The Open Scroll Blog |
| Posted: 08 Sep 2014 12:27 PM PDT The scene set at the Pretty Parlor is loaded with stargate transit symbols! There's still more to be revealed, with more connections to The Wizard of Oz and to The Matrix. In the moments surrounding this screenshot, several key visual alignments occur in the scene shot looking back from E Loretta Pl.  I already described one in Part 3, where Pyatt passes by the camera and lines up with the mailbox and Darnell. This one is very meaningful because the mailbox is a time bridge construct and the two men are older and younger editions of same person. Consider the red roses visually aligning with the stop sign. Sometimes, of course, a sign is just a sign,  but sometimes, it's a SIGN. The familiar sign is always an octagon, equivalent to the 8 rayed star of Venus-Inanna - a compass rose. Like with the roses in Pyatt's bouquet, the blood red is a goddess color (* the red flag - Our Lady of the Nations).  Another visual alignment in the scene was described earlier from the other direction, where the star on the magic wand lines up with the bouquet of roses. We can't see the wand-star clearly in this shot from E Loretta Pl but we know where it is and we can see the basket the wand is stuck into. In the screenshot, you can see the alignment is just about to happen again. From this angle, some supplementary stargate transit imagery appears in the alignment. Bicycles represent heaven's transdimensional vehicles, the chariots of the gods. They compare with the baskets that contain the vintage garments. I'll present some pretty obvious examples soon, Lord willing. The hoop style bike rack is an arch that is the signal shape of a dimensional portal. You can see the bike rack without any bicycles in the way in this "street view" of the actual shop.  The bike rack and bicycles are involved in another lineup in the scene shot from E Loretta Pl - with the arched doorway of the shop: Arched Doorway = Stargate. Add to this collection, the stargate transit signalling element described in Part 5, the vertically striped awning (mekasseh canopy) marked "Vintage Garments."  In the previous post, I pointed out how the star + triangle is the hieroglyph for the dog star Sirius. That was signaled when the magic wand was visually lined up with the conical bouquet of roses. The screenshot at the top shows that alignment as it's just about to happen for the 2nd time. There's another triangle in the picture, and it's also going to align with the star! That triangle is formed by the sign that sits on the sidewalk, right by the entry. These alignments are enhanced by the bonus imagery of the bike rack stargate and bicycle vehicles! We may identify the triangle sign as a pyramid. In The Wizard of Oz, pyramid imagery appears throughout the film, always in sneaky ways like this. See how the bike hoop cuts through it to present a distinct capstone. The pyramid is identified with Horus, and this symbol is complemented in the scene by the 2 versions of the sun god (Pyatt/Darnell) passing through, plus the twin versions appearing on the mailbox. In ancient Egypt, the rising of sopdet, the dog star, was the primary celestial event on the annual calendar. With the wand-star raised above the basket, it is in this context a sign of the rising of Sirius. By placing that hoop-arch style bike rack in front of the pyramid, what is so brilliantly presented is the stargate opening that Steve Quayle has described on Blog Talk Radio. He claims that others have reported witnessing the acoustically triggered opening of stargates to provide access to chambers beneath the great pyramid in Giza. What he describes is like hoop-arch style bike racks. They appear only when the portal is opened. Given the Occult signaling I've seen with bicycles and bike racks, I believe that is a reliable testimony. In this scene at the Pretty Parlor, we see the hoop-arch so the portal is open. This is entirely consistent with everything else I've described in the context. It's evil genius! We even see the bicycle chariots of the gods, as accessing the portal!  Here's a sign. A big sign. The big arrow on the tall Vintage Clothing sign seems to be pointing to the stargate at the pyramid, telling us - HEY DON'T MISS THIS! The arrow provides the scene with a fitting motion dynamic. One could easily see the arrow as the phallic arrow, of Osiris, and the rainbow clothed sky goddess in the clouds / text bubbles as Isis, facilitating the bringing forth of Horus - and one certainly should! Clouds = heaven's vehicles. Again, vintage clothing is worn, the celestial garment, and this one is a special rainbow-like version. Hmmmm. From here, it looks like the goddess might be wearing Dorothy's ruby slippers. In the Wizard of Oz, Glinda's dimensional vehicle involved a rainbow bubble, and we see bubbles with the woman on the sign. Indie fashions. How vogue! Indie - independent - Free - Freedom, like the goddess. Indie Fashions speaks to Aaron of the immortal garments being sought without dependence upon God.  The hoop-arch construction of the Pretty Parlor's bike rack is a familiar style that is leveraged in Masonic lodges, tracing boards, cathedrals and "sacred" architectures of many kinds. The Royal Arch degree emblem of Freemasonry features what's called the triple tau cross. In this scene of The Penitent Man, Pyatt is almost home. When enters his apartment building lobby, a treble arch is involved as he makes yet another visually striking stargate transit, which I may expand upon soon.  Here in Pittsburgh, PA, the land of Pan's Woods, Freemasons and SRA ritual, you'll find our local bike racks styled as the Three Rivers. It's a local theme because the city is built at the confluence of rivers, where the Allegheny and Monongahela merge into the Ohio. In my thinking, the Three Rivers symbolism was chosen for reasons that have less to do with the local map than they do with the circle of time, celestial rivers of time, stargates and triple helix DNA. Aaron and I see in this design the Adversary's own design, to merge rivers of time and redirect the flow, which will happen in the season of the Antichrist apocalypse in a quasi-successful effort to change his destiny. Placing these symbolic features around town for people to use as bike racks is a brilliant scheme. The Devil has big game, but he's still going to fail. So, are we done yet? Have we made a full sweep of the stargate transit imagery at the Pretty Parlor yet? I may have missed some, but I'll mention one last symbol that is pictured in a key alignment before I expand on the bicycle and basket symbolism. See the payphone at the market across Summit Ave? Its vertically lined up with the bike rack and bicycles too. Its use involves ringing bells, a dimensional transit sound. Its sole purpose is to bridge time-space for communication. The telephone and telephone booth are leveraged as a major plot device in The Matrix (1999). In that sci-fi classic, a cell phone can be used for communication but a landline phone is the dimensional bridging construct that facilitates travel between the Matrix and the "real world."  To be continued, Lord willing!  |
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