daisy Bell! Whether she loves me Or loves me not, Sometimes it's hard to tell; Yet I am longing to share the lot - Of beautiful Daisy Bell! Daisy, Daisy, Give me your answer do. I'm half crazy, All for the love of you! It won't be a stylish marriage, I can't afford a carriage But you'll look sweet upon the seat Of a bicycle built for two. We will go 'tandem' As man and wife, Daisy, Daisy! 'Peddling' away Down the road of life, I and my Daisy Bell! When the road's dark We can both despise P'licemen and 'lamps' as well; There are 'bright lights' In the dazzling eyes Of beautiful Daisy Bell! Daisy, Daisy, Give me your answer do! I'm half crazy, All for the love of you! It won't be a stylish marriage, I can't afford a carriage But you'll look sweet upon the seat Of a bicycle made for two. I will stand by you In 'wheel' or woe, Daisy, Daisy! You'll be the bell(e) Which I'll ring you know! Sweet little Daisy Bell! You'll take the 'lead' In each 'trip' we take, Then if I don't do well, I will permit you to Use the brake, My beautiful Daisy Bell! Queen's Freddy Mercury was illuminated. He knew things, making reference to the classics to leverage and extend their Occult imagery. It's theurgy. Yes, all this has been going on for a very long time - certainly predating the invention of the bicycle. When the subject of bicycle races comes up, sooner or later the most famous one will probably be mentioned: The Tour de France. The organizer's logo makes it evident that they're on to the plot. The stylized title pictures a bicycle being raced. The wheels are sun wheels. It's Apollo's sky chariot being ridden across the sky. One wheel is the ancient dot in circle symbol of the sun, which is also a male-inside-female reproductive symbol. The other is the orange circle. The circumference crosses the R, making it an Rx or eye of Horus and prescription or pharmakeia symbol. The big controversy about the race usually involves doping. There's a theme. Opposite the R and connected through the circle of the orange sun is the letter e. The sun god is Re. The centennial anniversary poster shows the bicycle racing through time, in a Fibonacci goddess spiral. |
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